SPPMMC TEAM - Quizzes of the Day - 2025-02-08
@2025-02-08
35 quizzes
Publisher Name: SPPMMC TEAM
Publisher UID: 3
Publisher Link/Slug: sppmmc-team-3
Date of Joining: 2023-01-26
Q1. The traditional Assamese form of painting on silk is known as:
Q1. The traditional Assamese form of painting on silk is known as:
Answer: (A) Batik
Answer: (A) Batik
Answer: (A) Batik
Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique.
Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique.
Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique.
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Q2. What proportion of India's total population resides in Assam?
Q2. What proportion of India's total population resides in Assam?
Answer: (A) 2.6%
Answer: (A) 2.6%
Answer: (A) 2.6%
The 2011 Census of India recorded Assam's population as 31,205,576. India's total population at that time was approximately 1.21 billion. Assam's population represented roughly 2.58% of the total Indian population.
The 2011 Census of India recorded Assam's population as 31,205,576. India's total population at that time was approximately 1.21 billion. Assam's population represented roughly 2.58% of the total Indian population.
The 2011 Census of India recorded Assam's population as 31,205,576. India's total population at that time was approximately 1.21 billion. Assam's population represented roughly 2.58% of the total Indian population.
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Q3. What is the traditional Assamese rice beer called?
Q3. What is the traditional Assamese rice beer called?
Answer: (C) Apong
Answer: (C) Apong
Answer: (C) Apong
Apong is a traditional rice beer widely consumed by various indigenous communities in Assam, India. It's a fermented beverage prepared from rice and local yeast, with recipes and brewing techniques often passed down through families. Apong plays a significant role in Assamese culture and is commonly featured in social gatherings, festivals, and religious ceremonies. It is also known by other local names such as "Haaz", "Mod" or “Lao-pani”.
Apong is a traditional rice beer widely consumed by various indigenous communities in Assam, India. It's a fermented beverage prepared from rice and local yeast, with recipes and brewing techniques often passed down through families. Apong plays a significant role in Assamese culture and is commonly featured in social gatherings, festivals, and religious ceremonies. It is also known by other local names such as "Haaz", "Mod" or “Lao-pani”.
Apong is a traditional rice beer widely consumed by various indigenous communities in Assam, India. It's a fermented beverage prepared from rice and local yeast, with recipes and brewing techniques often passed down through families. Apong plays a significant role in Assamese culture and is commonly featured in social gatherings, festivals, and religious ceremonies. It is also known by other local names such as "Haaz", "Mod" or “Lao-pani”.
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Q4. What is Madol?
Q4. What is Madol?
Answer: (A) An instrument
Answer: (A) An instrument
Answer: (A) An instrument
A Madol is a double-sided barrel drum, a percussion instrument widely used by various ethnic groups in Northeast India, particularly in Assam, Sikkim, and among communities of Nepali origin. It's an important part of their folk music and cultural performances. It is often played during festivals, dances, and other cultural events.
A Madol is a double-sided barrel drum, a percussion instrument widely used by various ethnic groups in Northeast India, particularly in Assam, Sikkim, and among communities of Nepali origin. It's an important part of their folk music and cultural performances. It is often played during festivals, dances, and other cultural events.
A Madol is a double-sided barrel drum, a percussion instrument widely used by various ethnic groups in Northeast India, particularly in Assam, Sikkim, and among communities of Nepali origin. It's an important part of their folk music and cultural performances. It is often played during festivals, dances, and other cultural events.
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Q5. Which traditional Assamese festival marks the end of the harvesting season?
Q5. Which traditional Assamese festival marks the end of the harvesting season?
Rongali Bihu
Rongali Bihu
Rongali Bihu
Answer: (B) Magh Bihu
Answer: (B) Magh Bihu
Answer: (B) Magh Bihu
Magh Bihu, also known as Bhogali Bihu, is a harvest festival celebrated in Assam, India, during the month of Magh (January-February). It signifies the culmination of the harvesting season. The festivities include community feasts (Uruka), bonfires (Meji), preparation of traditional delicacies like pitha, and the burning of temporary structures called Bhela Ghar. It's a time of great rejoicing and feasting, marking the abundance of the harvest.
