MCQ Quizzes of the Day - 2025-02-19

Moho-ho is a folk festival celebrated in Lower Assam, particularly in districts like Kamrup, Goalpara, Barpeta, Nalbari, and Darrang. Held during the full moon night of Agrahayana/Aghun (November-December), its main objective is to eliminate mosquitoes and other pests prevalent during that season. The name itself combines "moh" (mosquito) and "ho" (to drive away). The festival involves traditional dances, songs, and the burning of bamboo effigies symbolizing the pests, all contributing to a community effort to ward off these nuisances.

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Moho-ho is a folk festival celebrated in Lower Assam, particularly in districts like Kamrup, Goalpara, Barpeta, Nalbari, and Darrang. Held during the full moon night of Agrahayana/Aghun (November-December), its main objective is to eliminate mosquitoes and other pests prevalent during that season. The name itself combines "moh" (mosquito) and "ho" (to drive away). The festival involves traditional dances, songs, and the burning of bamboo effigies symbolizing the pests, all contributing to a community effort to ward off these nuisances.

Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.

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Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.

While traveling theatre traditions existed earlier in Assam, the first modern mobile theatre is considered to have been established in 1963 with the founding of Nataraj Theatre by Achyut Lahkar in Pathsala.

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While traveling theatre traditions existed earlier in Assam, the first modern mobile theatre is considered to have been established in 1963 with the founding of Nataraj Theatre by Achyut Lahkar in Pathsala.

The tomb of Gisuddin Aulia, a revered Sufi saint, is located at Poa Mecca in Hajo, Assam, India. Poa Mecca is a significant pilgrimage site for both Muslims and Hindus, symbolizing interfaith harmony. Gisuddin Aulia's tomb is a central part of this site, attracting devotees and visitors from various backgrounds.

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The tomb of Gisuddin Aulia, a revered Sufi saint, is located at Poa Mecca in Hajo, Assam, India. Poa Mecca is a significant pilgrimage site for both Muslims and Hindus, symbolizing interfaith harmony. Gisuddin Aulia's tomb is a central part of this site, attracting devotees and visitors from various backgrounds.

Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

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Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.

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The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.

Srimanta Sankardeva, the revered Assamese saint, scholar, playwright, social reformer, and founder of the Ekasarana Dharma, breathed his last at Madhupur Satra, Bheladonga in Cooch Behar, which is now in West Bengal, India.

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Srimanta Sankardeva, the revered Assamese saint, scholar, playwright, social reformer, and founder of the Ekasarana Dharma, breathed his last at Madhupur Satra, Bheladonga in Cooch Behar, which is now in West Bengal, India.

Sri Surya Pahar is a significant archaeological site in Assam, known for its numerous rock-cut Shivalingas and other religious artifacts. It is often referred to as the "second Kashi" due to the high concentration of Shivalingas, reminiscent of the holy city of Kashi (Varanasi). Legend states that Vyasa engraved 99,999 Shiva Lingas here, aiming to create a second Kashi (where there are 100,000). While less widely known than other Assamese landmarks, it holds considerable religious and historical importance.

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Sri Surya Pahar is a significant archaeological site in Assam, known for its numerous rock-cut Shivalingas and other religious artifacts. It is often referred to as the "second Kashi" due to the high concentration of Shivalingas, reminiscent of the holy city of Kashi (Varanasi). Legend states that Vyasa engraved 99,999 Shiva Lingas here, aiming to create a second Kashi (where there are 100,000). While less widely known than other Assamese landmarks, it holds considerable religious and historical importance.

Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

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Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

Tusu Puja is a significant harvest festival primarily observed by the tea tribes and other tribal communities in Assam, as well as in parts of West Bengal, Jharkhand, and Odisha.

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Tusu Puja is a significant harvest festival primarily observed by the tea tribes and other tribal communities in Assam, as well as in parts of West Bengal, Jharkhand, and Odisha.