In which year the Baan Theatre established? [#2398]
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Q1. In which year the Baan Theatre established?
Q1. In which year the Baan Theatre established?
(A) 1910
(A) 1910
(A) 1910
(B) 1905
(B) 1905
(B) 1905
(C) 1906
(C) 1906
(C) 1906
(D) 1920
(D) 1920
(D) 1920
Answer: (C) 1906
Answer: (C) 1906
Answer: (C) 1906
Baan Theatre, a renowned and historically significant theatre group in Assam, was established in the year 1906. It has played a vital role in the development and promotion of Assamese drama and theatre. Located in Tezpur, it is one of the oldest and most influential theatre groups in the region.
Baan Theatre, a renowned and historically significant theatre group in Assam, was established in the year 1906. It has played a vital role in the development and promotion of Assamese drama and theatre. Located in Tezpur, it is one of the oldest and most influential theatre groups in the region.
Baan Theatre, a renowned and historically significant theatre group in Assam, was established in the year 1906. It has played a vital role in the development and promotion of Assamese drama and theatre. Located in Tezpur, it is one of the oldest and most influential theatre groups in the region.
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Related MCQ Quizzes
Q1. Which Assamese writer is referred to as "Luit Konwar"?
Q1. Which Assamese writer is referred to as "Luit Konwar"?
(A) Rudra Baruah
(A) Rudra Baruah
(A) Rudra Baruah
(B) Nabin Chandra Bordoloi
(B) Nabin Chandra Bordoloi
(B) Nabin Chandra Bordoloi
(C) Nilmoni Phukan Sr
(C) Nilmoni Phukan Sr
(C) Nilmoni Phukan Sr
(D) Gunabhiram Barua
(D) Gunabhiram Barua
(D) Gunabhiram Barua
Answer: (A) Rudra Baruah
Answer: (A) Rudra Baruah
Answer: (A) Rudra Baruah
Rudra Baruah is referred to as the "Luit Konwar" (Prince of the Brahmaputra) in Assamese literature. He was a renowned singer, composer, lyricist, musician, and actor who made significant contributions to Assamese music and cinema.
Rudra Baruah is referred to as the "Luit Konwar" (Prince of the Brahmaputra) in Assamese literature. He was a renowned singer, composer, lyricist, musician, and actor who made significant contributions to Assamese music and cinema.
Rudra Baruah is referred to as the "Luit Konwar" (Prince of the Brahmaputra) in Assamese literature. He was a renowned singer, composer, lyricist, musician, and actor who made significant contributions to Assamese music and cinema.
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Q2. Which Ahom king is also known as 'Bamuni Konwar'?
Q2. Which Ahom king is also known as 'Bamuni Konwar'?
(A) Suphakphaa
(A) Suphakphaa
(A) Suphakphaa
(B) Sutuphaa
(B) Sutuphaa
(B) Sutuphaa
(C) Sudangphaa
(C) Sudangphaa
(C) Sudangphaa
(D) Susenphaa
(D) Susenphaa
(D) Susenphaa
Answer: (C) Sudangphaa
Answer: (C) Sudangphaa
Answer: (C) Sudangphaa
Sudangphaa (1397–1407), the first Ahom king to perform the coronation ceremony, was also known as Bamuni Konwar. The name comes from being raised in a Brahmin household. Although he introduced Hindu practices to the Ahom community, he didn't convert to Hinduism himself. He also established the practice of Singarigharutha, the Ahom king's coronation ceremony.
Sudangphaa (1397–1407), the first Ahom king to perform the coronation ceremony, was also known as Bamuni Konwar. The name comes from being raised in a Brahmin household. Although he introduced Hindu practices to the Ahom community, he didn't convert to Hinduism himself. He also established the practice of Singarigharutha, the Ahom king's coronation ceremony.
Sudangphaa (1397–1407), the first Ahom king to perform the coronation ceremony, was also known as Bamuni Konwar. The name comes from being raised in a Brahmin household. Although he introduced Hindu practices to the Ahom community, he didn't convert to Hinduism himself. He also established the practice of Singarigharutha, the Ahom king's coronation ceremony.
