How many Bargeets did Madhavdeva compose? [#2414]

Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

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Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

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While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.

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Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.

The title “Burha Raja” (Assamese for "Old King") is associated with the 17th Ahom king, Pratap Singha, also known as Susenghphaa. He was given this name because he was already older when he became king around 1545 and ruled until 1641.

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The title “Burha Raja” (Assamese for "Old King") is associated with the 17th Ahom king, Pratap Singha, also known as Susenghphaa. He was given this name because he was already older when he became king around 1545 and ruled until 1641.

Karatoya or Sadanira

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Karatoya or Sadanira

Badan Chandra Barphukan was the chief of Ahom forces in Lower Assam and betrayed the kingdom by inviting the Burmese to invade Assam. He was installed as the Prime minister by the Burmese and later assassinated by Subedar Rup Singh in 1818.

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Badan Chandra Barphukan was the chief of Ahom forces in Lower Assam and betrayed the kingdom by inviting the Burmese to invade Assam. He was installed as the Prime minister by the Burmese and later assassinated by Subedar Rup Singh in 1818.

Dispur became the capital in the year 1973. In 1874 Shillong was made the capital of the new province of Assam. Dispur became the capital in 1973, when Shillong the erstwhile capital, became the capital of the state of Meghalaya that was carved out of Assam.

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Dispur became the capital in the year 1973. In 1874 Shillong was made the capital of the new province of Assam. Dispur became the capital in 1973, when Shillong the erstwhile capital, became the capital of the state of Meghalaya that was carved out of Assam.

1935

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1935

Magh Bihu, a post-harvest festival in Assam, is celebrated in the Assamese month of Magh, which corresponds to January-February in the Gregorian calendar. It's a significant festival marked by feasting, bonfires (Meji), and various traditional activities. It usually takes place in mid-January.

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Magh Bihu, a post-harvest festival in Assam, is celebrated in the Assamese month of Magh, which corresponds to January-February in the Gregorian calendar. It's a significant festival marked by feasting, bonfires (Meji), and various traditional activities. It usually takes place in mid-January.

Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.

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Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.

Bhairabkunda is a tri-junction where the borders of Bhutan, Assam, and Arunachal Pradesh. Bhairabkunda is also the meeting point of the Jia Dhansiri, Bhairabi, and Dafam rivers. The meeting point of the rivers resembles a "Kunda", a sacred worship place of Lord Shiva, which is how Bhairab Kunda got its name.

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Bhairabkunda is a tri-junction where the borders of Bhutan, Assam, and Arunachal Pradesh. Bhairabkunda is also the meeting point of the Jia Dhansiri, Bhairabi, and Dafam rivers. The meeting point of the rivers resembles a "Kunda", a sacred worship place of Lord Shiva, which is how Bhairab Kunda got its name.