The Hayagriba Madhab Temple was commissioned by the [#1444]
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Q1. The Hayagriba Madhab Temple was commissioned by the
Q1. The Hayagriba Madhab Temple was commissioned by the
(A) Varmans
(A) Varmans
(A) Varmans
(B) Ahoms
(B) Ahoms
(B) Ahoms
(C) Kacharis
(C) Kacharis
(C) Kacharis
(D) Palas
(D) Palas
(D) Palas
Answer: (D) Palas
Answer: (D) Palas
Answer: (D) Palas
The present structure of the Hayagriva Madhab Temple was commissioned by King Raghudeva Narayan in 1583. However, there is historical evidence suggesting an earlier temple existed at the site, possibly constructed by a king of the Pala dynasty.
The present structure of the Hayagriva Madhab Temple was commissioned by King Raghudeva Narayan in 1583. However, there is historical evidence suggesting an earlier temple existed at the site, possibly constructed by a king of the Pala dynasty.
The present structure of the Hayagriva Madhab Temple was commissioned by King Raghudeva Narayan in 1583. However, there is historical evidence suggesting an earlier temple existed at the site, possibly constructed by a king of the Pala dynasty.
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Related MCQ Quizzes
Q1. The ancient name of Cachar Was
Q1. The ancient name of Cachar Was
(A) Dhanashree
(A) Dhanashree
(A) Dhanashree
(B) Khashpur
(B) Khashpur
(B) Khashpur
(C) Dimapur
(C) Dimapur
(C) Dimapur
(D) Hidimba
(D) Hidimba
(D) Hidimba
Answer: (D) Hidimba
Answer: (D) Hidimba
Answer: (D) Hidimba
Hidimba
Hidimba
Hidimba
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Q2. On the basis of population size, which of the following is the largest tribal group in Assam?
Q2. On the basis of population size, which of the following is the largest tribal group in Assam?
(A) Mishing
(A) Mishing
(A) Mishing
(B) Karbi
(B) Karbi
(B) Karbi
(C) Garo
(C) Garo
(C) Garo
(D) Bodo
(D) Bodo
(D) Bodo
Answer: (D) Bodo
Answer: (D) Bodo
Answer: (D) Bodo
Major tribes of Assam are: Bodo (35.1%), Mishing (17.52%), Karbi (11.1%), Rabha (7.6%), Sonowal Kachari (6.5%), Lalung (5.2%), Garo (4.2%), and Dimasa tribes (3.2%). They constitute ninety per cent ST population of the state.
Major tribes of Assam are: Bodo (35.1%), Mishing (17.52%), Karbi (11.1%), Rabha (7.6%), Sonowal Kachari (6.5%), Lalung (5.2%), Garo (4.2%), and Dimasa tribes (3.2%). They constitute ninety per cent ST population of the state.
Major tribes of Assam are: Bodo (35.1%), Mishing (17.52%), Karbi (11.1%), Rabha (7.6%), Sonowal Kachari (6.5%), Lalung (5.2%), Garo (4.2%), and Dimasa tribes (3.2%). They constitute ninety per cent ST population of the state.
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Q3. Which Assamese freedom fighter was known as the "Lion of Assam" and played a key role in the Indian independence movement, particularly in the Quit India Movement?
Q3. Which Assamese freedom fighter was known as the "Lion of Assam" and played a key role in the Indian independence movement, particularly in the Quit India Movement?
(A) Gopinath Bordoloi
(A) Gopinath Bordoloi
(A) Gopinath Bordoloi
(B) Bishnu Ram Medhi
(B) Bishnu Ram Medhi
(B) Bishnu Ram Medhi
(C) Ambikagiri Raichoudhury
(C) Ambikagiri Raichoudhury
(C) Ambikagiri Raichoudhury
(D) Nalini Bala Devi
(D) Nalini Bala Devi
(D) Nalini Bala Devi
Answer: (C) Ambikagiri Raichoudhury
Answer: (C) Ambikagiri Raichoudhury
Answer: (C) Ambikagiri Raichoudhury
Ambikagiri Raichoudhury, affectionately called the "Lion of Assam", was a prominent Assamese freedom fighter and poet who played a significant role in the Indian independence movement, particularly in the Quit India Movement. He was a powerful orator and a key figure in mobilizing support for the movement in Assam.
Ambikagiri Raichoudhury, affectionately called the "Lion of Assam", was a prominent Assamese freedom fighter and poet who played a significant role in the Indian independence movement, particularly in the Quit India Movement. He was a powerful orator and a key figure in mobilizing support for the movement in Assam.
Ambikagiri Raichoudhury, affectionately called the "Lion of Assam", was a prominent Assamese freedom fighter and poet who played a significant role in the Indian independence movement, particularly in the Quit India Movement. He was a powerful orator and a key figure in mobilizing support for the movement in Assam.
