Who used the pen name "Monai Boiragi" in Assamese literature? [#2254]

Mahendranath Deka Phukan, a prominent Assamese writer and journalist, used the pen name "Monai Boiragi" for his literary works.

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Mahendranath Deka Phukan, a prominent Assamese writer and journalist, used the pen name "Monai Boiragi" for his literary works.

Nalini Bala Devi is a renowned Assamese poet who was honored with the Sahitya Akademi Award in 1968 for her poetry collection "Alakananda".

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Nalini Bala Devi is a renowned Assamese poet who was honored with the Sahitya Akademi Award in 1968 for her poetry collection "Alakananda".

Binanda Chandra Barua, (BCB=DK), also known as Dhwoni Kobi, was a noted Indian writer and poet of Assamese literature from Teok, Assam. He was the president of the Asam Sahitya Sabha in 1966.

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Binanda Chandra Barua, (BCB=DK), also known as Dhwoni Kobi, was a noted Indian writer and poet of Assamese literature from Teok, Assam. He was the president of the Asam Sahitya Sabha in 1966.

Rita Choudhury is a prominent Assamese writer who was awarded the Sahitya Akademi Award in 2008 for her novel "Deou Langkhui".

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Rita Choudhury is a prominent Assamese writer who was awarded the Sahitya Akademi Award in 2008 for her novel "Deou Langkhui".

Syed Abdul Malik is a prominent Assamese writer who was honored with the Sahitya Akademi Award in 1972 for his novel "Aghari Atmar Kahini".

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Syed Abdul Malik is a prominent Assamese writer who was honored with the Sahitya Akademi Award in 1972 for his novel "Aghari Atmar Kahini".

'Asomiya Sahityar Buranji' is a comprehensive history of Assamese literature, written by the renowned Assamese writer and scholar, Devendranath Bezbarua. This work is considered a foundational text in Assamese literary studies, providing valuable insights into the evolution of Assamese literature from its early beginnings to the time of its writing.

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'Asomiya Sahityar Buranji' is a comprehensive history of Assamese literature, written by the renowned Assamese writer and scholar, Devendranath Bezbarua. This work is considered a foundational text in Assamese literary studies, providing valuable insights into the evolution of Assamese literature from its early beginnings to the time of its writing.

Indira Goswami, a renowned Assamese writer, is widely known by her pen name "Mamoni Raisom Goswami." She was a prominent figure in Assamese literature, known for her insightful novels and social commentary.

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Indira Goswami, a renowned Assamese writer, is widely known by her pen name "Mamoni Raisom Goswami." She was a prominent figure in Assamese literature, known for her insightful novels and social commentary.

Bishnu Prasad Rabha, (BPR=KG), a multifaceted artist and revolutionary singer of Assam, is revered as 'Kalaguru' (Master of Arts) for his exceptional contributions to Assamese music, dance, painting, literature, and political activism.

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Bishnu Prasad Rabha, (BPR=KG), a multifaceted artist and revolutionary singer of Assam, is revered as 'Kalaguru' (Master of Arts) for his exceptional contributions to Assamese music, dance, painting, literature, and political activism.

Nabakanta Barua is a renowned Assamese writer and poet who was awarded the Sahitya Akademi Award in 1975 for his novel "Kaka Deutar Har".

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Nabakanta Barua is a renowned Assamese writer and poet who was awarded the Sahitya Akademi Award in 1975 for his novel "Kaka Deutar Har".

Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

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Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

In Assamese literature, the sobriquet "Lauha Manab" belongs to Bishnuram Medhi.

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In Assamese literature, the sobriquet "Lauha Manab" belongs to Bishnuram Medhi.