Who used the pen name "Monai Boiragi" in Assamese literature? [#2254]

Mahendranath Deka Phukan, a prominent Assamese writer and journalist, used the pen name "Monai Boiragi" for his literary works.

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Mahendranath Deka Phukan, a prominent Assamese writer and journalist, used the pen name "Monai Boiragi" for his literary works.

Lakshminath Bezbarua (1864–1938) was the first editor of the Assamese magazine Bahi in 1909. The magazine was published in Calcutta until 1932 and was a leading journal for Assamese literature in the first half of the 20th century. In 1909, the magazine published O Mur Apunar Desh, the traditional song of Assam, written by Bezbarua and set to music by Kamala Prasad Agarwala. The song was later adopted as Assam's state song in 1927.

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Lakshminath Bezbarua (1864–1938) was the first editor of the Assamese magazine Bahi in 1909. The magazine was published in Calcutta until 1932 and was a leading journal for Assamese literature in the first half of the 20th century. In 1909, the magazine published O Mur Apunar Desh, the traditional song of Assam, written by Bezbarua and set to music by Kamala Prasad Agarwala. The song was later adopted as Assam's state song in 1927.

Nalinibala Devi was a renowned Assamese poet and novelist. Her works often explored themes of love, loss, and the human condition with a deep sensitivity and emotional depth, earning her the title "Atindriyabadi Kavi" (Supersensitive Poet).

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Nalinibala Devi was a renowned Assamese poet and novelist. Her works often explored themes of love, loss, and the human condition with a deep sensitivity and emotional depth, earning her the title "Atindriyabadi Kavi" (Supersensitive Poet).

Jatindranath Duwara is a renowned Assamese poet who was the first recipient of the Sahitya Akademi Award in 1955 for his poetry book "Bana Phul".

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Jatindranath Duwara is a renowned Assamese poet who was the first recipient of the Sahitya Akademi Award in 1955 for his poetry book "Bana Phul".

Chandra Kumar Agarwala, a prominent figure in Assamese literature, is often referred to as "Pratimar Khonikor" (The Sculptor of Images) for his evocative and imaginative poetry, particularly known for its romantic and idealistic themes.

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Chandra Kumar Agarwala, a prominent figure in Assamese literature, is often referred to as "Pratimar Khonikor" (The Sculptor of Images) for his evocative and imaginative poetry, particularly known for its romantic and idealistic themes.

Indira Goswami, a renowned Assamese writer, is widely known by her pen name "Mamoni Raisom Goswami." She was a prominent figure in Assamese literature, known for her insightful novels and social commentary.

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Indira Goswami, a renowned Assamese writer, is widely known by her pen name "Mamoni Raisom Goswami." She was a prominent figure in Assamese literature, known for her insightful novels and social commentary.

Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

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Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

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In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

Mahendranath Deka Phukan, a prominent Assamese writer and journalist, used the pen name "Monai Boiragi" for his literary works.

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Mahendranath Deka Phukan, a prominent Assamese writer and journalist, used the pen name "Monai Boiragi" for his literary works.

Syed Abdul Malik used the pen names "Ajagar" and "Swami Abhangananda" in Assamese literature. He was a prominent Assamese writer, poet, and journalist known for his progressive views and his contributions to Assamese journalism.

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Syed Abdul Malik used the pen names "Ajagar" and "Swami Abhangananda" in Assamese literature. He was a prominent Assamese writer, poet, and journalist known for his progressive views and his contributions to Assamese journalism.

Mahim Bora is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Rangajiya kabi" (The Poet of the Stage), which earned him the sobriquet "Rangajiya kavi".

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Mahim Bora is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Rangajiya kabi" (The Poet of the Stage), which earned him the sobriquet "Rangajiya kavi".