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Q4. The 'Look East Policy' of Assam is aimed at enhancing economic ties with:
Q4. The 'Look East Policy' of Assam is aimed at enhancing economic ties with:
(A) European countries
(A) European countries
(A) European countries
(B) Southeast Asian countries
(B) Southeast Asian countries
(B) Southeast Asian countries
(C) South American countries
(C) South American countries
(C) South American countries
(D) North American countries
(D) North American countries
(D) North American countries
Answer: (B) Southeast Asian countries
Answer: (B) Southeast Asian countries
Answer: (B) Southeast Asian countries
While the "Look East Policy" (now Act East Policy) is a national policy of India, Assam, being a northeastern state, plays a crucial role in its implementation, particularly concerning cross-border trade and connectivity. The policy focuses on building stronger economic, cultural, and strategic relationships with Southeast Asian countries. Assam's geographical proximity and cultural links make it a gateway for trade, tourism, and other forms of cooperation with these nations.
While the "Look East Policy" (now Act East Policy) is a national policy of India, Assam, being a northeastern state, plays a crucial role in its implementation, particularly concerning cross-border trade and connectivity. The policy focuses on building stronger economic, cultural, and strategic relationships with Southeast Asian countries. Assam's geographical proximity and cultural links make it a gateway for trade, tourism, and other forms of cooperation with these nations.
While the "Look East Policy" (now Act East Policy) is a national policy of India, Assam, being a northeastern state, plays a crucial role in its implementation, particularly concerning cross-border trade and connectivity. The policy focuses on building stronger economic, cultural, and strategic relationships with Southeast Asian countries. Assam's geographical proximity and cultural links make it a gateway for trade, tourism, and other forms of cooperation with these nations.
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Q5. Where was the first commercial Yatra Party formed in Assam?
Q5. Where was the first commercial Yatra Party formed in Assam?
(A) Guwahati
(A) Guwahati
(A) Guwahati
(B) Barpeta
(B) Barpeta
(B) Barpeta
(C) Nalbari
(C) Nalbari
(C) Nalbari
(D) Nagaon
(D) Nagaon
(D) Nagaon
Answer: (B) Barpeta
Answer: (B) Barpeta
Answer: (B) Barpeta
The first commercial Yatra Party in Assam was established in Barpeta. This marked a significant step in the evolution of Assamese theatre, transitioning towards a more structured and financially driven form of performance. It was initiated by Tirtharam Bayan with the support of Govindaram Choudhury, signifying the beginning of organized Yatra performances in the region.
The first commercial Yatra Party in Assam was established in Barpeta. This marked a significant step in the evolution of Assamese theatre, transitioning towards a more structured and financially driven form of performance. It was initiated by Tirtharam Bayan with the support of Govindaram Choudhury, signifying the beginning of organized Yatra performances in the region.
The first commercial Yatra Party in Assam was established in Barpeta. This marked a significant step in the evolution of Assamese theatre, transitioning towards a more structured and financially driven form of performance. It was initiated by Tirtharam Bayan with the support of Govindaram Choudhury, signifying the beginning of organized Yatra performances in the region.
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Q6. In which year the Baan Theatre established?
Q6. In which year the Baan Theatre established?
(A) 1910
(A) 1910
(A) 1910
(B) 1905
(B) 1905
(B) 1905
(C) 1906
(C) 1906
(C) 1906
(D) 1920
(D) 1920
(D) 1920
Answer: (C) 1906
Answer: (C) 1906
Answer: (C) 1906
Baan Theatre, a renowned and historically significant theatre group in Assam, was established in the year 1906. It has played a vital role in the development and promotion of Assamese drama and theatre. Located in Tezpur, it is one of the oldest and most influential theatre groups in the region.
Baan Theatre, a renowned and historically significant theatre group in Assam, was established in the year 1906. It has played a vital role in the development and promotion of Assamese drama and theatre. Located in Tezpur, it is one of the oldest and most influential theatre groups in the region.
Baan Theatre, a renowned and historically significant theatre group in Assam, was established in the year 1906. It has played a vital role in the development and promotion of Assamese drama and theatre. Located in Tezpur, it is one of the oldest and most influential theatre groups in the region.
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Q7. Who was the first governor of independent Assam
Q7. Who was the first governor of independent Assam
(A) Bishnuram Medhi
(A) Bishnuram Medhi
(A) Bishnuram Medhi
(B) Sir Muhammad Saleh Akbar Hydari
(B) Sir Muhammad Saleh Akbar Hydari
(B) Sir Muhammad Saleh Akbar Hydari
(C) Robart Brown
(C) Robart Brown
(C) Robart Brown
(D) Henry Cotton
(D) Henry Cotton
(D) Henry Cotton
Answer: (B) Sir Muhammad Saleh Akbar Hydari
Answer: (B) Sir Muhammad Saleh Akbar Hydari
Answer: (B) Sir Muhammad Saleh Akbar Hydari
Sir Muhammad Saleh Akbar Hydari
Sir Muhammad Saleh Akbar Hydari
Sir Muhammad Saleh Akbar Hydari
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Q8. Which medieval king of Assam is credited with building the famous Sivasagar Sagar tank, and is known for his military campaigns against the Mughals?