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Q3. Which Assamese cultural icon is credited with creating the traditional Assamese art form of "Bhaona", a form of classical dance and drama?
Q3. Which Assamese cultural icon is credited with creating the traditional Assamese art form of "Bhaona", a form of classical dance and drama?
(A) Srimanta Sankardev
(A) Srimanta Sankardev
(A) Srimanta Sankardev
(B) Madhabdev
(B) Madhabdev
(B) Madhabdev
(C) Damodardev
(C) Damodardev
(C) Damodardev
(D) Purushottam Namdev
(D) Purushottam Namdev
(D) Purushottam Namdev
Answer: (A) Srimanta Sankardev
Answer: (A) Srimanta Sankardev
Answer: (A) Srimanta Sankardev
Srimanta Sankardev, a 15th-century Assamese saint-reformer, is credited with creating the traditional Assamese art form of "Bhaona", a unique blend of classical dance and drama. Bhaona is an integral part of Assamese cultural heritage and is still performed today.
Srimanta Sankardev, a 15th-century Assamese saint-reformer, is credited with creating the traditional Assamese art form of "Bhaona", a unique blend of classical dance and drama. Bhaona is an integral part of Assamese cultural heritage and is still performed today.
Srimanta Sankardev, a 15th-century Assamese saint-reformer, is credited with creating the traditional Assamese art form of "Bhaona", a unique blend of classical dance and drama. Bhaona is an integral part of Assamese cultural heritage and is still performed today.
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Q4. Which is the Neolithic site of North-East India?
Q4. Which is the Neolithic site of North-East India?
(A) Chirand
(A) Chirand
(A) Chirand
(B) Senuar
(B) Senuar
(B) Senuar
(C) Daojali Hading
(C) Daojali Hading
(C) Daojali Hading
(D) Taradih
(D) Taradih
(D) Taradih
Answer: (C) Daojali Hading
Answer: (C) Daojali Hading
Answer: (C) Daojali Hading
Daojali Hading is a significant Neolithic site situated in the Dima Hasao District of Assam, India. It holds the distinction of being one of the first and most thoroughly excavated stratified Neolithic sites in North-East India. Archaeological findings from this site include characteristic polished stone tools (such as celts and adzes), as well as distinctive cord-marked pottery, grinding stones, and evidence of early metallurgical activities like iron slag. These discoveries provide crucial insights into the agricultural practices, tool technology, and early settled life of the Neolithic communities in the region, with artifacts dated around 2,700 years old.
Daojali Hading is a significant Neolithic site situated in the Dima Hasao District of Assam, India. It holds the distinction of being one of the first and most thoroughly excavated stratified Neolithic sites in North-East India. Archaeological findings from this site include characteristic polished stone tools (such as celts and adzes), as well as distinctive cord-marked pottery, grinding stones, and evidence of early metallurgical activities like iron slag. These discoveries provide crucial insights into the agricultural practices, tool technology, and early settled life of the Neolithic communities in the region, with artifacts dated around 2,700 years old.
Daojali Hading is a significant Neolithic site situated in the Dima Hasao District of Assam, India. It holds the distinction of being one of the first and most thoroughly excavated stratified Neolithic sites in North-East India. Archaeological findings from this site include characteristic polished stone tools (such as celts and adzes), as well as distinctive cord-marked pottery, grinding stones, and evidence of early metallurgical activities like iron slag. These discoveries provide crucial insights into the agricultural practices, tool technology, and early settled life of the Neolithic communities in the region, with artifacts dated around 2,700 years old.
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Q5. What is the traditional term for an Ahom marriage?
Q5. What is the traditional term for an Ahom marriage?
(A) Gandharva
(A) Gandharva
(A) Gandharva
(B) Homa
(B) Homa
(B) Homa
(C) Chaklang
(C) Chaklang
(C) Chaklang
(D) Sayambar
(D) Sayambar
(D) Sayambar
Answer: (C) Chaklang
Answer: (C) Chaklang
Answer: (C) Chaklang
Chaklong is the traditional and culturally rich marriage ceremony of the Ahom people, an indigenous community of Assam, India.
Chaklong is the traditional and culturally rich marriage ceremony of the Ahom people, an indigenous community of Assam, India.
