Where is the tomb of Gisuddin Aaulia situated? [#2409]
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Q1. Where is the tomb of Gisuddin Aaulia situated?
Q1. Where is the tomb of Gisuddin Aaulia situated?
(A) Sualkuchi
(A) Sualkuchi
(A) Sualkuchi
(B) Hajo
(B) Hajo
(B) Hajo
(C) Goalpara
(C) Goalpara
(C) Goalpara
(D) Dhubri
(D) Dhubri
(D) Dhubri
Answer: (B) Hajo
Answer: (B) Hajo
Answer: (B) Hajo
The tomb of Gisuddin Aulia, a revered Sufi saint, is located at Poa Mecca in Hajo, Assam, India. Poa Mecca is a significant pilgrimage site for both Muslims and Hindus, symbolizing interfaith harmony. Gisuddin Aulia's tomb is a central part of this site, attracting devotees and visitors from various backgrounds.
The tomb of Gisuddin Aulia, a revered Sufi saint, is located at Poa Mecca in Hajo, Assam, India. Poa Mecca is a significant pilgrimage site for both Muslims and Hindus, symbolizing interfaith harmony. Gisuddin Aulia's tomb is a central part of this site, attracting devotees and visitors from various backgrounds.
The tomb of Gisuddin Aulia, a revered Sufi saint, is located at Poa Mecca in Hajo, Assam, India. Poa Mecca is a significant pilgrimage site for both Muslims and Hindus, symbolizing interfaith harmony. Gisuddin Aulia's tomb is a central part of this site, attracting devotees and visitors from various backgrounds.
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Related MCQ Quizzes
Q1. Ali-Ai-Ligang is the festival of following tribe of Assam
Q1. Ali-Ai-Ligang is the festival of following tribe of Assam
(A) Mising
(A) Mising
(A) Mising
(B) Rabha
(B) Rabha
(B) Rabha
(C) Tiwa
(C) Tiwa
(C) Tiwa
(D) Bodo
(D) Bodo
(D) Bodo
Answer: (A) Mising
Answer: (A) Mising
Answer: (A) Mising
Mising
Mising
Mising
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Q2. The first Assamese who fought against British was
Q2. The first Assamese who fought against British was
(A) Moniram Dewan
(A) Moniram Dewan
(A) Moniram Dewan
(B) Gomdhar Konwar
(B) Gomdhar Konwar
(B) Gomdhar Konwar
(C) Kushal Konwar
(C) Kushal Konwar
(C) Kushal Konwar
(D) Piyali Phukan
(D) Piyali Phukan
(D) Piyali Phukan
Answer: (B) Gomdhar Konwar
Answer: (B) Gomdhar Konwar
Answer: (B) Gomdhar Konwar
Gomdhar Konwar
Gomdhar Konwar
Gomdhar Konwar
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Q3. Who discovered Tea plants in Assam in 1823?
Q3. Who discovered Tea plants in Assam in 1823?
(A) Robert Bruce
(A) Robert Bruce
(A) Robert Bruce
(B) Raymond W. Beaver
(B) Raymond W. Beaver
(B) Raymond W. Beaver
(C) Nathan Brown
(C) Nathan Brown
(C) Nathan Brown
(D) Oliver Thomas Cutter
(D) Oliver Thomas Cutter
(D) Oliver Thomas Cutter
Answer: (A) Robert Bruce
Answer: (A) Robert Bruce
Answer: (A) Robert Bruce
Robert Bruce, a Scottish adventurer, discovered tea plants growing wild in the upper Brahmaputra Valley of Assam in 1823. Bruce was drawn to the tea plants after noticing their distinct appearance and aroma, and the Singpho tribe's traditional use of the leaves for medicinal purposes.
Robert Bruce, a Scottish adventurer, discovered tea plants growing wild in the upper Brahmaputra Valley of Assam in 1823. Bruce was drawn to the tea plants after noticing their distinct appearance and aroma, and the Singpho tribe's traditional use of the leaves for medicinal purposes.
Robert Bruce, a Scottish adventurer, discovered tea plants growing wild in the upper Brahmaputra Valley of Assam in 1823. Bruce was drawn to the tea plants after noticing their distinct appearance and aroma, and the Singpho tribe's traditional use of the leaves for medicinal purposes.
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Q4. In which year was the Assam Oil Company formed?
Q4. In which year was the Assam Oil Company formed?
(A) 1880
(A) 1880
(A) 1880
(B) 1887
(B) 1887
(B) 1887
(C) 1892
(C) 1892
(C) 1892
(D) 1899
(D) 1899
(D) 1899
Answer: (D) 1899
Answer: (D) 1899
Answer: (D) 1899
The Assam Oil Company was formed in 1899 to take over the oil interests of the Assam Railways and Trading Company (AR&T) in the Digboi-Makum area.
The Assam Oil Company was formed in 1899 to take over the oil interests of the Assam Railways and Trading Company (AR&T) in the Digboi-Makum area.
The Assam Oil Company was formed in 1899 to take over the oil interests of the Assam Railways and Trading Company (AR&T) in the Digboi-Makum area.
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Q5. Which Assamese writer is known by the sobriquet / nickname "Deshbhakta"?
Q5. Which Assamese writer is known by the sobriquet / nickname "Deshbhakta"?
(A) Tarun Ram Phukan
(A) Tarun Ram Phukan
(A) Tarun Ram Phukan
(B) Omeo Kr Das
(B) Omeo Kr Das
(B) Omeo Kr Das
(C) Kumud Ch. Hazarika
(C) Kumud Ch. Hazarika
(C) Kumud Ch. Hazarika
(D) Hem Barua
(D) Hem Barua
(D) Hem Barua
Answer: (A) Tarun Ram Phukan
Answer: (A) Tarun Ram Phukan
Answer: (A) Tarun Ram Phukan
Tarun Ram Phukan was a prominent political leader, hunter, and writer from Assam. He was a true patriot, who worked for his country and countrymen, earning him the title "Deshbhakta" (Patriot).
