Which one is not a tributary of the Brahmaputra? [#2205]

Digaru is a river originating in the Garo-Khasi hills of Meghalaya state in India, flowing towards the northeast and then meeting the Kopili river and then merging with the Brahmaputra river.

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Digaru is a river originating in the Garo-Khasi hills of Meghalaya state in India, flowing towards the northeast and then meeting the Kopili river and then merging with the Brahmaputra river.

Chenghehishon

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Chenghehishon

The period between 1821 and 1826 is often referred to as "Maanar Din". The term is Assamese for "The days/period of the Burmese". The period refers to the time when the Kingdom of Assam was under the control of Burma. The period is remembered with horror by the people of Assam. The period was the climactic period of the Ahom kingdom. The population of Assam was greatly reduced by 2/3 and 1/3 of the men and boys were killed during this period.

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The period between 1821 and 1826 is often referred to as "Maanar Din". The term is Assamese for "The days/period of the Burmese". The period refers to the time when the Kingdom of Assam was under the control of Burma. The period is remembered with horror by the people of Assam. The period was the climactic period of the Ahom kingdom. The population of Assam was greatly reduced by 2/3 and 1/3 of the men and boys were killed during this period.

While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

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While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

The Battle of Mahargarh was fought on April 19, 1822 between 20,000 Burmese soldiers and 2,000 mixed Assamese-Hindustani forces. The Burmese were led by Mingi Maha Bandula, and the Assamese-Hindustani forces were led by Chandrakanta Singha.

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The Battle of Mahargarh was fought on April 19, 1822 between 20,000 Burmese soldiers and 2,000 mixed Assamese-Hindustani forces. The Burmese were led by Mingi Maha Bandula, and the Assamese-Hindustani forces were led by Chandrakanta Singha.

Bisa Nong Singpho is a respected figure from the Singpho community in Assam, India. He is the traditional chief of Bisa Gaon in Ledo, Tinsukia district, and has been recognized for his contributions to society with the Samaj Hitakar Award. His family has a rich history, including a freedom fighter ancestor, Bisa Bom Singpho.

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Bisa Nong Singpho is a respected figure from the Singpho community in Assam, India. He is the traditional chief of Bisa Gaon in Ledo, Tinsukia district, and has been recognized for his contributions to society with the Samaj Hitakar Award. His family has a rich history, including a freedom fighter ancestor, Bisa Bom Singpho.

Kushan gaan is a traditional folk theatre form primarily found and performed in the Goalpara district of Assam, India. This unique form of theatre combines music, dance, and acting, often drawing its themes and stories from the epic Ramayana. It is performed by semi-professional troupes and plays a significant role in the cultural identity and heritage of the Goalpara region.

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Kushan gaan is a traditional folk theatre form primarily found and performed in the Goalpara district of Assam, India. This unique form of theatre combines music, dance, and acting, often drawing its themes and stories from the epic Ramayana. It is performed by semi-professional troupes and plays a significant role in the cultural identity and heritage of the Goalpara region.

The earliest king of Pragjyotisha, a non-Aryan chief, was known as Mahiranga Danava. He is often considered the founder of the Danava dynasty, which ruled Pragjyotisha for a significant period.

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The earliest king of Pragjyotisha, a non-Aryan chief, was known as Mahiranga Danava. He is often considered the founder of the Danava dynasty, which ruled Pragjyotisha for a significant period.

The Tocklai Tea Research Institute is a tea research institute in Jorhat, Assam, India. It is the world's oldest and largest tea research institute, founded in 1911. The institute is part of the Tea Research Association (TRA) and conducts research on tea cultivation and development.

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The Tocklai Tea Research Institute is a tea research institute in Jorhat, Assam, India. It is the world's oldest and largest tea research institute, founded in 1911. The institute is part of the Tea Research Association (TRA) and conducts research on tea cultivation and development.

The Varmana dynasty ruled over the ancient kingdom of Kamarupa, which is now primarily located in the state of Assam, India. Pragjyotishpura served as the capital of this powerful dynasty.

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The Varmana dynasty ruled over the ancient kingdom of Kamarupa, which is now primarily located in the state of Assam, India. Pragjyotishpura served as the capital of this powerful dynasty.

Rajanikanta Bordoloi is known as the "Upanyash Samrat" (The Emperor of Novels) in Assamese literature. He is considered a pioneer of the romantic movement in Assamese literature and wrote numerous novels based on the history of Assam.

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Rajanikanta Bordoloi is known as the "Upanyash Samrat" (The Emperor of Novels) in Assamese literature. He is considered a pioneer of the romantic movement in Assamese literature and wrote numerous novels based on the history of Assam.