Assam, India - Quizzes (S/P) - Part 5

Kushan gaan is a traditional folk theatre form primarily found and performed in the Goalpara district of Assam, India. This unique form of theatre combines music, dance, and acting, often drawing its themes and stories from the epic Ramayana. It is performed by semi-professional troupes and plays a significant role in the cultural identity and heritage of the Goalpara region.

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Kushan gaan is a traditional folk theatre form primarily found and performed in the Goalpara district of Assam, India. This unique form of theatre combines music, dance, and acting, often drawing its themes and stories from the epic Ramayana. It is performed by semi-professional troupes and plays a significant role in the cultural identity and heritage of the Goalpara region.

Uruka is the night before Magh Bihu, a significant harvest festival in Assam, India. It's a night of feasting, merrymaking, and community bonding, marking the end of the harvesting season. People prepare special dishes, build temporary shelters (Bhelaghar), and light bonfires (Meji) as part of the celebrations. Uruka is a time to express gratitude for the harvest and enjoy the fruits of their labor before the main Magh Bihu festivities begin.

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Uruka is the night before Magh Bihu, a significant harvest festival in Assam, India. It's a night of feasting, merrymaking, and community bonding, marking the end of the harvesting season. People prepare special dishes, build temporary shelters (Bhelaghar), and light bonfires (Meji) as part of the celebrations. Uruka is a time to express gratitude for the harvest and enjoy the fruits of their labor before the main Magh Bihu festivities begin.

Magh Bihu, a post-harvest festival in Assam, is celebrated in the Assamese month of Magh, which corresponds to January-February in the Gregorian calendar. It's a significant festival marked by feasting, bonfires (Meji), and various traditional activities. It usually takes place in mid-January.

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Magh Bihu, a post-harvest festival in Assam, is celebrated in the Assamese month of Magh, which corresponds to January-February in the Gregorian calendar. It's a significant festival marked by feasting, bonfires (Meji), and various traditional activities. It usually takes place in mid-January.

The tomb of Gisuddin Aulia, a revered Sufi saint, is located at Poa Mecca in Hajo, Assam, India. Poa Mecca is a significant pilgrimage site for both Muslims and Hindus, symbolizing interfaith harmony. Gisuddin Aulia's tomb is a central part of this site, attracting devotees and visitors from various backgrounds.

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The tomb of Gisuddin Aulia, a revered Sufi saint, is located at Poa Mecca in Hajo, Assam, India. Poa Mecca is a significant pilgrimage site for both Muslims and Hindus, symbolizing interfaith harmony. Gisuddin Aulia's tomb is a central part of this site, attracting devotees and visitors from various backgrounds.

Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.

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Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.

Moho-ho is a folk festival celebrated in Lower Assam, particularly in districts like Kamrup, Goalpara, Barpeta, Nalbari, and Darrang. Held during the full moon night of Agrahayana/Aghun (November-December), its main objective is to eliminate mosquitoes and other pests prevalent during that season. The name itself combines "moh" (mosquito) and "ho" (to drive away). The festival involves traditional dances, songs, and the burning of bamboo effigies symbolizing the pests, all contributing to a community effort to ward off these nuisances.

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Moho-ho is a folk festival celebrated in Lower Assam, particularly in districts like Kamrup, Goalpara, Barpeta, Nalbari, and Darrang. Held during the full moon night of Agrahayana/Aghun (November-December), its main objective is to eliminate mosquitoes and other pests prevalent during that season. The name itself combines "moh" (mosquito) and "ho" (to drive away). The festival involves traditional dances, songs, and the burning of bamboo effigies symbolizing the pests, all contributing to a community effort to ward off these nuisances.

The first commercial Yatra Party in Assam was established in Barpeta. This marked a significant step in the evolution of Assamese theatre, transitioning towards a more structured and financially driven form of performance. It was initiated by Tirtharam Bayan with the support of Govindaram Choudhury, signifying the beginning of organized Yatra performances in the region.

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The first commercial Yatra Party in Assam was established in Barpeta. This marked a significant step in the evolution of Assamese theatre, transitioning towards a more structured and financially driven form of performance. It was initiated by Tirtharam Bayan with the support of Govindaram Choudhury, signifying the beginning of organized Yatra performances in the region.

While traveling theatre traditions existed earlier in Assam, the first modern mobile theatre is considered to have been established in 1963 with the founding of Nataraj Theatre by Achyut Lahkar in Pathsala.

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While traveling theatre traditions existed earlier in Assam, the first modern mobile theatre is considered to have been established in 1963 with the founding of Nataraj Theatre by Achyut Lahkar in Pathsala.

Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

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Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

Achyut Lahkar is considered the father of modern Assamese mobile theatre. He founded Nataraj Theatre in 1963 in Pathsala, Assam. While traveling theatre forms like Yatra were present earlier, Lahkar's Nataraj Theatre formalized and popularized mobile theatre with its organized structure and focus on contemporary themes, making it a significant cultural force in Assam.

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Achyut Lahkar is considered the father of modern Assamese mobile theatre. He founded Nataraj Theatre in 1963 in Pathsala, Assam. While traveling theatre forms like Yatra were present earlier, Lahkar's Nataraj Theatre formalized and popularized mobile theatre with its organized structure and focus on contemporary themes, making it a significant cultural force in Assam.