MCQ Quizzes of the Day - 2025-02-08
@2025-02-08
35 quizzes
Q1. Which traditional Assamese festival is also known as Bhogali Bihu?
Q1. Which traditional Assamese festival is also known as Bhogali Bihu?
Answer: (B) Magh Bihu
Answer: (B) Magh Bihu
Answer: (B) Magh Bihu
Magh Bihu, also known as Bhogali Bihu, is a harvest festival celebrated in Assam, India, in the month of Magh (January-February). It marks the end of the harvesting season and is associated with feasting and bonfires. The name "Bhogali" comes from "bhog," which means food and enjoyment, reflecting the celebratory nature of the festival with an abundance of food after the harvest.
Magh Bihu, also known as Bhogali Bihu, is a harvest festival celebrated in Assam, India, in the month of Magh (January-February). It marks the end of the harvesting season and is associated with feasting and bonfires. The name "Bhogali" comes from "bhog," which means food and enjoyment, reflecting the celebratory nature of the festival with an abundance of food after the harvest.
Magh Bihu, also known as Bhogali Bihu, is a harvest festival celebrated in Assam, India, in the month of Magh (January-February). It marks the end of the harvesting season and is associated with feasting and bonfires. The name "Bhogali" comes from "bhog," which means food and enjoyment, reflecting the celebratory nature of the festival with an abundance of food after the harvest.
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Q2. The traditional Assamese wedding attire for women is known as
Q2. The traditional Assamese wedding attire for women is known as
Answer: (B) Mekhela Chador
Answer: (B) Mekhela Chador
Answer: (B) Mekhela Chador
The traditional Assamese wedding attire for women is the Mekhela Chador. It's a two-piece garment: the Mekhela is a long, cylindrical cloth draped around the waist, and the Chador is a longer cloth draped over the shoulder. Traditionally made of silk (often Muga silk) and adorned with intricate embroidery, the Mekhela Chador is considered elegant and culturally significant. While modern brides may choose other outfits, the Mekhela Chador remains a cherished part of Assamese wedding traditions.
The traditional Assamese wedding attire for women is the Mekhela Chador. It's a two-piece garment: the Mekhela is a long, cylindrical cloth draped around the waist, and the Chador is a longer cloth draped over the shoulder. Traditionally made of silk (often Muga silk) and adorned with intricate embroidery, the Mekhela Chador is considered elegant and culturally significant. While modern brides may choose other outfits, the Mekhela Chador remains a cherished part of Assamese wedding traditions.
The traditional Assamese wedding attire for women is the Mekhela Chador. It's a two-piece garment: the Mekhela is a long, cylindrical cloth draped around the waist, and the Chador is a longer cloth draped over the shoulder. Traditionally made of silk (often Muga silk) and adorned with intricate embroidery, the Mekhela Chador is considered elegant and culturally significant. While modern brides may choose other outfits, the Mekhela Chador remains a cherished part of Assamese wedding traditions.
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Q3. The traditional Assamese folk dance of the tea tribes is known as
Q3. The traditional Assamese folk dance of the tea tribes is known as
Answer: (B) Jhumur
Answer: (B) Jhumur
Answer: (B) Jhumur
Jhumur is a traditional folk dance performed by the tea tribes of Assam, India. It is a vibrant and energetic dance characterized by rhythmic movements, colorful costumes, and the use of traditional musical instruments. Jhumur is an integral part of the tea tribe culture and is performed during festivals, celebrations, and social gatherings. The dance often depicts themes related to their daily lives, work in the tea gardens, and their cultural heritage.
Jhumur is a traditional folk dance performed by the tea tribes of Assam, India. It is a vibrant and energetic dance characterized by rhythmic movements, colorful costumes, and the use of traditional musical instruments. Jhumur is an integral part of the tea tribe culture and is performed during festivals, celebrations, and social gatherings. The dance often depicts themes related to their daily lives, work in the tea gardens, and their cultural heritage.
Jhumur is a traditional folk dance performed by the tea tribes of Assam, India. It is a vibrant and energetic dance characterized by rhythmic movements, colorful costumes, and the use of traditional musical instruments. Jhumur is an integral part of the tea tribe culture and is performed during festivals, celebrations, and social gatherings. The dance often depicts themes related to their daily lives, work in the tea gardens, and their cultural heritage.
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Q4. How many times did the Mughals attack Assam?
Q4. How many times did the Mughals attack Assam?
Answer: (D) 17 times
Answer: (D) 17 times
Answer: (D) 17 times
17 times
17 times
17 times
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Q5. Who founded Kundil Nagar?
Q5. Who founded Kundil Nagar?
