Who is known as the father of Economics? [#919]
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Q1. Who is known as the father of Economics?
Q1. Who is known as the father of Economics?
(A) David Richardo
(A) David Richardo
(A) David Richardo
(B) Alfred Marshall
(B) Alfred Marshall
(B) Alfred Marshall
(C) Adam Smith
(C) Adam Smith
(C) Adam Smith
(D) Lionnel Robbins
(D) Lionnel Robbins
(D) Lionnel Robbins
Answer: (C) Adam Smith
Answer: (C) Adam Smith
Answer: (C) Adam Smith
Adam Smith is considered the father of modern economics. The 18th-century Scottish economist, philosopher, and author is credited with giving economics a well-defined shape as a new discipline.
Smith is known for arguing against mercantilism and being a major proponent of laissez-faire economic policies. He believed that the government should not interfere with the economy, and that free-market issues would fix themselves. Smith also believed that individual decisions, driven by self-interest, collectively guide the market to optimal equilibrium.
Adam Smith is considered the father of modern economics. The 18th-century Scottish economist, philosopher, and author is credited with giving economics a well-defined shape as a new discipline. Smith is known for arguing against mercantilism and being a major proponent of laissez-faire economic policies. He believed that the government should not interfere with the economy, and that free-market issues would fix themselves. Smith also believed that individual decisions, driven by self-interest, collectively guide the market to optimal equilibrium.
Adam Smith is considered the father of modern economics. The 18th-century Scottish economist, philosopher, and author is credited with giving economics a well-defined shape as a new discipline. Smith is known for arguing against mercantilism and being a major proponent of laissez-faire economic policies. He believed that the government should not interfere with the economy, and that free-market issues would fix themselves. Smith also believed that individual decisions, driven by self-interest, collectively guide the market to optimal equilibrium.
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Related MCQ Quizzes
Q1. A person who wastes money on luxury?
Q1. A person who wastes money on luxury?
What is one word substitution of the phrase?
What is one word substitution of the phrase?
What is one word substitution of the phrase?
(A) Monarch
(A) Monarch
(A) Monarch
(B) Frugal
(B) Frugal
(B) Frugal
(C) Expensive
(C) Expensive
(C) Expensive
(D) Extravagant
(D) Extravagant
(D) Extravagant
Answer: (D) Extravagant
Answer: (D) Extravagant
Answer: (D) Extravagant
Substitute Word: Extravagant
Synonyms: wasteful, spendthrift.
Substitute Word: Extravagant Synonyms: wasteful, spendthrift.
Substitute Word: Extravagant Synonyms: wasteful, spendthrift.
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Q2. By whom were the Purus Sanghati Satras established?
Q2. By whom were the Purus Sanghati Satras established?
(A) Sankardeva
(A) Sankardeva
(A) Sankardeva
(B) Madhavdev
(B) Madhavdev
(B) Madhavdev
(C) Purushuttam Deva
(C) Purushuttam Deva
(C) Purushuttam Deva
(D) Purna Deva
(D) Purna Deva
(D) Purna Deva
Answer: (C) Purushuttam Deva
Answer: (C) Purushuttam Deva
Answer: (C) Purushuttam Deva
The Purus Sanghati Satras, important centers of Neo-Vaishnavite culture in Assam, were established by Purusottam Thakur. He was the eldest grandson of Srimanta Sankardeva, a key figure in Assamese religious and cultural history.
The Purus Sanghati Satras, important centers of Neo-Vaishnavite culture in Assam, were established by Purusottam Thakur. He was the eldest grandson of Srimanta Sankardeva, a key figure in Assamese religious and cultural history.
The Purus Sanghati Satras, important centers of Neo-Vaishnavite culture in Assam, were established by Purusottam Thakur. He was the eldest grandson of Srimanta Sankardeva, a key figure in Assamese religious and cultural history.
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Q3. Give one-word substitution for ‘a person who loots and plunders ships’.
Q3. Give one-word substitution for ‘a person who loots and plunders ships’.
(A) Robber
(A) Robber
(A) Robber
(B) Pirate
(B) Pirate
(B) Pirate
(C) Dacoit
(C) Dacoit
(C) Dacoit
(D) Looter
(D) Looter
(D) Looter
Answer: (B) Pirate
Answer: (B) Pirate
Answer: (B) Pirate
A pirate is a person who engages in robbery or plundering, especially on the high seas.
A pirate is a person who engages in robbery or plundering, especially on the high seas.
A pirate is a person who engages in robbery or plundering, especially on the high seas.
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Q4. One who does not tire easily.
Q4. One who does not tire easily.
What is one word substitution of the phrase?
What is one word substitution of the phrase?
What is one word substitution of the phrase?
(A) infallible
(A) infallible
(A) infallible
(B) indefatigable
(B) indefatigable
(B) indefatigable
(C) inevitable
(C) inevitable
(C) inevitable
(D) indelible
(D) indelible
(D) indelible
Answer: (B) indefatigable
Answer: (B) indefatigable
Answer: (B) indefatigable
Substitute Word: indefatigable.
Synonyms: Tireless.