Chaklong is the traditional and culturally rich marriage ceremony of the Ahom people, an indigenous community of Assam, India.
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Q6. Approximately what fraction of world’s tea output comes from Assam?
Q6. Approximately what fraction of world’s tea output comes from Assam?
(A) 1/4
(A) 1/4
(A) 1/4
(B) 1/6
(B) 1/6
(B) 1/6
(C) 1/8
(C) 1/8
(C) 1/8
(D) 1/10
(D) 1/10
(D) 1/10
Answer: (B) 1/6
Answer: (B) 1/6
Answer: (B) 1/6
1/6
There are more than 850 tea estates and more than 2500 tea gardens in Assam covering thousands of acres of land of the state. Assam accounts for 1/6th of the tea produced in the world and 52 percent in the country.
1/6 There are more than 850 tea estates and more than 2500 tea gardens in Assam covering thousands of acres of land of the state. Assam accounts for 1/6th of the tea produced in the world and 52 percent in the country.
1/6 There are more than 850 tea estates and more than 2500 tea gardens in Assam covering thousands of acres of land of the state. Assam accounts for 1/6th of the tea produced in the world and 52 percent in the country.
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Q7. The first Moamaria uprising began during the rule of which king?
Q7. The first Moamaria uprising began during the rule of which king?
(A) Swargadeo Rudra Singha
(A) Swargadeo Rudra Singha
(A) Swargadeo Rudra Singha
(B) Swargadeo Lakshmi Singha
(B) Swargadeo Lakshmi Singha
(B) Swargadeo Lakshmi Singha
(C) Swargadeo Pramatta Singha
(C) Swargadeo Pramatta Singha
(C) Swargadeo Pramatta Singha
(D) Swargadeo Siva Singha
(D) Swargadeo Siva Singha
(D) Swargadeo Siva Singha
Answer: (B) Swargadeo Lakshmi Singha
Answer: (B) Swargadeo Lakshmi Singha
Answer: (B) Swargadeo Lakshmi Singha
The Moamaria rebellion was a significant uprising in Assam that started during the reign of Swargadeo Lakshmi Singha.
The Moamaria rebellion was a significant uprising in Assam that started during the reign of Swargadeo Lakshmi Singha.
The Moamaria rebellion was a significant uprising in Assam that started during the reign of Swargadeo Lakshmi Singha.
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Q8. Who did the illustration work for the medieval Assamese text ' Hastividyarnava'?
Q8. Who did the illustration work for the medieval Assamese text ' Hastividyarnava'?
(A) Sukumar Borkaith
(A) Sukumar Borkaith
(A) Sukumar Borkaith
(B) Suryakhari Daibaigya
(B) Suryakhari Daibaigya
(B) Suryakhari Daibaigya
(C) Dibar and Dosai
(C) Dibar and Dosai
(C) Dibar and Dosai
(D) Rama Saraswati
(D) Rama Saraswati
(D) Rama Saraswati
Answer: (C) Dibar and Dosai
Answer: (C) Dibar and Dosai
Answer: (C) Dibar and Dosai
The illustration work for the medieval Assamese text "Hastividyarnava" was done by two artists named Dilbar and Dosai, who were likely from Rajasthan. Their style reflects influences from Rajasthani art, and while they may not have been familiar with the Assamese landscape, their illustrations of elephants and other figures are skillfully done.
Sukumar Borkaith wrote Hastividyarnava. But illustration work was done by Dilbor and Dohai.
The illustration work for the medieval Assamese text "Hastividyarnava" was done by two artists named Dilbar and Dosai, who were likely from Rajasthan. Their style reflects influences from Rajasthani art, and while they may not have been familiar with the Assamese landscape, their illustrations of elephants and other figures are skillfully done. Sukumar Borkaith wrote Hastividyarnava. But illustration work was done by Dilbor and Dohai.
The illustration work for the medieval Assamese text "Hastividyarnava" was done by two artists named Dilbar and Dosai, who were likely from Rajasthan. Their style reflects influences from Rajasthani art, and while they may not have been familiar with the Assamese landscape, their illustrations of elephants and other figures are skillfully done. Sukumar Borkaith wrote Hastividyarnava. But illustration work was done by Dilbor and Dohai.