Magh Bihu, also known as Bhogali Bihu, is a harvest festival celebrated in Assam, India, during the month of Magh (January-February). It signifies the culmination of the harvesting season. The festivities include community feasts (Uruka), bonfires (Meji), preparation of traditional delicacies like pitha, and the burning of temporary structures called Bhela Ghar. It's a time of great rejoicing and feasting, marking the abundance of the harvest.
Magh Bihu, also known as Bhogali Bihu, is a harvest festival celebrated in Assam, India, during the month of Magh (January-February). It signifies the culmination of the harvesting season. The festivities include community feasts (Uruka), bonfires (Meji), preparation of traditional delicacies like pitha, and the burning of temporary structures called Bhela Ghar. It's a time of great rejoicing and feasting, marking the abundance of the harvest.
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Q6. The traditional Assamese folk dance of the tea tribes is known as
Q6. The traditional Assamese folk dance of the tea tribes is known as
Answer: (B) Jhumur
Answer: (B) Jhumur
Answer: (B) Jhumur
Jhumur is a traditional folk dance performed by the tea tribes of Assam, India. It is a vibrant and energetic dance characterized by rhythmic movements, colorful costumes, and the use of traditional musical instruments. Jhumur is an integral part of the tea tribe culture and is performed during festivals, celebrations, and social gatherings. The dance often depicts themes related to their daily lives, work in the tea gardens, and their cultural heritage.
Jhumur is a traditional folk dance performed by the tea tribes of Assam, India. It is a vibrant and energetic dance characterized by rhythmic movements, colorful costumes, and the use of traditional musical instruments. Jhumur is an integral part of the tea tribe culture and is performed during festivals, celebrations, and social gatherings. The dance often depicts themes related to their daily lives, work in the tea gardens, and their cultural heritage.
Jhumur is a traditional folk dance performed by the tea tribes of Assam, India. It is a vibrant and energetic dance characterized by rhythmic movements, colorful costumes, and the use of traditional musical instruments. Jhumur is an integral part of the tea tribe culture and is performed during festivals, celebrations, and social gatherings. The dance often depicts themes related to their daily lives, work in the tea gardens, and their cultural heritage.
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Q7. The traditional Assamese art of storytelling through a form of one-act play is known as
Q7. The traditional Assamese art of storytelling through a form of one-act play is known as
Answer: (D) Ankia Nat
Answer: (D) Ankia Nat
Answer: (D) Ankia Nat
Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.
Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.
Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.
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Q8. How many times did the Mughals attack Assam?
Q8. How many times did the Mughals attack Assam?
Answer: (D) 17 times
Answer: (D) 17 times
Answer: (D) 17 times
17 times
17 times
17 times
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Q9. Who was the most renowned king of the Kochs?
Q9. Who was the most renowned king of the Kochs?
Answer: (A) Nara Narayan
Answer: (A) Nara Narayan
Answer: (A) Nara Narayan
While Biswa Singha was the founder of the Koch dynasty, it was his son, Nara Narayan, who is considered the most renowned. Nara Narayan expanded the kingdom significantly, his reign is known for its military conquests, administrative reforms, and cultural developments. He is often referred to as the greatest of the Koch kings.
While Biswa Singha was the founder of the Koch dynasty, it was his son, Nara Narayan, who is considered the most renowned. Nara Narayan expanded the kingdom significantly, his reign is known for its military conquests, administrative reforms, and cultural developments. He is often referred to as the greatest of the Koch kings.
While Biswa Singha was the founder of the Koch dynasty, it was his son, Nara Narayan, who is considered the most renowned. Nara Narayan expanded the kingdom significantly, his reign is known for its military conquests, administrative reforms, and cultural developments. He is often referred to as the greatest of the Koch kings.
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Q10. The traditional Assamese form of devotional music is known as:
Q10. The traditional Assamese form of devotional music is known as:
Answer: (B) Borgeet
Answer: (B) Borgeet
Answer: (B) Borgeet
Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.
Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.
Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.
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