Tarun Ram Phukan was a prominent political leader, hunter, and writer from Assam. He was a true patriot, who worked for his country and countrymen, earning him the title "Deshbhakta" (Patriot).
Tarun Ram Phukan was a prominent political leader, hunter, and writer from Assam. He was a true patriot, who worked for his country and countrymen, earning him the title "Deshbhakta" (Patriot).
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Q6. Which of the following national parks in Assam is known for its rhino conservation efforts?
Q6. Which of the following national parks in Assam is known for its rhino conservation efforts?
(A) Kaziranga National Park
(A) Kaziranga National Park
(A) Kaziranga National Park
(B) Manas National Park
(B) Manas National Park
(B) Manas National Park
(C) Orang National Park
(C) Orang National Park
(C) Orang National Park
(D) Nameri National Park
(D) Nameri National Park
(D) Nameri National Park
Answer: (A) Kaziranga National Park
Answer: (A) Kaziranga National Park
Answer: (A) Kaziranga National Park
Kaziranga National Park is a UNESCO World Heritage Site and is known for its conservation efforts, particularly for the greater one-horned rhinoceros. The Kaziranga Game Sanctuary was renamed the "Kaziranga Wildlife Sanctuary" in 1950 by P. D. Stracey, the forest conservationist, in order to rid the name of hunting connotations. In 1954, the government of Assam passed the Assam (Rhinoceros) Bill, which imposed heavy penalties for rhinoceros poaching.
Kaziranga National Park is a UNESCO World Heritage Site and is known for its conservation efforts, particularly for the greater one-horned rhinoceros. The Kaziranga Game Sanctuary was renamed the "Kaziranga Wildlife Sanctuary" in 1950 by P. D. Stracey, the forest conservationist, in order to rid the name of hunting connotations. In 1954, the government of Assam passed the Assam (Rhinoceros) Bill, which imposed heavy penalties for rhinoceros poaching.
Kaziranga National Park is a UNESCO World Heritage Site and is known for its conservation efforts, particularly for the greater one-horned rhinoceros. The Kaziranga Game Sanctuary was renamed the "Kaziranga Wildlife Sanctuary" in 1950 by P. D. Stracey, the forest conservationist, in order to rid the name of hunting connotations. In 1954, the government of Assam passed the Assam (Rhinoceros) Bill, which imposed heavy penalties for rhinoceros poaching.
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Q7. When was Piyoli Barphukan and Jeuram Dulia Barua hanged to death?
Q7. When was Piyoli Barphukan and Jeuram Dulia Barua hanged to death?
(A) 1824
(A) 1824
(A) 1824
(B) 1830
(B) 1830
(B) 1830
(C) 1828
(C) 1828
(C) 1828
(D) 1826
(D) 1826
(D) 1826
Answer: (B) 1830
Answer: (B) 1830
Answer: (B) 1830
Piyoli Barphukan and Jeuram Dulia Baruah were hanged to death in 1830 and the rest were expelled from the country. Thus Assam passed into the hands of the British. Besides Assam, they annexed Khamtis, Singhpho, Matak, Kachari, Naga, Garo, Luchai and other hilly kingdoms to the ever growing empire.
Piyoli Barphukan and Jeuram Dulia Baruah were hanged to death in 1830 and the rest were expelled from the country. Thus Assam passed into the hands of the British. Besides Assam, they annexed Khamtis, Singhpho, Matak, Kachari, Naga, Garo, Luchai and other hilly kingdoms to the ever growing empire.
Piyoli Barphukan and Jeuram Dulia Baruah were hanged to death in 1830 and the rest were expelled from the country. Thus Assam passed into the hands of the British. Besides Assam, they annexed Khamtis, Singhpho, Matak, Kachari, Naga, Garo, Luchai and other hilly kingdoms to the ever growing empire.
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Q8. The traditional Assamese art of storytelling through a form of one-act play is known as
Q8. The traditional Assamese art of storytelling through a form of one-act play is known as
(A) Bihu
(A) Bihu
(A) Bihu
(B) Ojapali
(B) Ojapali
(B) Ojapali
(C) Sattriya
(C) Sattriya
(C) Sattriya
(D) Ankia Nat
(D) Ankia Nat
(D) Ankia Nat
Answer: (D) Ankia Nat
Answer: (D) Ankia Nat
Answer: (D) Ankia Nat
Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.
Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.
Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.
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Q9. Where did Sankardeva establish the first Satra?
Q9. Where did Sankardeva establish the first Satra?
(A) Bardowa
(A) Bardowa
(A) Bardowa
(B) Barpeta
(B) Barpeta
(B) Barpeta
(C) Sundaridiya
(C) Sundaridiya
(C) Sundaridiya
(D) Majuli
(D) Majuli
(D) Majuli
Answer: (A) Bardowa
Answer: (A) Bardowa
Answer: (A) Bardowa
Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.
Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.
Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.
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Q10. In which year was Jyoti Chitraban established?
Q10. In which year was Jyoti Chitraban established?
(A) 1961
(A) 1961
(A) 1961
(B) 1962
(B) 1962
(B) 1962
(C) 1963
(C) 1963
(C) 1963
(D) 1964
(D) 1964
(D) 1964
Answer: (A) 1961
Answer: (A) 1961
Answer: (A) 1961
Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.
Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.
Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.
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