Which is the last north bank tributary of Brahmaputra within Assam? [#2156]

The Sankosh River is the last major north bank tributary of the Brahmaputra River before it enters Bangladesh. Sankosh (also Puna Thsang Chu, and Svarnakosha) is a river that rises in northern Bhutan and empties into the Brahmaputra in the state of Assam in India. Sankosh river forms the boundary between Assam and West Bengal.

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The Sankosh River is the last major north bank tributary of the Brahmaputra River before it enters Bangladesh. Sankosh (also Puna Thsang Chu, and Svarnakosha) is a river that rises in northern Bhutan and empties into the Brahmaputra in the state of Assam in India. Sankosh river forms the boundary between Assam and West Bengal.

The Barail Range is situated in the southern part of Assam, forming a natural boundary between the Brahmaputra and Barak river basins.

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The Barail Range is situated in the southern part of Assam, forming a natural boundary between the Brahmaputra and Barak river basins.

While the "Look East Policy" (now Act East Policy) is a national policy of India, Assam, being a northeastern state, plays a crucial role in its implementation, particularly concerning cross-border trade and connectivity. The policy focuses on building stronger economic, cultural, and strategic relationships with Southeast Asian countries. Assam's geographical proximity and cultural links make it a gateway for trade, tourism, and other forms of cooperation with these nations.

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While the "Look East Policy" (now Act East Policy) is a national policy of India, Assam, being a northeastern state, plays a crucial role in its implementation, particularly concerning cross-border trade and connectivity. The policy focuses on building stronger economic, cultural, and strategic relationships with Southeast Asian countries. Assam's geographical proximity and cultural links make it a gateway for trade, tourism, and other forms of cooperation with these nations.

Chabua town, which consists of 10 wards, is situated in Dibrugarh district in the state of Assam. Its name derives from Chah(tea) and bua(plantation). It also known as the Motherland of Tea, because first time in Asia, tea was planted in Chabua.

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Chabua town, which consists of 10 wards, is situated in Dibrugarh district in the state of Assam. Its name derives from Chah(tea) and bua(plantation). It also known as the Motherland of Tea, because first time in Asia, tea was planted in Chabua.

Kongali Bihu, also known as Kati Bihu, is an Assamese harvest festival celebrated in autumn (October-November). Unlike Rongali Bihu (spring) and Magh Bihu (winter), Kongali Bihu is a more somber occasion. It marks a lean period in the agricultural cycle, before the new harvest. Celebrations are typically simple, involving lighting lamps in paddy fields and offering prayers for a bountiful harvest. It symbolizes a time of scarcity and anticipation.

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Kongali Bihu, also known as Kati Bihu, is an Assamese harvest festival celebrated in autumn (October-November). Unlike Rongali Bihu (spring) and Magh Bihu (winter), Kongali Bihu is a more somber occasion. It marks a lean period in the agricultural cycle, before the new harvest. Celebrations are typically simple, involving lighting lamps in paddy fields and offering prayers for a bountiful harvest. It symbolizes a time of scarcity and anticipation.

The Bodo community is the largest Scheduled Tribe in Assam. Major tribes of Assam are: Bodo (35.1%), Mishing (17.52%), Karbi (11.1%), Rabha (7.6%), Sonowal Kachari (6.5%), Lalung (5.2%), Garo (4.2%), and Dimasa tribes (3.2%). They constitute ninety per cent ST population of the state.

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The Bodo community is the largest Scheduled Tribe in Assam. Major tribes of Assam are: Bodo (35.1%), Mishing (17.52%), Karbi (11.1%), Rabha (7.6%), Sonowal Kachari (6.5%), Lalung (5.2%), Garo (4.2%), and Dimasa tribes (3.2%). They constitute ninety per cent ST population of the state.

Parvati Prasad Baruva is popularly known as the Geetikavi (lyrical poet) of Assam. He was a noted poet, lyricist, and dramatist, known for his simple and sensitive use of the Assamese language.

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Parvati Prasad Baruva is popularly known as the Geetikavi (lyrical poet) of Assam. He was a noted poet, lyricist, and dramatist, known for his simple and sensitive use of the Assamese language.

Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

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Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

The Assam Rastrabhasa Prachar Samiti (ARPS) was established on November 3, 1938. It was originally called the Assam Hindi Prachar Samiti.

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The Assam Rastrabhasa Prachar Samiti (ARPS) was established on November 3, 1938. It was originally called the Assam Hindi Prachar Samiti.

Anundoram Borooah

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Anundoram Borooah

Jhumur is a traditional folk dance performed by the tea tribes of Assam, India. It is a vibrant and energetic dance characterized by rhythmic movements, colorful costumes, and the use of traditional musical instruments. Jhumur is an integral part of the tea tribe culture and is performed during festivals, celebrations, and social gatherings. The dance often depicts themes related to their daily lives, work in the tea gardens, and their cultural heritage.

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Jhumur is a traditional folk dance performed by the tea tribes of Assam, India. It is a vibrant and energetic dance characterized by rhythmic movements, colorful costumes, and the use of traditional musical instruments. Jhumur is an integral part of the tea tribe culture and is performed during festivals, celebrations, and social gatherings. The dance often depicts themes related to their daily lives, work in the tea gardens, and their cultural heritage.