SPPMMC TEAM - Quizzes (S/P) - Part 6

While traveling theatre traditions existed earlier in Assam, the first modern mobile theatre is considered to have been established in 1963 with the founding of Nataraj Theatre by Achyut Lahkar in Pathsala.

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While traveling theatre traditions existed earlier in Assam, the first modern mobile theatre is considered to have been established in 1963 with the founding of Nataraj Theatre by Achyut Lahkar in Pathsala.

Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

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Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

Achyut Lahkar is considered the father of modern Assamese mobile theatre. He founded Nataraj Theatre in 1963 in Pathsala, Assam. While traveling theatre forms like Yatra were present earlier, Lahkar's Nataraj Theatre formalized and popularized mobile theatre with its organized structure and focus on contemporary themes, making it a significant cultural force in Assam.

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Achyut Lahkar is considered the father of modern Assamese mobile theatre. He founded Nataraj Theatre in 1963 in Pathsala, Assam. While traveling theatre forms like Yatra were present earlier, Lahkar's Nataraj Theatre formalized and popularized mobile theatre with its organized structure and focus on contemporary themes, making it a significant cultural force in Assam.

Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.

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Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.

While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

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While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

The Purus Sanghati Satras, important centers of Neo-Vaishnavite culture in Assam, were established by Purusottam Thakur. He was the eldest grandson of Srimanta Sankardeva, a key figure in Assamese religious and cultural history.

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The Purus Sanghati Satras, important centers of Neo-Vaishnavite culture in Assam, were established by Purusottam Thakur. He was the eldest grandson of Srimanta Sankardeva, a key figure in Assamese religious and cultural history.

Baan Theatre, a renowned and historically significant theatre group in Assam, was established in the year 1906. It has played a vital role in the development and promotion of Assamese drama and theatre. Located in Tezpur, it is one of the oldest and most influential theatre groups in the region.

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Baan Theatre, a renowned and historically significant theatre group in Assam, was established in the year 1906. It has played a vital role in the development and promotion of Assamese drama and theatre. Located in Tezpur, it is one of the oldest and most influential theatre groups in the region.

Bishnu Prasad Rabha was the first president of the Asom Natya Sanmilan. The Asom Natya Sanmilan is an amateur theater organization in Assam, India.

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Bishnu Prasad Rabha was the first president of the Asom Natya Sanmilan. The Asom Natya Sanmilan is an amateur theater organization in Assam, India.

During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.

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During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.

Jyoti Prasad Agarwala, a prominent Assamese playwright, poet, writer, film director, and composer, was born in Poki. He is widely regarded as a pivotal figure in modern Assamese culture and is known for his contributions to literature, music, and cinema. He is often referred to as "Rupkonwar" (meaning "the handsome prince").

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Jyoti Prasad Agarwala, a prominent Assamese playwright, poet, writer, film director, and composer, was born in Poki. He is widely regarded as a pivotal figure in modern Assamese culture and is known for his contributions to literature, music, and cinema. He is often referred to as "Rupkonwar" (meaning "the handsome prince").