What was the main aim of the Chipko movement? [#125]
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Q1. What was the main aim of the Chipko movement?
Q1. What was the main aim of the Chipko movement?
(A) To reduce the soil erosion
(A) To reduce the soil erosion
(A) To reduce the soil erosion
(B) To promote the production of milk
(B) To promote the production of milk
(B) To promote the production of milk
(C) To avoid the child labour
(C) To avoid the child labour
(C) To avoid the child labour
(D) To protect the trees of the forests to be cut
(D) To protect the trees of the forests to be cut
(D) To protect the trees of the forests to be cut
Answer: (D) To protect the trees of the forests to be cut
Answer: (D) To protect the trees of the forests to be cut
Answer: (D) To protect the trees of the forests to be cut
To protect the trees of the forests to be cut.
To protect the trees of the forests to be cut.
To protect the trees of the forests to be cut.
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Related MCQ Quizzes
Q1. The first drama of Sankardeva was?
Q1. The first drama of Sankardeva was?
(A) Keli Gopal
(A) Keli Gopal
(A) Keli Gopal
(B) Chinhajatra
(B) Chinhajatra
(B) Chinhajatra
(C) Kaliya Daman
(C) Kaliya Daman
(C) Kaliya Daman
(D) Patniprasad
(D) Patniprasad
(D) Patniprasad
Answer: (B) Chinhajatra
Answer: (B) Chinhajatra
Answer: (B) Chinhajatra
During his stay in Bardowa, Srimanta Sankardeva wrote and staged the first drama,'Chinhajatra' in 1468. This incident is regarded as the milestone in Assamese culture as Chinhajatra is the first drama to be written in any Indian Regional language.
During his stay in Bardowa, Srimanta Sankardeva wrote and staged the first drama,'Chinhajatra' in 1468. This incident is regarded as the milestone in Assamese culture as Chinhajatra is the first drama to be written in any Indian Regional language.
During his stay in Bardowa, Srimanta Sankardeva wrote and staged the first drama,'Chinhajatra' in 1468. This incident is regarded as the milestone in Assamese culture as Chinhajatra is the first drama to be written in any Indian Regional language.
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Q2. Incapable of being read.
Q2. Incapable of being read.
What is one word substitution of the phrase?
What is one word substitution of the phrase?
What is one word substitution of the phrase?
(A) unseen
(A) unseen
(A) unseen
(B) eligible
(B) eligible
(B) eligible
(C) illegible
(C) illegible
(C) illegible
(D) vague
(D) vague
(D) vague
Answer: (C) illegible
Answer: (C) illegible
Answer: (C) illegible
Substitute Word: illegible.
Illegible: Difficult or impossible to read.
Substitute Word: illegible. Illegible: Difficult or impossible to read.
Substitute Word: illegible. Illegible: Difficult or impossible to read.
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Q3. Act of giving up the throne.
Q3. Act of giving up the throne.
What is one word substitution of the phrase?
What is one word substitution of the phrase?
What is one word substitution of the phrase?
(A) Abdication
(A) Abdication
(A) Abdication
(B) Admiration
(B) Admiration
(B) Admiration
(C) Adulation
(C) Adulation
(C) Adulation
(D) Addiction
(D) Addiction
(D) Addiction
Answer: (A) Abdication
Answer: (A) Abdication
Answer: (A) Abdication
Substitute Word: Abdication.
Synonyms: Resignation, Renunciation.
Substitute Word: Abdication. Synonyms: Resignation, Renunciation.
Substitute Word: Abdication. Synonyms: Resignation, Renunciation.
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Q4. Which is the largest country in terms of population?
Q4. Which is the largest country in terms of population?
(A) Russia
(A) Russia
(A) Russia
(B) China
(B) China
(B) China
(C) India
(C) India
(C) India
(D) America
(D) America
(D) America
Answer: (B) China
Answer: (B) China
Answer: (B) China
China
China
China
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Q5. Who was the first Assamese to win a gold medal at national Boxing Championship?
Q5. Who was the first Assamese to win a gold medal at national Boxing Championship?
(A) Lovelina Borgohai
(A) Lovelina Borgohai
(A) Lovelina Borgohai
(B) Shiva Thapa
(B) Shiva Thapa
(B) Shiva Thapa
(C) Amlan Borgohai
(C) Amlan Borgohai
(C) Amlan Borgohai
(D) Sanjay Singh
(D) Sanjay Singh
(D) Sanjay Singh
Answer: (B) Shiva Thapa
Answer: (B) Shiva Thapa
Answer: (B) Shiva Thapa
Shiva Thapa
Shiva Thapa
Shiva Thapa
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Q6. In Roman numeral, XCI represents the decimal number
Q6. In Roman numeral, XCI represents the decimal number
(A) 41
(A) 41
(A) 41
(B) 21
(B) 21
(B) 21
(C) 91
(C) 91
(C) 91
(D) 111
(D) 111
(D) 111
Answer: (C) 91
Answer: (C) 91
Answer: (C) 91
100-10+1 = 91
100-10+1 = 91
100-10+1 = 91
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Q7. An income which is not declared by a person or a group of persons in a nation is termed as?