Answer: (A) The Chutiyas
Answer: (A) The Chutiyas
Answer: (A) The Chutiyas
The archaeological site of Bhismak Nagar or Kundil Nagar is near Roing in Lower Dibang Valley district of Arunachal Pradesh. Bismak Nagar fort was built by Chutia Kings and his people during 8th to 10th Century near the river Kundil, between Roing and Tezu.
The archaeological site of Bhismak Nagar or Kundil Nagar is near Roing in Lower Dibang Valley district of Arunachal Pradesh. Bismak Nagar fort was built by Chutia Kings and his people during 8th to 10th Century near the river Kundil, between Roing and Tezu.
The archaeological site of Bhismak Nagar or Kundil Nagar is near Roing in Lower Dibang Valley district of Arunachal Pradesh. Bismak Nagar fort was built by Chutia Kings and his people during 8th to 10th Century near the river Kundil, between Roing and Tezu.
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Q6. Which term indicates the language of the Barmans?
Q6. Which term indicates the language of the Barmans?
Answer: (D) Thar
Answer: (D) Thar
Answer: (D) Thar
The Barmans, also known as Barman Kacharis, are an indigenous community primarily residing in Assam, India. Their language is called Barman Thar, where "thar" means language. It is a Tibeto-Burman language belonging to the Bodo-Garo subgroup. Although the community has a population of over 24,000, only a small portion of them still speak Barman Thar, making it a highly endangered language.
The Barmans, also known as Barman Kacharis, are an indigenous community primarily residing in Assam, India. Their language is called Barman Thar, where "thar" means language. It is a Tibeto-Burman language belonging to the Bodo-Garo subgroup. Although the community has a population of over 24,000, only a small portion of them still speak Barman Thar, making it a highly endangered language.
The Barmans, also known as Barman Kacharis, are an indigenous community primarily residing in Assam, India. Their language is called Barman Thar, where "thar" means language. It is a Tibeto-Burman language belonging to the Bodo-Garo subgroup. Although the community has a population of over 24,000, only a small portion of them still speak Barman Thar, making it a highly endangered language.
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Q7. The Ahom dynasty, which ruled Assam for several centuries, originated from which region?
Q7. The Ahom dynasty, which ruled Assam for several centuries, originated from which region?
Answer: (B) Yunnan
Answer: (B) Yunnan
Answer: (B) Yunnan
The Ahom dynasty, which ruled Assam for over six centuries, originated from the Tai people of Yunnan Province in southwestern China. Led by Sukaphaa, they migrated to Assam in the 13th century and established their kingdom, gradually expanding their control over the region.
The Ahom dynasty, which ruled Assam for over six centuries, originated from the Tai people of Yunnan Province in southwestern China. Led by Sukaphaa, they migrated to Assam in the 13th century and established their kingdom, gradually expanding their control over the region.
The Ahom dynasty, which ruled Assam for over six centuries, originated from the Tai people of Yunnan Province in southwestern China. Led by Sukaphaa, they migrated to Assam in the 13th century and established their kingdom, gradually expanding their control over the region.
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Q8. Which wildlife sanctuary in Assam is famous for one-horned rhinoceros?
Q8. Which wildlife sanctuary in Assam is famous for one-horned rhinoceros?
Answer: (A) Kaziranga National Park
Answer: (A) Kaziranga National Park
Answer: (A) Kaziranga National Park
Kaziranga National Park is world-renowned for its significant population of the Indian one-horned rhinoceros (Rhinoceros unicornis). It's a major habitat for this vulnerable species, and conservation efforts in Kaziranga have played a crucial role in protecting them. While other parks in Assam might have some rhinos, Kaziranga is the most important and well-known for them.
Kaziranga National Park is world-renowned for its significant population of the Indian one-horned rhinoceros (Rhinoceros unicornis). It's a major habitat for this vulnerable species, and conservation efforts in Kaziranga have played a crucial role in protecting them. While other parks in Assam might have some rhinos, Kaziranga is the most important and well-known for them.
Kaziranga National Park is world-renowned for its significant population of the Indian one-horned rhinoceros (Rhinoceros unicornis). It's a major habitat for this vulnerable species, and conservation efforts in Kaziranga have played a crucial role in protecting them. While other parks in Assam might have some rhinos, Kaziranga is the most important and well-known for them.
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Q9. The traditional Assamese form of devotional music is known as:
Q9. The traditional Assamese form of devotional music is known as:
Answer: (B) Borgeet
Answer: (B) Borgeet
Answer: (B) Borgeet
Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.
Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.
Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.
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Q10. The traditional Assamese form of storytelling through song and dance is known as:
Q10. The traditional Assamese form of storytelling through song and dance is known as:
Answer: (D) Ojapali
Answer: (D) Ojapali
Answer: (D) Ojapali
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
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