Assam, India - Quizzes (S/P) - Part 6
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Assam
727 quizzes
Showing Quizzes: 10 (51-60) [Part - 6 of 73]
Q51. Who introduced co-acting on the stages of Assam?
Q51. Who introduced co-acting on the stages of Assam?
Answer: (D) Braja Sharma
Answer: (D) Braja Sharma
Answer: (D) Braja Sharma
Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.
Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.
Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.
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Q52. What is considered the precursor of mobile theatres in Assam?
Q52. What is considered the precursor of mobile theatres in Assam?
Answer: (B) Yatra Party
Answer: (B) Yatra Party
Answer: (B) Yatra Party
While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.
While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.
While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.
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Q53. By whom were the Purus Sanghati Satras established?
Q53. By whom were the Purus Sanghati Satras established?
Answer: (C) Purushuttam Deva
Answer: (C) Purushuttam Deva
Answer: (C) Purushuttam Deva
The Purus Sanghati Satras, important centers of Neo-Vaishnavite culture in Assam, were established by Purusottam Thakur. He was the eldest grandson of Srimanta Sankardeva, a key figure in Assamese religious and cultural history.
The Purus Sanghati Satras, important centers of Neo-Vaishnavite culture in Assam, were established by Purusottam Thakur. He was the eldest grandson of Srimanta Sankardeva, a key figure in Assamese religious and cultural history.
The Purus Sanghati Satras, important centers of Neo-Vaishnavite culture in Assam, were established by Purusottam Thakur. He was the eldest grandson of Srimanta Sankardeva, a key figure in Assamese religious and cultural history.
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Q54. In which year the Baan Theatre established?
Q54. In which year the Baan Theatre established?
Answer: (C) 1906
Answer: (C) 1906
Answer: (C) 1906
Baan Theatre, a renowned and historically significant theatre group in Assam, was established in the year 1906. It has played a vital role in the development and promotion of Assamese drama and theatre. Located in Tezpur, it is one of the oldest and most influential theatre groups in the region.
Baan Theatre, a renowned and historically significant theatre group in Assam, was established in the year 1906. It has played a vital role in the development and promotion of Assamese drama and theatre. Located in Tezpur, it is one of the oldest and most influential theatre groups in the region.
Baan Theatre, a renowned and historically significant theatre group in Assam, was established in the year 1906. It has played a vital role in the development and promotion of Assamese drama and theatre. Located in Tezpur, it is one of the oldest and most influential theatre groups in the region.
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Q55. Who was the initial President of Asom Natya Sanmilan?
Q55. Who was the initial President of Asom Natya Sanmilan?
Answer: (D) Bishnu Prasad Rabha
Answer: (D) Bishnu Prasad Rabha
Answer: (D) Bishnu Prasad Rabha
Bishnu Prasad Rabha was the first president of the Asom Natya Sanmilan. The Asom Natya Sanmilan is an amateur theater organization in Assam, India.
Bishnu Prasad Rabha was the first president of the Asom Natya Sanmilan. The Asom Natya Sanmilan is an amateur theater organization in Assam, India.
Bishnu Prasad Rabha was the first president of the Asom Natya Sanmilan. The Asom Natya Sanmilan is an amateur theater organization in Assam, India.
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Q56. Where did Gandhiji stay during his visit in 1921?
Q56. Where did Gandhiji stay during his visit in 1921?
Answer: (B) Tarun Phukan's house
Answer: (B) Tarun Phukan's house
Answer: (B) Tarun Phukan's house
During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.
During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.
During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.
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Q57. Poki was the birthplace of which cultural icon?
Q57. Poki was the birthplace of which cultural icon?
Answer: (C) Jyoti Prasad Agarwala
Answer: (C) Jyoti Prasad Agarwala
Answer: (C) Jyoti Prasad Agarwala
Jyoti Prasad Agarwala, a prominent Assamese playwright, poet, writer, film director, and composer, was born in Poki. He is widely regarded as a pivotal figure in modern Assamese culture and is known for his contributions to literature, music, and cinema. He is often referred to as "Rupkonwar" (meaning "the handsome prince").
Jyoti Prasad Agarwala, a prominent Assamese playwright, poet, writer, film director, and composer, was born in Poki. He is widely regarded as a pivotal figure in modern Assamese culture and is known for his contributions to literature, music, and cinema. He is often referred to as "Rupkonwar" (meaning "the handsome prince").
Jyoti Prasad Agarwala, a prominent Assamese playwright, poet, writer, film director, and composer, was born in Poki. He is widely regarded as a pivotal figure in modern Assamese culture and is known for his contributions to literature, music, and cinema. He is often referred to as "Rupkonwar" (meaning "the handsome prince").
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Q58. In which year was Jyoti Chitraban established?
Q58. In which year was Jyoti Chitraban established?
Answer: (A) 1961
Answer: (A) 1961
Answer: (A) 1961
Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.
Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.
Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.
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Q59. Which of the following is considered the second Kashi in Assam?
Q59. Which of the following is considered the second Kashi in Assam?
Answer: (C) Sri Surya Pahar
Answer: (C) Sri Surya Pahar
Answer: (C) Sri Surya Pahar
Sri Surya Pahar is a significant archaeological site in Assam, known for its numerous rock-cut Shivalingas and other religious artifacts. It is often referred to as the "second Kashi" due to the high concentration of Shivalingas, reminiscent of the holy city of Kashi (Varanasi). Legend states that Vyasa engraved 99,999 Shiva Lingas here, aiming to create a second Kashi (where there are 100,000). While less widely known than other Assamese landmarks, it holds considerable religious and historical importance.
Sri Surya Pahar is a significant archaeological site in Assam, known for its numerous rock-cut Shivalingas and other religious artifacts. It is often referred to as the "second Kashi" due to the high concentration of Shivalingas, reminiscent of the holy city of Kashi (Varanasi). Legend states that Vyasa engraved 99,999 Shiva Lingas here, aiming to create a second Kashi (where there are 100,000). While less widely known than other Assamese landmarks, it holds considerable religious and historical importance.
Sri Surya Pahar is a significant archaeological site in Assam, known for its numerous rock-cut Shivalingas and other religious artifacts. It is often referred to as the "second Kashi" due to the high concentration of Shivalingas, reminiscent of the holy city of Kashi (Varanasi). Legend states that Vyasa engraved 99,999 Shiva Lingas here, aiming to create a second Kashi (where there are 100,000). While less widely known than other Assamese landmarks, it holds considerable religious and historical importance.
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Q60. Where did Sati's tongue fall/believed to have fallen?
Q60. Where did Sati's tongue fall/believed to have fallen?
Answer: (C) Tukreswari
Answer: (C) Tukreswari
Answer: (C) Tukreswari
Tukreswari Temple in Goalpara district, Assam is an ancient Hindu temple and is dedicated to Sati as Shakti Peetha. Shakti Peethas are shrines or divine places of Sati, believed to have enshrined with the presence of Shakti due to the falling of body parts of the corpse of Sati.
Tukreswari Temple in Goalpara district, Assam is an ancient Hindu temple and is dedicated to Sati as Shakti Peetha. Shakti Peethas are shrines or divine places of Sati, believed to have enshrined with the presence of Shakti due to the falling of body parts of the corpse of Sati.
Tukreswari Temple in Goalpara district, Assam is an ancient Hindu temple and is dedicated to Sati as Shakti Peetha. Shakti Peethas are shrines or divine places of Sati, believed to have enshrined with the presence of Shakti due to the falling of body parts of the corpse of Sati.
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