During which national movement did Kanaklata Barua become a martyr? [#1545]
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Q1. During which national movement did Kanaklata Barua become a martyr?
Q1. During which national movement did Kanaklata Barua become a martyr?
(A) Quit India Movement
(A) Quit India Movement
(A) Quit India Movement
(B) Swadeshi Movement
(B) Swadeshi Movement
(B) Swadeshi Movement
(C) Civil Disobedience Movement
(C) Civil Disobedience Movement
(C) Civil Disobedience Movement
(D) Non Cooperation Movement
(D) Non Cooperation Movement
(D) Non Cooperation Movement
Answer: (A) Quit India Movement
Answer: (A) Quit India Movement
Answer: (A) Quit India Movement
Kanaklata Barua became a martyr during the Quit India Movement of 1942. The 17-year-old Indian independence activist was shot and killed by British police while leading a procession carrying the national flag. The procession was attempting to raise the flag at the Gohpur Police Station on September 20, 1942. Barua was a member of the All India Students' Federation and an organizer in the Mrityu Bahini, a group of freedom fighters.
Kanaklata Barua became a martyr during the Quit India Movement of 1942. The 17-year-old Indian independence activist was shot and killed by British police while leading a procession carrying the national flag. The procession was attempting to raise the flag at the Gohpur Police Station on September 20, 1942. Barua was a member of the All India Students' Federation and an organizer in the Mrityu Bahini, a group of freedom fighters.
Kanaklata Barua became a martyr during the Quit India Movement of 1942. The 17-year-old Indian independence activist was shot and killed by British police while leading a procession carrying the national flag. The procession was attempting to raise the flag at the Gohpur Police Station on September 20, 1942. Barua was a member of the All India Students' Federation and an organizer in the Mrityu Bahini, a group of freedom fighters.
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Related MCQ Quizzes
Q1. Who is known by the sobriquet / nickname "Karmaveer" in Assamese literature?
Q1. Who is known by the sobriquet / nickname "Karmaveer" in Assamese literature?
(A) Pabitra Kumar Deka
(A) Pabitra Kumar Deka
(A) Pabitra Kumar Deka
(B) Nabin Chandra Bordoloi
(B) Nabin Chandra Bordoloi
(B) Nabin Chandra Bordoloi
(C) Kamalakanta Bhattacharyya
(C) Kamalakanta Bhattacharyya
(C) Kamalakanta Bhattacharyya
(D) Rudra Baruah
(D) Rudra Baruah
(D) Rudra Baruah
Answer: (B) Nabin Chandra Bordoloi
Answer: (B) Nabin Chandra Bordoloi
Answer: (B) Nabin Chandra Bordoloi
Nabin Chandra Bordoloi was a prominent Indian writer, politician, and leader of the Indian National Congress party from Assam. He was a key figure in the Indian independence movement and earned the title "Karmaveer" (Hero of Action) for his tireless work and dedication to the cause of Assam and India.
Nabin Chandra Bordoloi was a prominent Indian writer, politician, and leader of the Indian National Congress party from Assam. He was a key figure in the Indian independence movement and earned the title "Karmaveer" (Hero of Action) for his tireless work and dedication to the cause of Assam and India.
Nabin Chandra Bordoloi was a prominent Indian writer, politician, and leader of the Indian National Congress party from Assam. He was a key figure in the Indian independence movement and earned the title "Karmaveer" (Hero of Action) for his tireless work and dedication to the cause of Assam and India.
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Q2. King Bana's daughter Usha eloped with Sri Krishna's grandson. In which Assamese drama is this incident described?
Q2. King Bana's daughter Usha eloped with Sri Krishna's grandson. In which Assamese drama is this incident described?
(A) Parijat Haran
(A) Parijat Haran
(A) Parijat Haran
(B) Keli Gopal
(B) Keli Gopal
(B) Keli Gopal
(C) Kumar Haran
(C) Kumar Haran
(C) Kumar Haran
(D) Rukmini Haran
(D) Rukmini Haran
(D) Rukmini Haran
Answer: (C) Kumar Haran
Answer: (C) Kumar Haran
Answer: (C) Kumar Haran
Kumar Haran
Kumar Haran
Kumar Haran
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Q3. Which Satra is renowned for its mask-making tradition?
Q3. Which Satra is renowned for its mask-making tradition?
