Who was Mangri Oraon? [#2320]
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Q1. Who was Mangri Oraon?
Q1. Who was Mangri Oraon?
(A) A freedom fighter
(A) A freedom fighter
(A) A freedom fighter
(B) A writer
(B) A writer
(B) A writer
(C) A doctor
(C) A doctor
(C) A doctor
(D) A politician
(D) A politician
(D) A politician
Answer: (A) A freedom fighter
Answer: (A) A freedom fighter
Answer: (A) A freedom fighter
Mangri Oraon was a tea worker and a leader in the Indian freedom movement. She was the first woman martyr of Assam.
Mangri Oraon was a tea worker and a leader in the Indian freedom movement. She was the first woman martyr of Assam.
Mangri Oraon was a tea worker and a leader in the Indian freedom movement. She was the first woman martyr of Assam.
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Related MCQ Quizzes
Q1. Where was the first commercial Yatra Party formed in Assam?
Q1. Where was the first commercial Yatra Party formed in Assam?
(A) Guwahati
(A) Guwahati
(A) Guwahati
(B) Barpeta
(B) Barpeta
(B) Barpeta
(C) Nalbari
(C) Nalbari
(C) Nalbari
(D) Nagaon
(D) Nagaon
(D) Nagaon
Answer: (B) Barpeta
Answer: (B) Barpeta
Answer: (B) Barpeta
The first commercial Yatra Party in Assam was established in Barpeta. This marked a significant step in the evolution of Assamese theatre, transitioning towards a more structured and financially driven form of performance. It was initiated by Tirtharam Bayan with the support of Govindaram Choudhury, signifying the beginning of organized Yatra performances in the region.
The first commercial Yatra Party in Assam was established in Barpeta. This marked a significant step in the evolution of Assamese theatre, transitioning towards a more structured and financially driven form of performance. It was initiated by Tirtharam Bayan with the support of Govindaram Choudhury, signifying the beginning of organized Yatra performances in the region.
The first commercial Yatra Party in Assam was established in Barpeta. This marked a significant step in the evolution of Assamese theatre, transitioning towards a more structured and financially driven form of performance. It was initiated by Tirtharam Bayan with the support of Govindaram Choudhury, signifying the beginning of organized Yatra performances in the region.
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Q2. Which of these is a traditional Assamese silk, known for its golden hue?
Q2. Which of these is a traditional Assamese silk, known for its golden hue?
(A) Muga
(A) Muga
(A) Muga
(B) Eri
(B) Eri
(B) Eri
(C) Pat
(C) Pat
(C) Pat
(D) Tasar
(D) Tasar
(D) Tasar
Answer: (A) Muga
Answer: (A) Muga
Answer: (A) Muga
Muga silk is a unique and highly prized silk variety native to Assam, recognized for its natural golden color.
Muga silk is a unique and highly prized silk variety native to Assam, recognized for its natural golden color.
Muga silk is a unique and highly prized silk variety native to Assam, recognized for its natural golden color.
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Q3. Where is the Tocklai Tea Research Centre located?
Q3. Where is the Tocklai Tea Research Centre located?
(A) Jorhat
(A) Jorhat
(A) Jorhat
(B) Lakhimpur
(B) Lakhimpur
(B) Lakhimpur
(C) Tinsukia
(C) Tinsukia
(C) Tinsukia
(D) Dhemaji
(D) Dhemaji
(D) Dhemaji
Answer: (A) Jorhat
Answer: (A) Jorhat
Answer: (A) Jorhat
The Tocklai Tea Research Institute is the world's largest and oldest tea research institute, located in Jorhat, Assam, India. It plays a crucial role in research and development of tea cultivation and processing practices.
The Tocklai Tea Research Institute is the world's largest and oldest tea research institute, located in Jorhat, Assam, India. It plays a crucial role in research and development of tea cultivation and processing practices.
The Tocklai Tea Research Institute is the world's largest and oldest tea research institute, located in Jorhat, Assam, India. It plays a crucial role in research and development of tea cultivation and processing practices.
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Q4. Who used the pen name "Monai Boiragi" in Assamese literature?
Q4. Who used the pen name "Monai Boiragi" in Assamese literature?
(A) Mahendranath Deka Phukan
(A) Mahendranath Deka Phukan
(A) Mahendranath Deka Phukan
(B) Phani Sarma
(B) Phani Sarma
(B) Phani Sarma
(C) Mahim Bora
(C) Mahim Bora
(C) Mahim Bora
(D) Rebati Mohan Dutta Choudhury
(D) Rebati Mohan Dutta Choudhury
(D) Rebati Mohan Dutta Choudhury
Answer: (A) Mahendranath Deka Phukan
Answer: (A) Mahendranath Deka Phukan
Answer: (A) Mahendranath Deka Phukan
Mahendranath Deka Phukan, a prominent Assamese writer and journalist, used the pen name "Monai Boiragi" for his literary works.
Mahendranath Deka Phukan, a prominent Assamese writer and journalist, used the pen name "Monai Boiragi" for his literary works.
Mahendranath Deka Phukan, a prominent Assamese writer and journalist, used the pen name "Monai Boiragi" for his literary works.