Q7. An income which is not declared by a person or a group of persons in a nation is termed as?
(A) High powered money
(A) High powered money
(A) High powered money
(B) Fiat money
(B) Fiat money
(B) Fiat money
(C) Hot money
(C) Hot money
(C) Hot money
(D) Black money
(D) Black money
(D) Black money
Answer: (D) Black money
Answer: (D) Black money
Answer: (D) Black money
Black money is income that is not declared by a person or group of people in a country. It is also known as "illegitimate" because it is not recognized for tax declaration.
Black money is income that is not declared by a person or group of people in a country. It is also known as "illegitimate" because it is not recognized for tax declaration.
Black money is income that is not declared by a person or group of people in a country. It is also known as "illegitimate" because it is not recognized for tax declaration.
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Q8. Which Assamese cultural icon is credited with creating the traditional Assamese art form of "Bhaona", a form of classical dance and drama?
Q8. Which Assamese cultural icon is credited with creating the traditional Assamese art form of "Bhaona", a form of classical dance and drama?
(A) Srimanta Sankardev
(A) Srimanta Sankardev
(A) Srimanta Sankardev
(B) Madhabdev
(B) Madhabdev
(B) Madhabdev
(C) Damodardev
(C) Damodardev
(C) Damodardev
(D) Purushottam Namdev
(D) Purushottam Namdev
(D) Purushottam Namdev
Answer: (A) Srimanta Sankardev
Answer: (A) Srimanta Sankardev
Answer: (A) Srimanta Sankardev
Srimanta Sankardev, a 15th-century Assamese saint-reformer, is credited with creating the traditional Assamese art form of "Bhaona", a unique blend of classical dance and drama. Bhaona is an integral part of Assamese cultural heritage and is still performed today.
Srimanta Sankardev, a 15th-century Assamese saint-reformer, is credited with creating the traditional Assamese art form of "Bhaona", a unique blend of classical dance and drama. Bhaona is an integral part of Assamese cultural heritage and is still performed today.
Srimanta Sankardev, a 15th-century Assamese saint-reformer, is credited with creating the traditional Assamese art form of "Bhaona", a unique blend of classical dance and drama. Bhaona is an integral part of Assamese cultural heritage and is still performed today.
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Q9. I __________ her for several years.
Q9. I __________ her for several years.
Fill the blank with appropriate option.
Fill the blank with appropriate option.
Fill the blank with appropriate option.
(A) knew
(A) knew
(A) knew
(B) knows
(B) knows
(B) knows
(C) has known
(C) has known
(C) has known
(D) have known
(D) have known
(D) have known
Answer: (D) have known
Answer: (D) have known
Answer: (D) have known
have known
have known
have known
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Q10. Who was the father of Bhaskarvarman among the Varman rulers?
Q10. Who was the father of Bhaskarvarman among the Varman rulers?
(A) Susthitavarman
(A) Susthitavarman
(A) Susthitavarman
(B) Supratisthitavarman
(B) Supratisthitavarman
(B) Supratisthitavarman
(C) Bhutivarman
(C) Bhutivarman
(C) Bhutivarman
(D) Sthitavarman
(D) Sthitavarman
(D) Sthitavarman
Answer: (A) Susthitavarman
Answer: (A) Susthitavarman
Answer: (A) Susthitavarman
Bhaskarvarman was the most illustrious king of the dynasty of Pushyavarman (Varman dynasty) and must have raised the importance of Pragjyotisha-Kamrupa in North Indian politics. His father Susthitavarman had two sons, Supratisthitavarman and Bhaskarvarman.
Bhaskarvarman was the most illustrious king of the dynasty of Pushyavarman (Varman dynasty) and must have raised the importance of Pragjyotisha-Kamrupa in North Indian politics. His father Susthitavarman had two sons, Supratisthitavarman and Bhaskarvarman.
Bhaskarvarman was the most illustrious king of the dynasty of Pushyavarman (Varman dynasty) and must have raised the importance of Pragjyotisha-Kamrupa in North Indian politics. His father Susthitavarman had two sons, Supratisthitavarman and Bhaskarvarman.
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