The traditional Assamese form of devotional music is known as: [#2338]

Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.

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Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.

Radha Govinda Baruah is referred to as the "Singhapurush" (Lion Man) in Assamese literature. He was a prominent Assamese journalist, publisher, and social reformer, known for founding The Assam Tribune, one of the leading newspapers in Northeast India.

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Radha Govinda Baruah is referred to as the "Singhapurush" (Lion Man) in Assamese literature. He was a prominent Assamese journalist, publisher, and social reformer, known for founding The Assam Tribune, one of the leading newspapers in Northeast India.

The Kamakhya Temple is situated in the Nilachal Hills of Guwahati, which falls under the Kamrup Metropolitan district of Assam, India.

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The Kamakhya Temple is situated in the Nilachal Hills of Guwahati, which falls under the Kamrup Metropolitan district of Assam, India.

The Burmese army entered Assam in January 1817 through Patkai pass, led by General Bhamo and Badan Chandra Borphukan. The first battle was fought on March 27, 1817 at Ghiradari, where the Assamese army was outnumbered and surrendered within a week.

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The Burmese army entered Assam in January 1817 through Patkai pass, led by General Bhamo and Badan Chandra Borphukan. The first battle was fought on March 27, 1817 at Ghiradari, where the Assamese army was outnumbered and surrendered within a week.

Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.

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Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.

The Assam State Rural Livelihoods Mission (ASRLM), also known as 'Ajiivika', is a flagship program of the Government of Assam. Its core objective is to empower rural women by organizing them into self-help groups (SHGs). These SHGs are then provided with access to financial resources, training, and market linkages to enable them to undertake income-generating activities and improve their livelihoods. The mission aims at social and economic empowerment of rural women.

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The Assam State Rural Livelihoods Mission (ASRLM), also known as 'Ajiivika', is a flagship program of the Government of Assam. Its core objective is to empower rural women by organizing them into self-help groups (SHGs). These SHGs are then provided with access to financial resources, training, and market linkages to enable them to undertake income-generating activities and improve their livelihoods. The mission aims at social and economic empowerment of rural women.

Pratima Pandey Barua

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Pratima Pandey Barua

Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.

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Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.

Nalini Bala Devi is a renowned Assamese poet who was honored with the Sahitya Akademi Award in 1968 for her poetry collection "Alakananda".

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Nalini Bala Devi is a renowned Assamese poet who was honored with the Sahitya Akademi Award in 1968 for her poetry collection "Alakananda".

Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

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Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

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In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.