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Q5. Who composed Jikir and Jaari geets in the Assamese language?
Q5. Who composed Jikir and Jaari geets in the Assamese language?
(A) Ajan Fakir Saheb
(A) Ajan Fakir Saheb
(A) Ajan Fakir Saheb
(B) Gisuddin Aauliya
(B) Gisuddin Aauliya
(B) Gisuddin Aauliya
(C) Ali Mech
(C) Ali Mech
(C) Ali Mech
(D) Ibn Bakhtiar
(D) Ibn Bakhtiar
(D) Ibn Bakhtiar
Answer: (A) Ajan Fakir Saheb
Answer: (A) Ajan Fakir Saheb
Answer: (A) Ajan Fakir Saheb
Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.
Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.
Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.
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Q6. The Assam region was separated from the Bengal Presidency in
Q6. The Assam region was separated from the Bengal Presidency in
(A) 1874
(A) 1874
(A) 1874
(B) 1877
(B) 1877
(B) 1877
(C) 1828
(C) 1828
(C) 1828
(D) 1840
(D) 1840
(D) 1840
Answer: (A) 1874
Answer: (A) 1874
Answer: (A) 1874
1874
1874
1874
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Q7. Which period is often refers to as 'Maanar Din'?
Q7. Which period is often refers to as 'Maanar Din'?
(A) 1817-1819
(A) 1817-1819
(A) 1817-1819
(B) 1816-1825
(B) 1816-1825
(B) 1816-1825
(C) 1800-1826
(C) 1800-1826
(C) 1800-1826
(D) 1821-1826
(D) 1821-1826
(D) 1821-1826
Answer: (D) 1821-1826
Answer: (D) 1821-1826
Answer: (D) 1821-1826
The period between 1821 and 1826 is often referred to as "Maanar Din". The term is Assamese for "The days/period of the Burmese".
The period refers to the time when the Kingdom of Assam was under the control of Burma. The period is remembered with horror by the people of Assam.
The period was the climactic period of the Ahom kingdom. The population of Assam was greatly reduced by 2/3 and 1/3 of the men and boys were killed during this period.
The period between 1821 and 1826 is often referred to as "Maanar Din". The term is Assamese for "The days/period of the Burmese". The period refers to the time when the Kingdom of Assam was under the control of Burma. The period is remembered with horror by the people of Assam. The period was the climactic period of the Ahom kingdom. The population of Assam was greatly reduced by 2/3 and 1/3 of the men and boys were killed during this period.
The period between 1821 and 1826 is often referred to as "Maanar Din". The term is Assamese for "The days/period of the Burmese". The period refers to the time when the Kingdom of Assam was under the control of Burma. The period is remembered with horror by the people of Assam. The period was the climactic period of the Ahom kingdom. The population of Assam was greatly reduced by 2/3 and 1/3 of the men and boys were killed during this period.
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Q8. The Hayagriba Madhab Temple was commissioned by the
Q8. The Hayagriba Madhab Temple was commissioned by the
(A) Varmans
(A) Varmans
(A) Varmans
(B) Ahoms
(B) Ahoms
(B) Ahoms
(C) Kacharis
(C) Kacharis
(C) Kacharis
(D) Palas
(D) Palas
(D) Palas
Answer: (D) Palas
Answer: (D) Palas
Answer: (D) Palas
The present structure of the Hayagriva Madhab Temple was commissioned by King Raghudeva Narayan in 1583. However, there is historical evidence suggesting an earlier temple existed at the site, possibly constructed by a king of the Pala dynasty.
The present structure of the Hayagriva Madhab Temple was commissioned by King Raghudeva Narayan in 1583. However, there is historical evidence suggesting an earlier temple existed at the site, possibly constructed by a king of the Pala dynasty.
The present structure of the Hayagriva Madhab Temple was commissioned by King Raghudeva Narayan in 1583. However, there is historical evidence suggesting an earlier temple existed at the site, possibly constructed by a king of the Pala dynasty.
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Q9. How many divisions were separated from Bengal and added to Assam Province?
Q9. How many divisions were separated from Bengal and added to Assam Province?
(A) 2
(A) 2
(A) 2
(B) 3
(B) 3
(B) 3
(C) 13
(C) 13
(C) 13
(D) 14
(D) 14
(D) 14
Answer: (B) 3
Answer: (B) 3
Answer: (B) 3
3
3
3
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Q10. what is Thuria in assam?
Q10. what is Thuria in assam?
(A) An ornament
(A) An ornament
(A) An ornament
(B) A sport
(B) A sport
(B) A sport
(C) A recipe
(C) A recipe
(C) A recipe
(D) A traditional craft
(D) A traditional craft
(D) A traditional craft
Answer: (A) An ornament
Answer: (A) An ornament
Answer: (A) An ornament
Thuria refers to a specific style of traditional earrings worn by Assamese women. They are often made of gold or silver and feature intricate designs.
Thuria refers to a specific style of traditional earrings worn by Assamese women. They are often made of gold or silver and feature intricate designs.
Thuria refers to a specific style of traditional earrings worn by Assamese women. They are often made of gold or silver and feature intricate designs.
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Related Questions
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