Substitute Word: indefatigable. Synonyms: Tireless.
Substitute Word: indefatigable. Synonyms: Tireless.
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Q5. The traditional Assamese form of painting on silk is known as:
Q5. The traditional Assamese form of painting on silk is known as:
(A) Batik
(A) Batik
(A) Batik
(B) Madhubani
(B) Madhubani
(B) Madhubani
(C) Nakshi Kantha
(C) Nakshi Kantha
(C) Nakshi Kantha
(D) Sattriya
(D) Sattriya
(D) Sattriya
Answer: (A) Batik
Answer: (A) Batik
Answer: (A) Batik
Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique.
Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique.
Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique.
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Q6. The traditional Assamese form of devotional music is known as:
Q6. The traditional Assamese form of devotional music is known as:
(A) Bihu
(A) Bihu
(A) Bihu
(B) Borgeet
(B) Borgeet
(B) Borgeet
(C) Ojapali
(C) Ojapali
(C) Ojapali
(D) Sattriya
(D) Sattriya
(D) Sattriya
Answer: (B) Borgeet
Answer: (B) Borgeet
Answer: (B) Borgeet
Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.
Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.
Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.
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Q7. A person who believes everything easily.
Q7. A person who believes everything easily.
What is one word substitution of the phrase?
What is one word substitution of the phrase?
What is one word substitution of the phrase?
(A) creditor
(A) creditor
(A) creditor
(B) plausible
(B) plausible
(B) plausible
(C) credulous
(C) credulous
(C) credulous
(D) reliable
(D) reliable
(D) reliable
Answer: (C) credulous
Answer: (C) credulous
Answer: (C) credulous
Substitute Word: credulous.
Synonyms: Gullible
Substitute Word: credulous. Synonyms: Gullible
Substitute Word: credulous. Synonyms: Gullible
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Q8. Pointing to Sarat in a photograph, Malini said, “His brother’s father is the only son of my grandfather”. How is Malini related to Sarat?
Q8. Pointing to Sarat in a photograph, Malini said, “His brother’s father is the only son of my grandfather”. How is Malini related to Sarat?
(A) Aunt
(A) Aunt
(A) Aunt
(B) Grandmother
(B) Grandmother
(B) Grandmother
(C) Mother
(C) Mother
(C) Mother
(D) Sister
(D) Sister
(D) Sister
Answer: (D) Sister
Answer: (D) Sister
Answer: (D) Sister
Sister
Sister
Sister
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Q9. The God of Learning of the Ahoms is known as
Q9. The God of Learning of the Ahoms is known as
(A) Lengdon
(A) Lengdon
(A) Lengdon
(B) Ye-Cheng-Pha
(B) Ye-Cheng-Pha
(B) Ye-Cheng-Pha
(C) Mae Dam Mae Phi
(C) Mae Dam Mae Phi
(C) Mae Dam Mae Phi
(D) Rik-khwan
(D) Rik-khwan
(D) Rik-khwan
Answer: (B) Ye-Cheng-Pha
Answer: (B) Ye-Cheng-Pha
Answer: (B) Ye-Cheng-Pha
According to the Ahom Chronicles, Ye-Cheng-Pha is the god of knowledge for the Ahom people. The Chronicles say that when Lengdon, the king of Mong Phi, sent his grandsons Khunlung and Khunlai to Mong Ri, Ye-Cheng-Pha advised them to perform various worships to honor the Phi-Dam (Ancestral Spirit) and Khwan elements. These worships include Umpha, Phuralong, Mae Dam Mae Phi, and Rik-khwan, which are performed on different occasions and in different months of the year.
According to the Ahom Chronicles, Ye-Cheng-Pha is the god of knowledge for the Ahom people. The Chronicles say that when Lengdon, the king of Mong Phi, sent his grandsons Khunlung and Khunlai to Mong Ri, Ye-Cheng-Pha advised them to perform various worships to honor the Phi-Dam (Ancestral Spirit) and Khwan elements. These worships include Umpha, Phuralong, Mae Dam Mae Phi, and Rik-khwan, which are performed on different occasions and in different months of the year.
According to the Ahom Chronicles, Ye-Cheng-Pha is the god of knowledge for the Ahom people. The Chronicles say that when Lengdon, the king of Mong Phi, sent his grandsons Khunlung and Khunlai to Mong Ri, Ye-Cheng-Pha advised them to perform various worships to honor the Phi-Dam (Ancestral Spirit) and Khwan elements. These worships include Umpha, Phuralong, Mae Dam Mae Phi, and Rik-khwan, which are performed on different occasions and in different months of the year.
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Q10. The traditional Assamese form of storytelling through song and dance is known as:
Q10. The traditional Assamese form of storytelling through song and dance is known as:
(A) Bihu
(A) Bihu
(A) Bihu
(B) Ankia Nat
(B) Ankia Nat
(B) Ankia Nat
(C) Sattriya
(C) Sattriya
(C) Sattriya
(D) Ojapali
(D) Ojapali
(D) Ojapali
Answer: (D) Ojapali
Answer: (D) Ojapali
Answer: (D) Ojapali
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
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Related Questions
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