(A) Bardowa
(A) Bardowa
(A) Bardowa
(B) Barpeta
(B) Barpeta
(B) Barpeta
(C) Samaguri
(C) Samaguri
(C) Samaguri
(D) Garhmur
(D) Garhmur
(D) Garhmur
Answer: (C) Samaguri
Answer: (C) Samaguri
Answer: (C) Samaguri
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
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Q4. Who used the pen name "Ekhud Kakaideu: Sima Dutta" in Assamese literature?
Q4. Who used the pen name "Ekhud Kakaideu: Sima Dutta" in Assamese literature?
(A) Navakanta Barua
(A) Navakanta Barua
(A) Navakanta Barua
(B) Hem Barua
(B) Hem Barua
(B) Hem Barua
(C) Rebati Mohan Dutta Choudhury
(C) Rebati Mohan Dutta Choudhury
(C) Rebati Mohan Dutta Choudhury
(D) Parvati Prasad Baruva
(D) Parvati Prasad Baruva
(D) Parvati Prasad Baruva
Answer: (A) Navakanta Barua
Answer: (A) Navakanta Barua
Answer: (A) Navakanta Barua
Nabakanta Barua was a prominent Assamese novelist and poet. He used the pen name "Ekhud Kakaideu: Sima Dutta" in his literary works, with "Sima Dutta" being used for his early poems.
Nabakanta Barua was a prominent Assamese novelist and poet. He used the pen name "Ekhud Kakaideu: Sima Dutta" in his literary works, with "Sima Dutta" being used for his early poems.
Nabakanta Barua was a prominent Assamese novelist and poet. He used the pen name "Ekhud Kakaideu: Sima Dutta" in his literary works, with "Sima Dutta" being used for his early poems.
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Q5. Who led the revolt of 1857 in Assam?
Q5. Who led the revolt of 1857 in Assam?
(A) Anandaram Dhekial Phukan
(A) Anandaram Dhekial Phukan
(A) Anandaram Dhekial Phukan
(B) Gumdhar Konwar
(B) Gumdhar Konwar
(B) Gumdhar Konwar
(C) Kanaklata Baruah
(C) Kanaklata Baruah
(C) Kanaklata Baruah
(D) Maniram Dewan
(D) Maniram Dewan
(D) Maniram Dewan
Answer: (D) Maniram Dewan
Answer: (D) Maniram Dewan
Answer: (D) Maniram Dewan
Maniram Dewan, also known as Maniram Dutta Barua, led the revolt of 1857 in Assam. Dewan was a wealthy businessman and the first Assamese tea planter. He was also a close friend of the Ahom king, Purandar Singha.
Maniram Dewan, also known as Maniram Dutta Barua, led the revolt of 1857 in Assam. Dewan was a wealthy businessman and the first Assamese tea planter. He was also a close friend of the Ahom king, Purandar Singha.
Maniram Dewan, also known as Maniram Dutta Barua, led the revolt of 1857 in Assam. Dewan was a wealthy businessman and the first Assamese tea planter. He was also a close friend of the Ahom king, Purandar Singha.
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Q6. Which of these is a traditional Assamese silk, known for its golden hue?
Q6. Which of these is a traditional Assamese silk, known for its golden hue?
(A) Muga
(A) Muga
(A) Muga
(B) Eri
(B) Eri
(B) Eri
(C) Pat
(C) Pat
(C) Pat
(D) Tasar
(D) Tasar
(D) Tasar
Answer: (A) Muga
Answer: (A) Muga
Answer: (A) Muga
Muga silk is a unique and highly prized silk variety native to Assam, recognized for its natural golden color.
Muga silk is a unique and highly prized silk variety native to Assam, recognized for its natural golden color.
Muga silk is a unique and highly prized silk variety native to Assam, recognized for its natural golden color.
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Q7. How many Bargeets did Madhavdeva compose?
Q7. How many Bargeets did Madhavdeva compose?
(A) 191
(A) 191
(A) 191
(B) 180
(B) 180
(B) 180
(C) 188
(C) 188
(C) 188
(D) 198
(D) 198
(D) 198
Answer: (A) 191
Answer: (A) 191
Answer: (A) 191
Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.
Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.
Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.
