Who used the pen name "Monai Boiragi" in Assamese literature? [#2254]

Mahendranath Deka Phukan, a prominent Assamese writer and journalist, used the pen name "Monai Boiragi" for his literary works.

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Mahendranath Deka Phukan, a prominent Assamese writer and journalist, used the pen name "Monai Boiragi" for his literary works.

Nalinibala Devi was a renowned Assamese poet and novelist. Her works often explored themes of love, loss, and the human condition with a deep sensitivity and emotional depth, earning her the title "Atindriyabadi Kavi" (Supersensitive Poet).

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Nalinibala Devi was a renowned Assamese poet and novelist. Her works often explored themes of love, loss, and the human condition with a deep sensitivity and emotional depth, earning her the title "Atindriyabadi Kavi" (Supersensitive Poet).

The Kirtan Ghosha is a collection of devotional poems written by Srimanta Sankardeva, a 15th-century Vaishnava saint and scholar. It is considered the most significant work of Assamese literature and is a cultural icon of Assam, shaping its religious, musical, and theatrical traditions.

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The Kirtan Ghosha is a collection of devotional poems written by Srimanta Sankardeva, a 15th-century Vaishnava saint and scholar. It is considered the most significant work of Assamese literature and is a cultural icon of Assam, shaping its religious, musical, and theatrical traditions.

Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.

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Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.

In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

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In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

Tarun Ram Phukan was a prominent political leader, hunter, and writer from Assam. He was a true patriot, who worked for his country and countrymen, earning him the title "Deshbhakta" (Patriot).

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Tarun Ram Phukan was a prominent political leader, hunter, and writer from Assam. He was a true patriot, who worked for his country and countrymen, earning him the title "Deshbhakta" (Patriot).

Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

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Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

Lakshminath Bezbarua (1864–1938) was the first editor of the Assamese magazine Bahi in 1909. The magazine was published in Calcutta until 1932 and was a leading journal for Assamese literature in the first half of the 20th century. In 1909, the magazine published O Mur Apunar Desh, the traditional song of Assam, written by Bezbarua and set to music by Kamala Prasad Agarwala. The song was later adopted as Assam's state song in 1927.

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Lakshminath Bezbarua (1864–1938) was the first editor of the Assamese magazine Bahi in 1909. The magazine was published in Calcutta until 1932 and was a leading journal for Assamese literature in the first half of the 20th century. In 1909, the magazine published O Mur Apunar Desh, the traditional song of Assam, written by Bezbarua and set to music by Kamala Prasad Agarwala. The song was later adopted as Assam's state song in 1927.

Bhuban Mohan Baruah, (BMB=KB), a prominent Assamese novelist and short story writer, often used the pen name 'Kanchan Baruah' for his literary works.

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Bhuban Mohan Baruah, (BMB=KB), a prominent Assamese novelist and short story writer, often used the pen name 'Kanchan Baruah' for his literary works.

Anandaram Dhekial Phukan (ADP=AN), a pioneer of modern Assamese prose, is known for using the sobriquet "A Native." He was a prolific writer, journalist, and social reformer who played a significant role in the Assamese renaissance.

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Anandaram Dhekial Phukan (ADP=AN), a pioneer of modern Assamese prose, is known for using the sobriquet "A Native." He was a prolific writer, journalist, and social reformer who played a significant role in the Assamese renaissance.

Mafizuddin Ahmed Hazarika is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Jnan Malini," which earned him the sobriquet "Gyanmalinir Kavi" (The Poet of Jnan Malini).

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Mafizuddin Ahmed Hazarika is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Jnan Malini," which earned him the sobriquet "Gyanmalinir Kavi" (The Poet of Jnan Malini).