MCQ Quizzes of the Day - 2025-02-19
@2025-02-19
28 quizzes
Q1. What is considered the precursor of mobile theatres in Assam?
Q1. What is considered the precursor of mobile theatres in Assam?
Answer: (B) Yatra Party
Answer: (B) Yatra Party
Answer: (B) Yatra Party
While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.
While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.
While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.
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Q2. During what time were Charyapadas composed?
Q2. During what time were Charyapadas composed?
Answer: (A) Between 8th and 12th century
Answer: (A) Between 8th and 12th century
Answer: (A) Between 8th and 12th century
The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.
The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.
The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.
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Q3. Where did Sankardeva establish the first Satra?
Q3. Where did Sankardeva establish the first Satra?
Answer: (A) Bardowa
Answer: (A) Bardowa
Answer: (A) Bardowa
Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.
Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.
Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.
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Q4. In which year was the first mobile theatre formed in Assam?
Q4. In which year was the first mobile theatre formed in Assam?
Answer: (A) 1963
Answer: (A) 1963
Answer: (A) 1963
While traveling theatre traditions existed earlier in Assam, the first modern mobile theatre is considered to have been established in 1963 with the founding of Nataraj Theatre by Achyut Lahkar in Pathsala.
While traveling theatre traditions existed earlier in Assam, the first modern mobile theatre is considered to have been established in 1963 with the founding of Nataraj Theatre by Achyut Lahkar in Pathsala.
While traveling theatre traditions existed earlier in Assam, the first modern mobile theatre is considered to have been established in 1963 with the founding of Nataraj Theatre by Achyut Lahkar in Pathsala.
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Q5. Who composed Jikir and Jaari geets in the Assamese language?
Q5. Who composed Jikir and Jaari geets in the Assamese language?
Answer: (A) Ajan Fakir Saheb
Answer: (A) Ajan Fakir Saheb
Answer: (A) Ajan Fakir Saheb
Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.
Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.
Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.
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Q6. Poki was the birthplace of which cultural icon?
Q6. Poki was the birthplace of which cultural icon?
Answer: (C) Jyoti Prasad Agarwala
Answer: (C) Jyoti Prasad Agarwala
Answer: (C) Jyoti Prasad Agarwala
Jyoti Prasad Agarwala, a prominent Assamese playwright, poet, writer, film director, and composer, was born in Poki. He is widely regarded as a pivotal figure in modern Assamese culture and is known for his contributions to literature, music, and cinema. He is often referred to as "Rupkonwar" (meaning "the handsome prince").
Jyoti Prasad Agarwala, a prominent Assamese playwright, poet, writer, film director, and composer, was born in Poki. He is widely regarded as a pivotal figure in modern Assamese culture and is known for his contributions to literature, music, and cinema. He is often referred to as "Rupkonwar" (meaning "the handsome prince").
Jyoti Prasad Agarwala, a prominent Assamese playwright, poet, writer, film director, and composer, was born in Poki. He is widely regarded as a pivotal figure in modern Assamese culture and is known for his contributions to literature, music, and cinema. He is often referred to as "Rupkonwar" (meaning "the handsome prince").
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Q7. Where did Gandhiji stay during his visit in 1921?
Q7. Where did Gandhiji stay during his visit in 1921?
Answer: (B) Tarun Phukan's house
Answer: (B) Tarun Phukan's house
Answer: (B) Tarun Phukan's house
During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.
During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.
During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.
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Q8. Who founded Nataraj Theatre, the first mobile theatre of Assam?
Q8. Who founded Nataraj Theatre, the first mobile theatre of Assam?
Answer: (C) Achyut Lahkar
Answer: (C) Achyut Lahkar
Answer: (C) Achyut Lahkar
Achyut Lahkar is considered the father of modern Assamese mobile theatre. He founded Nataraj Theatre in 1963 in Pathsala, Assam. While traveling theatre forms like Yatra were present earlier, Lahkar's Nataraj Theatre formalized and popularized mobile theatre with its organized structure and focus on contemporary themes, making it a significant cultural force in Assam.
Achyut Lahkar is considered the father of modern Assamese mobile theatre. He founded Nataraj Theatre in 1963 in Pathsala, Assam. While traveling theatre forms like Yatra were present earlier, Lahkar's Nataraj Theatre formalized and popularized mobile theatre with its organized structure and focus on contemporary themes, making it a significant cultural force in Assam.
Achyut Lahkar is considered the father of modern Assamese mobile theatre. He founded Nataraj Theatre in 1963 in Pathsala, Assam. While traveling theatre forms like Yatra were present earlier, Lahkar's Nataraj Theatre formalized and popularized mobile theatre with its organized structure and focus on contemporary themes, making it a significant cultural force in Assam.
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Q9. In which year was Jyoti Chitraban established?
Q9. In which year was Jyoti Chitraban established?
Answer: (A) 1961
Answer: (A) 1961
Answer: (A) 1961
Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.
Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.
Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.
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Q10. Which Satra is renowned for its mask-making tradition?
Q10. Which Satra is renowned for its mask-making tradition?
Answer: (C) Samaguri
Answer: (C) Samaguri
Answer: (C) Samaguri
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
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