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Q8. Mahatma Gandhi launched the Kheda Satyagraha in Gujarat in 1918 to support the cause of:
Q8. Mahatma Gandhi launched the Kheda Satyagraha in Gujarat in 1918 to support the cause of:
(A) Textile mill workers demanding better wages
(A) Textile mill workers demanding better wages
(A) Textile mill workers demanding better wages
(B) Peasants demanding the abolition of the zamindari system
(B) Peasants demanding the abolition of the zamindari system
(B) Peasants demanding the abolition of the zamindari system
(C) Farmers demanding tax relief after crop failure
(C) Farmers demanding tax relief after crop failure
(C) Farmers demanding tax relief after crop failure
(D) Students protesting against colonial education policies
(D) Students protesting against colonial education policies
(D) Students protesting against colonial education policies
Answer: (C) Farmers demanding tax relief after crop failure
Answer: (C) Farmers demanding tax relief after crop failure
Answer: (C) Farmers demanding tax relief after crop failure
The Kheda Satyagraha was a nonviolent civil disobedience movement led by Mahatma Gandhi in the Kheda district of Gujarat in 1918. The movement aimed to support the demands of the local farmers who were facing severe economic hardship due to widespread crop failure caused by drought and famine. They appealed to the British government to waive the land revenue for that year, as they were unable to pay. Gandhi, along with Sardar Vallabhbhai Patel and other leaders, organized the farmers to peacefully resist the tax collection, ultimately leading to some concessions from the government.
The Kheda Satyagraha was a nonviolent civil disobedience movement led by Mahatma Gandhi in the Kheda district of Gujarat in 1918. The movement aimed to support the demands of the local farmers who were facing severe economic hardship due to widespread crop failure caused by drought and famine. They appealed to the British government to waive the land revenue for that year, as they were unable to pay. Gandhi, along with Sardar Vallabhbhai Patel and other leaders, organized the farmers to peacefully resist the tax collection, ultimately leading to some concessions from the government.
The Kheda Satyagraha was a nonviolent civil disobedience movement led by Mahatma Gandhi in the Kheda district of Gujarat in 1918. The movement aimed to support the demands of the local farmers who were facing severe economic hardship due to widespread crop failure caused by drought and famine. They appealed to the British government to waive the land revenue for that year, as they were unable to pay. Gandhi, along with Sardar Vallabhbhai Patel and other leaders, organized the farmers to peacefully resist the tax collection, ultimately leading to some concessions from the government.
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Q9. Jorpukhuri is a part of which historic temple?
Q9. Jorpukhuri is a part of which historic temple?
(A) Ugratara
(A) Ugratara
(A) Ugratara
(B) Kamakhya
(B) Kamakhya
(B) Kamakhya
(C) Avagraha Temple
(C) Avagraha Temple
(C) Avagraha Temple
(D) Shiva Doul
(D) Shiva Doul
(D) Shiva Doul
Answer: (A) Ugratara
Answer: (A) Ugratara
Answer: (A) Ugratara
Jorpukhuri, meaning "twin ponds" in Assamese, is a significant feature of the Ugratara Temple in Guwahati, Assam. These ponds were constructed by the Ahom king Swargadeo Siva Singha in 1725 AD to provide water for the temple rituals and also served as a means of access to the temple via the Brahmaputra River.
Jorpukhuri, meaning "twin ponds" in Assamese, is a significant feature of the Ugratara Temple in Guwahati, Assam. These ponds were constructed by the Ahom king Swargadeo Siva Singha in 1725 AD to provide water for the temple rituals and also served as a means of access to the temple via the Brahmaputra River.
Jorpukhuri, meaning "twin ponds" in Assamese, is a significant feature of the Ugratara Temple in Guwahati, Assam. These ponds were constructed by the Ahom king Swargadeo Siva Singha in 1725 AD to provide water for the temple rituals and also served as a means of access to the temple via the Brahmaputra River.
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Q10. Who established the 'Shil Kalika Opera Party'?
Q10. Who established the 'Shil Kalika Opera Party'?
(A) Achyut Lahkar
(A) Achyut Lahkar
(A) Achyut Lahkar
(B) Braja Sharma
(B) Braja Sharma
(B) Braja Sharma
(C) Phani Sharma
(C) Phani Sharma
(C) Phani Sharma
(D) Ratan Lahkar
(D) Ratan Lahkar
(D) Ratan Lahkar
Answer: (B) Braja Sharma
Answer: (B) Braja Sharma
Answer: (B) Braja Sharma
Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.
Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.
Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.
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Related Questions
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