When did English forces occupied Gauhati from the Burmese? [#825]

The British occupied Guwahati on March 28, 1824, during the First Anglo-Burmese War. The war lasted from 1824 to 1826 and was the first of three wars between the British and Burmese empires in the 19th century. The British captured Guwahati, Raha, and Nowgong in less than a month. The British also made administrative arrangements by October 1824. The war resulted in parts of Burma coming under the control of the East India Company. Assam became a part of India in 1826 after the Treaty of Yandaboo.

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The British occupied Guwahati on March 28, 1824, during the First Anglo-Burmese War. The war lasted from 1824 to 1826 and was the first of three wars between the British and Burmese empires in the 19th century. The British captured Guwahati, Raha, and Nowgong in less than a month. The British also made administrative arrangements by October 1824. The war resulted in parts of Burma coming under the control of the East India Company. Assam became a part of India in 1826 after the Treaty of Yandaboo.

Hema Saraswati is known for writing 'Prahlada Charitra', one of the earliest poetic works in the Assamese language.

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Hema Saraswati is known for writing 'Prahlada Charitra', one of the earliest poetic works in the Assamese language.

The Ahom Kingdom, which ruled Assam for over six centuries, was renowned for its powerful military and, especially, its strong navy. This naval strength played a key role in their resistance against the Mughal Empire. Lachit Borphukan, a celebrated Ahom general, is particularly famous for his leadership in the Battle of Saraighat (1671) where his strategic brilliance and naval tactics led to a decisive Ahom victory against the Mughals, halting their expansion into Assam.

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The Ahom Kingdom, which ruled Assam for over six centuries, was renowned for its powerful military and, especially, its strong navy. This naval strength played a key role in their resistance against the Mughal Empire. Lachit Borphukan, a celebrated Ahom general, is particularly famous for his leadership in the Battle of Saraighat (1671) where his strategic brilliance and naval tactics led to a decisive Ahom victory against the Mughals, halting their expansion into Assam.

While traveling theatre traditions existed earlier in Assam, the first modern mobile theatre is considered to have been established in 1963 with the founding of Nataraj Theatre by Achyut Lahkar in Pathsala.

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While traveling theatre traditions existed earlier in Assam, the first modern mobile theatre is considered to have been established in 1963 with the founding of Nataraj Theatre by Achyut Lahkar in Pathsala.

During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.

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During his visit to Assam in 1921, Mahatma Gandhi stayed at various locations, including the residence of Tarun Ram Phukan, a prominent freedom fighter, in Guwahati.

The State of Assam, popularly known as the land of the red river and blue hills is the gateway to the North East India. Geographically the state is extending from 22°19' to 28°16' North Latitude and 89°42' to 96°30' East Longitude between the foot hills of the Eastern Himalayas and the Patkai and Naga Hill Ranges.

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The State of Assam, popularly known as the land of the red river and blue hills is the gateway to the North East India. Geographically the state is extending from 22°19' to 28°16' North Latitude and 89°42' to 96°30' East Longitude between the foot hills of the Eastern Himalayas and the Patkai and Naga Hill Ranges.

Tukreswari Temple in Goalpara district, Assam is an ancient Hindu temple and is dedicated to Sati as Shakti Peetha. Shakti Peethas are shrines or divine places of Sati, believed to have enshrined with the presence of Shakti due to the falling of body parts of the corpse of Sati.

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Tukreswari Temple in Goalpara district, Assam is an ancient Hindu temple and is dedicated to Sati as Shakti Peetha. Shakti Peethas are shrines or divine places of Sati, believed to have enshrined with the presence of Shakti due to the falling of body parts of the corpse of Sati.

The Burmese first invaded Assam in January 1817. The first battle took place on March 27, 1817, at Ghiladhari. The Burmese monarch sent an expeditionary force led by General Bhamo and Badan Chandra Borpukhan. The Assamese army was led by Daman Gogoi, Haw Bora, and Jama Khan. The Burmese force of 16,000 defeated the Assamese force in the Battle of Ghiladhari.

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The Burmese first invaded Assam in January 1817. The first battle took place on March 27, 1817, at Ghiladhari. The Burmese monarch sent an expeditionary force led by General Bhamo and Badan Chandra Borpukhan. The Assamese army was led by Daman Gogoi, Haw Bora, and Jama Khan. The Burmese force of 16,000 defeated the Assamese force in the Battle of Ghiladhari.

Maniram Dewan and Piyali Barua were charged with treason. On 26 February 1858, they were both hanged by the British in public at Jorhat. Their capital punishment shocked the entire Assam valley, which had not witnessed such public executions for a long time.

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Maniram Dewan and Piyali Barua were charged with treason. On 26 February 1858, they were both hanged by the British in public at Jorhat. Their capital punishment shocked the entire Assam valley, which had not witnessed such public executions for a long time.

Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique.

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Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique.

The illustration work for the medieval Assamese text "Hastividyarnava" was done by two artists named Dilbar and Dosai, who were likely from Rajasthan. Their style reflects influences from Rajasthani art, and while they may not have been familiar with the Assamese landscape, their illustrations of elephants and other figures are skillfully done. Sukumar Borkaith wrote Hastividyarnava. But illustration work was done by Dilbor and Dohai.

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The illustration work for the medieval Assamese text "Hastividyarnava" was done by two artists named Dilbar and Dosai, who were likely from Rajasthan. Their style reflects influences from Rajasthani art, and while they may not have been familiar with the Assamese landscape, their illustrations of elephants and other figures are skillfully done. Sukumar Borkaith wrote Hastividyarnava. But illustration work was done by Dilbor and Dohai.