Currency of China is known as? [#923]

The official name of China's currency is the Renminbi (RMB), which translates to "people's money" in Chinese. The currency unit is the Yuan. The terms "Chinese Yuan (CNY)" and "renminbi (RMB)" are interchangeable. The symbol for the renminbi is ¥.

---

The official name of China's currency is the Renminbi (RMB), which translates to "people's money" in Chinese. The currency unit is the Yuan. The terms "Chinese Yuan (CNY)" and "renminbi (RMB)" are interchangeable. The symbol for the renminbi is ¥.

Sudangphaa (1397–1407), the first Ahom king to perform the coronation ceremony, was also known as Bamuni Konwar. The name comes from being raised in a Brahmin household. Although he introduced Hindu practices to the Ahom community, he didn't convert to Hinduism himself. He also established the practice of Singarigharutha, the Ahom king's coronation ceremony.

---

Sudangphaa (1397–1407), the first Ahom king to perform the coronation ceremony, was also known as Bamuni Konwar. The name comes from being raised in a Brahmin household. Although he introduced Hindu practices to the Ahom community, he didn't convert to Hinduism himself. He also established the practice of Singarigharutha, the Ahom king's coronation ceremony.

Muhammad bin Tughluq, a 14th century Sultan, introduced token currency in India for the first time. He issued token money in 1330. The token currency was called "tanka" and consisted of brass and copper coins with a value equal to gold and silver coins. He was the eldest son of Ghiyas-ud-Din Tughlaq founder of the Tughluq dynasty.

---

Muhammad bin Tughluq, a 14th century Sultan, introduced token currency in India for the first time. He issued token money in 1330. The token currency was called "tanka" and consisted of brass and copper coins with a value equal to gold and silver coins. He was the eldest son of Ghiyas-ud-Din Tughlaq founder of the Tughluq dynasty.

Digboi

---

Digboi

Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.

---

Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.

Yaun

---

Yaun

Japan

---

Japan

Supatphaa was the son of Gobar Raja and later ascended the Ahom throne as Gadadhar Singha. He is known for establishing the Tungkhungia dynasty, which ruled Assam until the end of the Ahom kingdom.

---

Supatphaa was the son of Gobar Raja and later ascended the Ahom throne as Gadadhar Singha. He is known for establishing the Tungkhungia dynasty, which ruled Assam until the end of the Ahom kingdom.

Adrenal gland

---

Adrenal gland

Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.

---

Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.

Preamble

---

Preamble