When did Mizoram get separated from Assam? [#865]
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Q1. When did Mizoram get separated from Assam?
Q1. When did Mizoram get separated from Assam?
(A) 1963
(A) 1963
(A) 1963
(B) 1972
(B) 1972
(B) 1972
(C) 1947
(C) 1947
(C) 1947
(D) 2001
(D) 2001
(D) 2001
Answer: (B) 1972
Answer: (B) 1972
Answer: (B) 1972
Mizoram was part of Assam until 1972, when it was declared a Union Territory. In 1987, Mizoram became a state.
Mizoram was part of Assam until 1972, when it was declared a Union Territory. In 1987, Mizoram became a state.
Mizoram was part of Assam until 1972, when it was declared a Union Territory. In 1987, Mizoram became a state.
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Related MCQ Quizzes
Q1. What is the traditional Assamese silk fabric known as?
Q1. What is the traditional Assamese silk fabric known as?
(A) Pashmina
(A) Pashmina
(A) Pashmina
(B) Muga
(B) Muga
(B) Muga
(C) Tussar
(C) Tussar
(C) Tussar
(D) Banarasi
(D) Banarasi
(D) Banarasi
Answer: (B) Muga
Answer: (B) Muga
Answer: (B) Muga
Muga silk is a unique and highly prized silk fabric native to Assam. It is known for its golden color and durability.
The traditional silk fabric of Assam is known as Assam silk, which refers to three main types of wild silk: Muga, Paat, Eri.
Muga silk is a unique and highly prized silk fabric native to Assam. It is known for its golden color and durability. The traditional silk fabric of Assam is known as Assam silk, which refers to three main types of wild silk: Muga, Paat, Eri.
Muga silk is a unique and highly prized silk fabric native to Assam. It is known for its golden color and durability. The traditional silk fabric of Assam is known as Assam silk, which refers to three main types of wild silk: Muga, Paat, Eri.
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Q2. How many districts of assam are located on the international border?
Q2. How many districts of assam are located on the international border?
(A) 6
(A) 6
(A) 6
(B) 9
(B) 9
(B) 9
(C) 8
(C) 8
(C) 8
(D) 7
(D) 7
(D) 7
Answer: (C) 8
Answer: (C) 8
Answer: (C) 8
8
8
8
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Q3. Who attacked Somnath Temple of Gujarat in 1025?
Q3. Who attacked Somnath Temple of Gujarat in 1025?
(A) Jalal-ud-din Khalji
(A) Jalal-ud-din Khalji
(A) Jalal-ud-din Khalji
(B) Ibrahim Lodi
(B) Ibrahim Lodi
(B) Ibrahim Lodi
(C) Ahmad Shah Durrani
(C) Ahmad Shah Durrani
(C) Ahmad Shah Durrani
(D) Mahmud of Ghazni
(D) Mahmud of Ghazni
(D) Mahmud of Ghazni
Answer: (D) Mahmud of Ghazni
Answer: (D) Mahmud of Ghazni
Answer: (D) Mahmud of Ghazni
Mahmud of Ghazni
Mahmud of Ghazni
Mahmud of Ghazni
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Q4. Which period is often refers to as 'Maanar Din'?
Q4. Which period is often refers to as 'Maanar Din'?
(A) 1817-1819
(A) 1817-1819
(A) 1817-1819
(B) 1816-1825
(B) 1816-1825
(B) 1816-1825
(C) 1800-1826
(C) 1800-1826
(C) 1800-1826
(D) 1821-1826
(D) 1821-1826
(D) 1821-1826
Answer: (D) 1821-1826
Answer: (D) 1821-1826
Answer: (D) 1821-1826
The period between 1821 and 1826 is often referred to as "Maanar Din". The term is Assamese for "The days/period of the Burmese".
The period refers to the time when the Kingdom of Assam was under the control of Burma. The period is remembered with horror by the people of Assam.
The period was the climactic period of the Ahom kingdom. The population of Assam was greatly reduced by 2/3 and 1/3 of the men and boys were killed during this period.
The period between 1821 and 1826 is often referred to as "Maanar Din". The term is Assamese for "The days/period of the Burmese". The period refers to the time when the Kingdom of Assam was under the control of Burma. The period is remembered with horror by the people of Assam. The period was the climactic period of the Ahom kingdom. The population of Assam was greatly reduced by 2/3 and 1/3 of the men and boys were killed during this period.
The period between 1821 and 1826 is often referred to as "Maanar Din". The term is Assamese for "The days/period of the Burmese". The period refers to the time when the Kingdom of Assam was under the control of Burma. The period is remembered with horror by the people of Assam. The period was the climactic period of the Ahom kingdom. The population of Assam was greatly reduced by 2/3 and 1/3 of the men and boys were killed during this period.
