MCQ Quizzes of the Day - 2025-02-19
@2025-02-19
28 quizzes
Q1. Which Satra was established by Ahom King Jayaddhwaj Singha?
Q1. Which Satra was established by Ahom King Jayaddhwaj Singha?
Answer: (A) Aauniati Satra
Answer: (A) Aauniati Satra
Answer: (A) Aauniati Satra
Sri Sri Auniati Satra, located in Majuli, Assam, was established by the Ahom King Jayaddhwaj Singha.
Sri Sri Auniati Satra, located in Majuli, Assam, was established by the Ahom King Jayaddhwaj Singha.
Sri Sri Auniati Satra, located in Majuli, Assam, was established by the Ahom King Jayaddhwaj Singha.
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Q2. Where is the tomb of Gisuddin Aaulia situated?
Q2. Where is the tomb of Gisuddin Aaulia situated?
Answer: (B) Hajo
Answer: (B) Hajo
Answer: (B) Hajo
The tomb of Gisuddin Aulia, a revered Sufi saint, is located at Poa Mecca in Hajo, Assam, India. Poa Mecca is a significant pilgrimage site for both Muslims and Hindus, symbolizing interfaith harmony. Gisuddin Aulia's tomb is a central part of this site, attracting devotees and visitors from various backgrounds.
The tomb of Gisuddin Aulia, a revered Sufi saint, is located at Poa Mecca in Hajo, Assam, India. Poa Mecca is a significant pilgrimage site for both Muslims and Hindus, symbolizing interfaith harmony. Gisuddin Aulia's tomb is a central part of this site, attracting devotees and visitors from various backgrounds.
The tomb of Gisuddin Aulia, a revered Sufi saint, is located at Poa Mecca in Hajo, Assam, India. Poa Mecca is a significant pilgrimage site for both Muslims and Hindus, symbolizing interfaith harmony. Gisuddin Aulia's tomb is a central part of this site, attracting devotees and visitors from various backgrounds.
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Q3. How many Bargeets did Madhavdeva compose?
Q3. How many Bargeets did Madhavdeva compose?
Answer: (A) 191
Answer: (A) 191
Answer: (A) 191
Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.
Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.
Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.
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Q4. During what time were Charyapadas composed?
Q4. During what time were Charyapadas composed?
Answer: (A) Between 8th and 12th century
Answer: (A) Between 8th and 12th century
Answer: (A) Between 8th and 12th century
The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.
The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.
The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.
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Q5. Where did Sankardeva breathe his last?
Q5. Where did Sankardeva breathe his last?
Answer: (A) Madhupur Satra
Answer: (A) Madhupur Satra
Answer: (A) Madhupur Satra
Srimanta Sankardeva, the revered Assamese saint, scholar, playwright, social reformer, and founder of the Ekasarana Dharma, breathed his last at Madhupur Satra, Bheladonga in Cooch Behar, which is now in West Bengal, India.
Srimanta Sankardeva, the revered Assamese saint, scholar, playwright, social reformer, and founder of the Ekasarana Dharma, breathed his last at Madhupur Satra, Bheladonga in Cooch Behar, which is now in West Bengal, India.
Srimanta Sankardeva, the revered Assamese saint, scholar, playwright, social reformer, and founder of the Ekasarana Dharma, breathed his last at Madhupur Satra, Bheladonga in Cooch Behar, which is now in West Bengal, India.
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Q6. Moho-ho is celebrated to eliminate what?
Q6. Moho-ho is celebrated to eliminate what?
Answer: (D) Mosquitoes
Answer: (D) Mosquitoes
Answer: (D) Mosquitoes
Moho-ho is a folk festival celebrated in Lower Assam, particularly in districts like Kamrup, Goalpara, Barpeta, Nalbari, and Darrang. Held during the full moon night of Agrahayana/Aghun (November-December), its main objective is to eliminate mosquitoes and other pests prevalent during that season. The name itself combines "moh" (mosquito) and "ho" (to drive away). The festival involves traditional dances, songs, and the burning of bamboo effigies symbolizing the pests, all contributing to a community effort to ward off these nuisances.
