Who used the sobriquet / nickname "Tyagbir" in Assamese literature? [#2248]

Hem Barua, a prominent Assamese writer and politician, was bestowed with the title "Tyagbir" (Hero of Sacrifice) in recognition of his significant contributions to the Assamese people and his selfless dedication to social and political causes.

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Hem Barua, a prominent Assamese writer and politician, was bestowed with the title "Tyagbir" (Hero of Sacrifice) in recognition of his significant contributions to the Assamese people and his selfless dedication to social and political causes.

Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.

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Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.

Lakshminath Bezbarua (1864–1938) was the first editor of the Assamese magazine Bahi in 1909. The magazine was published in Calcutta until 1932 and was a leading journal for Assamese literature in the first half of the 20th century. In 1909, the magazine published O Mur Apunar Desh, the traditional song of Assam, written by Bezbarua and set to music by Kamala Prasad Agarwala. The song was later adopted as Assam's state song in 1927.

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Lakshminath Bezbarua (1864–1938) was the first editor of the Assamese magazine Bahi in 1909. The magazine was published in Calcutta until 1932 and was a leading journal for Assamese literature in the first half of the 20th century. In 1909, the magazine published O Mur Apunar Desh, the traditional song of Assam, written by Bezbarua and set to music by Kamala Prasad Agarwala. The song was later adopted as Assam's state song in 1927.

Ganesh Chandra Gogoi, a renowned Assamese poet, is known as "Paporir Kavi" (Poet of the Lotus) for his lyrical and evocative poetry, often drawing inspiration from nature, particularly the lotus flower.

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Ganesh Chandra Gogoi, a renowned Assamese poet, is known as "Paporir Kavi" (Poet of the Lotus) for his lyrical and evocative poetry, often drawing inspiration from nature, particularly the lotus flower.

Raghunath Choudhury is known as the "Bihogi Kavi" (Bird Poet) in Assamese literature. He was a noted poet known for his love of nature and his poems often featured birds and other natural elements.

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Raghunath Choudhury is known as the "Bihogi Kavi" (Bird Poet) in Assamese literature. He was a noted poet known for his love of nature and his poems often featured birds and other natural elements.

Nabakanta Barua was a prominent Assamese novelist and poet. He used the pen name "Ekhud Kakaideu: Sima Dutta" in his literary works, with "Sima Dutta" being used for his early poems.

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Nabakanta Barua was a prominent Assamese novelist and poet. He used the pen name "Ekhud Kakaideu: Sima Dutta" in his literary works, with "Sima Dutta" being used for his early poems.

Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

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Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

Chakreshwar Bhattacharyya, a prominent Assamese writer and journalist, used the pen name "Rajpathar Sil" (Stone on the Royal Road) for his literary works.

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Chakreshwar Bhattacharyya, a prominent Assamese writer and journalist, used the pen name "Rajpathar Sil" (Stone on the Royal Road) for his literary works.

In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

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In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.

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Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.

Mafizuddin Ahmed Hazarika is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Jnan Malini," which earned him the sobriquet "Gyanmalinir Kavi" (The Poet of Jnan Malini).

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Mafizuddin Ahmed Hazarika is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Jnan Malini," which earned him the sobriquet "Gyanmalinir Kavi" (The Poet of Jnan Malini).