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Q5. Which type of an economic model India follows?
Q5. Which type of an economic model India follows?
(A) Socialist
(A) Socialist
(A) Socialist
(B) Capitalist
(B) Capitalist
(B) Capitalist
(C) Mixed
(C) Mixed
(C) Mixed
(D) Agrarian Model
(D) Agrarian Model
(D) Agrarian Model
Answer: (C) Mixed
Answer: (C) Mixed
Answer: (C) Mixed
Mixed
Mixed
Mixed
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Q6. The traditional Assamese art of storytelling through a form of one-act play is known as
Q6. The traditional Assamese art of storytelling through a form of one-act play is known as
(A) Bihu
(A) Bihu
(A) Bihu
(B) Ojapali
(B) Ojapali
(B) Ojapali
(C) Sattriya
(C) Sattriya
(C) Sattriya
(D) Ankia Nat
(D) Ankia Nat
(D) Ankia Nat
Answer: (D) Ankia Nat
Answer: (D) Ankia Nat
Answer: (D) Ankia Nat
Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.
Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.
Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.
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Q7. The meetings of the State Legislative Council are presided in India by the
Q7. The meetings of the State Legislative Council are presided in India by the
(A) Governor
(A) Governor
(A) Governor
(B) Chairman
(B) Chairman
(B) Chairman
(C) Speaker
(C) Speaker
(C) Speaker
(D) Deputy Speaker
(D) Deputy Speaker
(D) Deputy Speaker
Answer: (B) Chairman
Answer: (B) Chairman
Answer: (B) Chairman
Chairman
Chairman
Chairman
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Q8. Which Assamese leader is known for his contributions to the Assamese language and literature, and is also a prominent figure in the Vaishnavite movement in Assam?
Q8. Which Assamese leader is known for his contributions to the Assamese language and literature, and is also a prominent figure in the Vaishnavite movement in Assam?
(A) Jyotiprasad Agarwala
(A) Jyotiprasad Agarwala
(A) Jyotiprasad Agarwala
(B) Bishnu Rabha
(B) Bishnu Rabha
(B) Bishnu Rabha
(C) Srimanta Sankaradeva
(C) Srimanta Sankaradeva
(C) Srimanta Sankaradeva
(D) Hemchandra Baruah
(D) Hemchandra Baruah
(D) Hemchandra Baruah
Answer: (C) Srimanta Sankaradeva
Answer: (C) Srimanta Sankaradeva
Answer: (C) Srimanta Sankaradeva
Srimanta Sankaradeva is a revered figure in Assamese history, known for his contributions to Assamese language, literature, and the Vaishnavite movement.
Srimanta Sankaradeva is a revered figure in Assamese history, known for his contributions to Assamese language, literature, and the Vaishnavite movement.
Srimanta Sankaradeva is a revered figure in Assamese history, known for his contributions to Assamese language, literature, and the Vaishnavite movement.
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Q9. Who was the first governor general of free India?
Q9. Who was the first governor general of free India?
(A) Jawaharlal Nehru
(A) Jawaharlal Nehru
(A) Jawaharlal Nehru
(B) Mahatma Gandhi
(B) Mahatma Gandhi
(B) Mahatma Gandhi
(C) Lord Mountbatten
(C) Lord Mountbatten
(C) Lord Mountbatten
(D) Lord Dalhousie
(D) Lord Dalhousie
(D) Lord Dalhousie
Answer: (C) Lord Mountbatten
Answer: (C) Lord Mountbatten
Answer: (C) Lord Mountbatten
Lord Mountbatten (1947-48) was the last viceroy of the British Indian Empire and the first Governor-General of independent India.
Lord Mountbatten (1947-48) was the last viceroy of the British Indian Empire and the first Governor-General of independent India.
Lord Mountbatten (1947-48) was the last viceroy of the British Indian Empire and the first Governor-General of independent India.
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Q10. Who is known by the sobriquet (nickname) 'Asom Kesori' in Assamese literature?
Q10. Who is known by the sobriquet (nickname) 'Asom Kesori' in Assamese literature?
(A) Ananda Chandra Agarwala
(A) Ananda Chandra Agarwala
(A) Ananda Chandra Agarwala
(B) Ambikagiri Raichoudhury
(B) Ambikagiri Raichoudhury
(B) Ambikagiri Raichoudhury
(C) Ananda Chandra Barua
(C) Ananda Chandra Barua
(C) Ananda Chandra Barua
(D) Anandaram Dhekial Phukan
(D) Anandaram Dhekial Phukan
(D) Anandaram Dhekial Phukan
Answer: (B) Ambikagiri Raichoudhury
Answer: (B) Ambikagiri Raichoudhury
Answer: (B) Ambikagiri Raichoudhury
Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.
Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.
Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.
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Related Questions
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