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Q9. The traditional Assamese folk dance of the tea tribes is known as
Q9. The traditional Assamese folk dance of the tea tribes is known as
(A) Bihu
(A) Bihu
(A) Bihu
(B) Jhumur
(B) Jhumur
(B) Jhumur
(C) Sattriya
(C) Sattriya
(C) Sattriya
(D) Ojapali
(D) Ojapali
(D) Ojapali
Answer: (B) Jhumur
Answer: (B) Jhumur
Answer: (B) Jhumur
Jhumur is a traditional folk dance performed by the tea tribes of Assam, India. It is a vibrant and energetic dance characterized by rhythmic movements, colorful costumes, and the use of traditional musical instruments. Jhumur is an integral part of the tea tribe culture and is performed during festivals, celebrations, and social gatherings. The dance often depicts themes related to their daily lives, work in the tea gardens, and their cultural heritage.
Jhumur is a traditional folk dance performed by the tea tribes of Assam, India. It is a vibrant and energetic dance characterized by rhythmic movements, colorful costumes, and the use of traditional musical instruments. Jhumur is an integral part of the tea tribe culture and is performed during festivals, celebrations, and social gatherings. The dance often depicts themes related to their daily lives, work in the tea gardens, and their cultural heritage.
Jhumur is a traditional folk dance performed by the tea tribes of Assam, India. It is a vibrant and energetic dance characterized by rhythmic movements, colorful costumes, and the use of traditional musical instruments. Jhumur is an integral part of the tea tribe culture and is performed during festivals, celebrations, and social gatherings. The dance often depicts themes related to their daily lives, work in the tea gardens, and their cultural heritage.
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Q10. The title 'Burah Raja' was associated with which Ahom king?
Q10. The title 'Burah Raja' was associated with which Ahom king?
(A) Sukapha
(A) Sukapha
(A) Sukapha
(B) Pratap Singha
(B) Pratap Singha
(B) Pratap Singha
(C) Rudra Singha
(C) Rudra Singha
(C) Rudra Singha
(D) Rajeswar Singha
(D) Rajeswar Singha
(D) Rajeswar Singha
Answer: (B) Pratap Singha
Answer: (B) Pratap Singha
Answer: (B) Pratap Singha
The title “Burha Raja” (Assamese for "Old King") is associated with the 17th Ahom king, Pratap Singha, also known as Susenghphaa. He was given this name because he was already older when he became king around 1545 and ruled until 1641.
The title “Burha Raja” (Assamese for "Old King") is associated with the 17th Ahom king, Pratap Singha, also known as Susenghphaa. He was given this name because he was already older when he became king around 1545 and ruled until 1641.
The title “Burha Raja” (Assamese for "Old King") is associated with the 17th Ahom king, Pratap Singha, also known as Susenghphaa. He was given this name because he was already older when he became king around 1545 and ruled until 1641.
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Related Questions
1. Which district of Assam was created in January 2022?2. Which river is the lifeline of Assam and significantly influences its demography?3. Which region of Assam possesses the highest deposits of limestone?4. During which national movement did Kanaklata Barua become a martyr?5. The first Sugar Mill in Assam was established where?6. Which clause of the Assam Accord deals with constitutional protections to
the people of Assam?7. Who discovered Tea plants in Assam in 1823?8. Poki was the birthplace of which cultural icon?9. IBN-Batuta, the celebrated traveller, visited Assam in the10. Which Assamese movement, led by students and intellectuals, protested against the Assam Accord and demanded greater autonomy for Assam, leading to a violent crackdown by the government in 1983?11. Who was the first governor of independent Assam12. Who was the first martyr of the 1942 Revolution in Assam?13. In which location is Madhupur Satra situated?14. what is Thuria in assam?15. The first bank established in Assam is?16. Which is the largest south bank tributary of Brahmaputra?17. Which Assam revolt is known as the Jallianwala Bagh Massacre of Assam?18. How many districts were separated from Bengal and added to Assam Province?19. Who was the founding ruler of the legendary Bhauma dynasty of Pragjyotisha-Kamrupa?20. Which king is also known as 'Bhagaraja'?