Q8. Which medieval king of Assam is credited with building the famous Sivasagar Sagar tank, and is known for his military campaigns against the Mughals?
(A) Rudra Singha
(A) Rudra Singha
(A) Rudra Singha
(B) Rajeswar Singha
(B) Rajeswar Singha
(B) Rajeswar Singha
(C) Gadadhar Singha
(C) Gadadhar Singha
(C) Gadadhar Singha
(D) Pratap Singha
(D) Pratap Singha
(D) Pratap Singha
Answer: (A) Rudra Singha
Answer: (A) Rudra Singha
Answer: (A) Rudra Singha
Rudra Singha, also known as Rudra Singha Suklengmung, was a medieval king of Assam who ruled from 1696 to 1714. He is credited with building the famous Sivasagar Sagar tank, and is known for his military campaigns against the Mughals. He was a powerful and influential king who played a significant role in Assam's history.
Rudra Singha, also known as Rudra Singha Suklengmung, was a medieval king of Assam who ruled from 1696 to 1714. He is credited with building the famous Sivasagar Sagar tank, and is known for his military campaigns against the Mughals. He was a powerful and influential king who played a significant role in Assam's history.
Rudra Singha, also known as Rudra Singha Suklengmung, was a medieval king of Assam who ruled from 1696 to 1714. He is credited with building the famous Sivasagar Sagar tank, and is known for his military campaigns against the Mughals. He was a powerful and influential king who played a significant role in Assam's history.
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Q9. Who was the first Assamese to win "Dada Sahed Falke" Award
Q9. Who was the first Assamese to win "Dada Sahed Falke" Award
(A) Asha Parekh
(A) Asha Parekh
(A) Asha Parekh
(B) Devika Rani
(B) Devika Rani
(B) Devika Rani
(C) Dr Bhupen Hazarika
(C) Dr Bhupen Hazarika
(C) Dr Bhupen Hazarika
(D) Mamoni Roisam Goswami
(D) Mamoni Roisam Goswami
(D) Mamoni Roisam Goswami
Answer: (C) Dr Bhupen Hazarika
Answer: (C) Dr Bhupen Hazarika
Answer: (C) Dr Bhupen Hazarika
Dr Bhupen Hazarika
Dr Bhupen Hazarika
Dr Bhupen Hazarika
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Q10. The famous Assamese historical figure and saint associated with the Neo-Vaishnavite movement is
Q10. The famous Assamese historical figure and saint associated with the Neo-Vaishnavite movement is
(A) Sankardev
(A) Sankardev
(A) Sankardev
(B) Lachit Borphukan
(B) Lachit Borphukan
(B) Lachit Borphukan
(C) Sukaphaa
(C) Sukaphaa
(C) Sukaphaa
(D) Bir Chilarai
(D) Bir Chilarai
(D) Bir Chilarai
Answer: (A) Sankardev
Answer: (A) Sankardev
Answer: (A) Sankardev
Srimanta Sankaradeva was a 15th-16th century Assamese polymath, saint-scholar, social reformer, poet, playwright, and the principal figure in the Neo-Vaishnavite movement in Assam. His teachings, known as Ekasarana Dharma, centered on devotion to Lord Krishna and advocated for a casteless society. He established Sattras (monasteries) and Namghars (prayer halls) which became vital socio-religious institutions. Sankaradeva's prolific literary works include Borgeets (devotional songs), Ankia Naats (plays), and he is credited with developing the classical dance form Sattriya. His influence profoundly shaped Assamese culture and continues to resonate today.
Srimanta Sankaradeva was a 15th-16th century Assamese polymath, saint-scholar, social reformer, poet, playwright, and the principal figure in the Neo-Vaishnavite movement in Assam. His teachings, known as Ekasarana Dharma, centered on devotion to Lord Krishna and advocated for a casteless society. He established Sattras (monasteries) and Namghars (prayer halls) which became vital socio-religious institutions. Sankaradeva's prolific literary works include Borgeets (devotional songs), Ankia Naats (plays), and he is credited with developing the classical dance form Sattriya. His influence profoundly shaped Assamese culture and continues to resonate today.
Srimanta Sankaradeva was a 15th-16th century Assamese polymath, saint-scholar, social reformer, poet, playwright, and the principal figure in the Neo-Vaishnavite movement in Assam. His teachings, known as Ekasarana Dharma, centered on devotion to Lord Krishna and advocated for a casteless society. He established Sattras (monasteries) and Namghars (prayer halls) which became vital socio-religious institutions. Sankaradeva's prolific literary works include Borgeets (devotional songs), Ankia Naats (plays), and he is credited with developing the classical dance form Sattriya. His influence profoundly shaped Assamese culture and continues to resonate today.
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