Who was the first civil servant of India from Assam? [#54]
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Q1. Who was the first civil servant of India from Assam?
Q1. Who was the first civil servant of India from Assam?
(A) Jamchonga Nampui
(A) Jamchonga Nampui
(A) Jamchonga Nampui
(B) Ajay Kumar Bhalla
(B) Ajay Kumar Bhalla
(B) Ajay Kumar Bhalla
(C) Anundoram Borooah
(C) Anundoram Borooah
(C) Anundoram Borooah
(D) Paban Kumar Borthakur
(D) Paban Kumar Borthakur
(D) Paban Kumar Borthakur
Answer: (C) Anundoram Borooah
Answer: (C) Anundoram Borooah
Answer: (C) Anundoram Borooah
Anundoram Borooah
Anundoram Borooah
Anundoram Borooah
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Related MCQ Quizzes
Q1. Who was the spouse of Kuranganayani?
Q1. Who was the spouse of Kuranganayani?
(A) Siva Singha
(A) Siva Singha
(A) Siva Singha
(B) Pratap Singha
(B) Pratap Singha
(B) Pratap Singha
(C) Jayadhwaj Singha
(C) Jayadhwaj Singha
(C) Jayadhwaj Singha
(D) Rajeswar Singha
(D) Rajeswar Singha
(D) Rajeswar Singha
Answer: (D) Rajeswar Singha
Answer: (D) Rajeswar Singha
Answer: (D) Rajeswar Singha
Kuranganayani, a Manipuri princess, was married to the Ahom king Rajeswar Singha. Their marriage played a significant role in the relationship between the Ahom and Manipuri kingdoms.
Kuranganayani, a Manipuri princess, was married to the Ahom king Rajeswar Singha. Their marriage played a significant role in the relationship between the Ahom and Manipuri kingdoms.
Kuranganayani, a Manipuri princess, was married to the Ahom king Rajeswar Singha. Their marriage played a significant role in the relationship between the Ahom and Manipuri kingdoms.
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Q2. Which Satra is renowned for its mask-making tradition?
Q2. Which Satra is renowned for its mask-making tradition?
(A) Bardowa
(A) Bardowa
(A) Bardowa
(B) Barpeta
(B) Barpeta
(B) Barpeta
(C) Samaguri
(C) Samaguri
(C) Samaguri
(D) Garhmur
(D) Garhmur
(D) Garhmur
Answer: (C) Samaguri
Answer: (C) Samaguri
Answer: (C) Samaguri
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
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Q3. Who was the first Assamese to win a gold medal at Asian Games?
Q3. Who was the first Assamese to win a gold medal at Asian Games?
(A) Shiv Thapa
(A) Shiv Thapa
(A) Shiv Thapa
(B) Bhogeswar Baruah
(B) Bhogeswar Baruah
(B) Bhogeswar Baruah
(C) Jayanta Talukdar
(C) Jayanta Talukdar
(C) Jayanta Talukdar
(D) Amlan Borgohai
(D) Amlan Borgohai
(D) Amlan Borgohai
Answer: (B) Bhogeswar Baruah
Answer: (B) Bhogeswar Baruah
Answer: (B) Bhogeswar Baruah
Bhogeswar Baruah
Bhogeswar Baruah
Bhogeswar Baruah
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Q4. The traditional Assamese form of storytelling through song and dance is known as:
Q4. The traditional Assamese form of storytelling through song and dance is known as:
(A) Bihu
(A) Bihu
(A) Bihu
(B) Ankia Nat
(B) Ankia Nat
(B) Ankia Nat
(C) Sattriya
(C) Sattriya
(C) Sattriya
(D) Ojapali
(D) Ojapali
(D) Ojapali
Answer: (D) Ojapali
Answer: (D) Ojapali
Answer: (D) Ojapali
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
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Q5. Tipam, the first Ahom headquarters founded by Sukapha, is situated between
Q5. Tipam, the first Ahom headquarters founded by Sukapha, is situated between
(A) Disang and Jia Bharali
(A) Disang and Jia Bharali
(A) Disang and Jia Bharali
(B) Burhi Dihing and Disang
(B) Burhi Dihing and Disang
(B) Burhi Dihing and Disang
(C) Sonkosh and Rupahi
(C) Sonkosh and Rupahi
(C) Sonkosh and Rupahi
(D) Rupahi and Bharali
(D) Rupahi and Bharali
(D) Rupahi and Bharali
Answer: (B) Burhi Dihing and Disang
Answer: (B) Burhi Dihing and Disang
Answer: (B) Burhi Dihing and Disang
Burhi Dihing and Disang
Burhi Dihing and Disang
Burhi Dihing and Disang
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Q6. The traditional Assamese art of storytelling through a form of one-act play is known as
Q6. The traditional Assamese art of storytelling through a form of one-act play is known as
(A) Bihu
(A) Bihu
(A) Bihu
(B) Ojapali
(B) Ojapali
(B) Ojapali
(C) Sattriya
(C) Sattriya
(C) Sattriya
(D) Ankia Nat
(D) Ankia Nat
(D) Ankia Nat
Answer: (D) Ankia Nat
Answer: (D) Ankia Nat
Answer: (D) Ankia Nat
Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.
Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.
Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.
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Q7. Untouchability is realted to which article of Indian Constitution?
Q7. Untouchability is realted to which article of Indian Constitution?
(A) Article 17
(A) Article 17
(A) Article 17
(B) Article 18
(B) Article 18
(B) Article 18
(C) Article 14
(C) Article 14
(C) Article 14
(D) Article 16
(D) Article 16
(D) Article 16
Answer: (A) Article 17
Answer: (A) Article 17
Answer: (A) Article 17
Article 17 of the Indian Constitution abolishes untouchability and prohibits its practice in any form.
Article 17 of the Indian Constitution abolishes untouchability and prohibits its practice in any form.
Article 17 of the Indian Constitution abolishes untouchability and prohibits its practice in any form.
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Q8. Who established the Maurya Dynasty?
Q8. Who established the Maurya Dynasty?
(A) Kanishka
(A) Kanishka
(A) Kanishka
(B) Ashoka
(B) Ashoka
(B) Ashoka
(C) Vishnugupta
(C) Vishnugupta
(C) Vishnugupta
(D) Chandragupta
(D) Chandragupta
(D) Chandragupta
Answer: (D) Chandragupta
Answer: (D) Chandragupta
Answer: (D) Chandragupta
Chandragupta Maurya
Chandragupta Maurya
Chandragupta Maurya
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Q9. Who is known by the sobriquet (nickname) 'Asom Kesori' in Assamese literature?
Q9. Who is known by the sobriquet (nickname) 'Asom Kesori' in Assamese literature?
(A) Ananda Chandra Agarwala
(A) Ananda Chandra Agarwala
(A) Ananda Chandra Agarwala
(B) Ambikagiri Raichoudhury
(B) Ambikagiri Raichoudhury
(B) Ambikagiri Raichoudhury
(C) Ananda Chandra Barua
(C) Ananda Chandra Barua
(C) Ananda Chandra Barua
(D) Anandaram Dhekial Phukan
(D) Anandaram Dhekial Phukan
(D) Anandaram Dhekial Phukan
Answer: (B) Ambikagiri Raichoudhury
Answer: (B) Ambikagiri Raichoudhury
Answer: (B) Ambikagiri Raichoudhury
Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.
Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.
Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.
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Q10. Who was famously admired as the "tempestuous Hindu" for their impactful speeches at the 1893 World Parliament of Religions in Chicago?
Q10. Who was famously admired as the "tempestuous Hindu" for their impactful speeches at the 1893 World Parliament of Religions in Chicago?
(A) Mahatma Gandhi
(A) Mahatma Gandhi
(A) Mahatma Gandhi
(B) Swami Dayananda Saraswati
(B) Swami Dayananda Saraswati
(B) Swami Dayananda Saraswati
(C) Swami Vivekananda
(C) Swami Vivekananda
(C) Swami Vivekananda
(D) Ramakrishna Paramahamsa
(D) Ramakrishna Paramahamsa
(D) Ramakrishna Paramahamsa
Answer: (C) Swami Vivekananda
Answer: (C) Swami Vivekananda
Answer: (C) Swami Vivekananda
Swami Vivekananda, representing Hinduism, delivered a series of powerful and eloquent speeches at the World Parliament of Religions in Chicago in 1893. His charismatic presence, profound understanding of Vedanta philosophy, and passionate advocacy for religious tolerance captivated the Western audience. He was widely admired and often referred to as the "tempestuous Hindu" for the force and conviction of his words.
Swami Vivekananda, representing Hinduism, delivered a series of powerful and eloquent speeches at the World Parliament of Religions in Chicago in 1893. His charismatic presence, profound understanding of Vedanta philosophy, and passionate advocacy for religious tolerance captivated the Western audience. He was widely admired and often referred to as the "tempestuous Hindu" for the force and conviction of his words.
Swami Vivekananda, representing Hinduism, delivered a series of powerful and eloquent speeches at the World Parliament of Religions in Chicago in 1893. His charismatic presence, profound understanding of Vedanta philosophy, and passionate advocacy for religious tolerance captivated the Western audience. He was widely admired and often referred to as the "tempestuous Hindu" for the force and conviction of his words.
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Related Questions
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