Moho-ho is a folk festival celebrated in Lower Assam, particularly in districts like Kamrup, Goalpara, Barpeta, Nalbari, and Darrang. Held during the full moon night of Agrahayana/Aghun (November-December), its main objective is to eliminate mosquitoes and other pests prevalent during that season. The name itself combines "moh" (mosquito) and "ho" (to drive away). The festival involves traditional dances, songs, and the burning of bamboo effigies symbolizing the pests, all contributing to a community effort to ward off these nuisances.
Moho-ho is a folk festival celebrated in Lower Assam, particularly in districts like Kamrup, Goalpara, Barpeta, Nalbari, and Darrang. Held during the full moon night of Agrahayana/Aghun (November-December), its main objective is to eliminate mosquitoes and other pests prevalent during that season. The name itself combines "moh" (mosquito) and "ho" (to drive away). The festival involves traditional dances, songs, and the burning of bamboo effigies symbolizing the pests, all contributing to a community effort to ward off these nuisances.
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Q7. Which community observes Tusu puja?
Q7. Which community observes Tusu puja?
Answer: (C) Tea tribes
Answer: (C) Tea tribes
Answer: (C) Tea tribes
Tusu Puja is a significant harvest festival primarily observed by the tea tribes and other tribal communities in Assam, as well as in parts of West Bengal, Jharkhand, and Odisha.
Tusu Puja is a significant harvest festival primarily observed by the tea tribes and other tribal communities in Assam, as well as in parts of West Bengal, Jharkhand, and Odisha.
Tusu Puja is a significant harvest festival primarily observed by the tea tribes and other tribal communities in Assam, as well as in parts of West Bengal, Jharkhand, and Odisha.
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Q8. Which Satra is renowned for its mask-making tradition?
Q8. Which Satra is renowned for its mask-making tradition?
Answer: (C) Samaguri
Answer: (C) Samaguri
Answer: (C) Samaguri
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
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Q9. Who was the initial President of Asom Natya Sanmilan?
Q9. Who was the initial President of Asom Natya Sanmilan?
Answer: (D) Bishnu Prasad Rabha
Answer: (D) Bishnu Prasad Rabha
Answer: (D) Bishnu Prasad Rabha
Bishnu Prasad Rabha was the first president of the Asom Natya Sanmilan. The Asom Natya Sanmilan is an amateur theater organization in Assam, India.
Bishnu Prasad Rabha was the first president of the Asom Natya Sanmilan. The Asom Natya Sanmilan is an amateur theater organization in Assam, India.
Bishnu Prasad Rabha was the first president of the Asom Natya Sanmilan. The Asom Natya Sanmilan is an amateur theater organization in Assam, India.
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Q10. Where was the first commercial Yatra Party formed in Assam?
Q10. Where was the first commercial Yatra Party formed in Assam?
Answer: (B) Barpeta
Answer: (B) Barpeta
Answer: (B) Barpeta
The first commercial Yatra Party in Assam was established in Barpeta. This marked a significant step in the evolution of Assamese theatre, transitioning towards a more structured and financially driven form of performance. It was initiated by Tirtharam Bayan with the support of Govindaram Choudhury, signifying the beginning of organized Yatra performances in the region.
The first commercial Yatra Party in Assam was established in Barpeta. This marked a significant step in the evolution of Assamese theatre, transitioning towards a more structured and financially driven form of performance. It was initiated by Tirtharam Bayan with the support of Govindaram Choudhury, signifying the beginning of organized Yatra performances in the region.
The first commercial Yatra Party in Assam was established in Barpeta. This marked a significant step in the evolution of Assamese theatre, transitioning towards a more structured and financially driven form of performance. It was initiated by Tirtharam Bayan with the support of Govindaram Choudhury, signifying the beginning of organized Yatra performances in the region.
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