Tungkhungia Buranji is written by [#71]
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Q1. Tungkhungia Buranji is written by
Q1. Tungkhungia Buranji is written by
(A) Srinath Barbarua
(A) Srinath Barbarua
(A) Srinath Barbarua
(B) Dutiram Hazarika
(B) Dutiram Hazarika
(B) Dutiram Hazarika
(C) Kashinath Tamuly Phukan
(C) Kashinath Tamuly Phukan
(C) Kashinath Tamuly Phukan
(D) Lachit Barphukan
(D) Lachit Barphukan
(D) Lachit Barphukan
Answer: (A) Srinath Barbarua
Answer: (A) Srinath Barbarua
Answer: (A) Srinath Barbarua
Srinath Duara Barbarua
Srinath Duara Barbarua
Srinath Duara Barbarua
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Related MCQ Quizzes
Q1. The East India Association was set up in
Q1. The East India Association was set up in
(A) 1857
(A) 1857
(A) 1857
(B) 1866
(B) 1866
(B) 1866
(C) 1875
(C) 1875
(C) 1875
(D) 1885
(D) 1885
(D) 1885
Answer: (B) 1866
Answer: (B) 1866
Answer: (B) 1866
The East India Association was founded in 1866 by Dadabhai Naoroji in London, with the collaboration of other Indians and retired British officials. It superseded the London Indian Society and aimed to discuss Indian affairs, represent Indian grievances to the British government, and educate the British public about the true conditions in India. The Association became an important platform for early Indian nationalists to voice their concerns and advocate for Indian welfare.
The East India Association was founded in 1866 by Dadabhai Naoroji in London, with the collaboration of other Indians and retired British officials. It superseded the London Indian Society and aimed to discuss Indian affairs, represent Indian grievances to the British government, and educate the British public about the true conditions in India. The Association became an important platform for early Indian nationalists to voice their concerns and advocate for Indian welfare.
The East India Association was founded in 1866 by Dadabhai Naoroji in London, with the collaboration of other Indians and retired British officials. It superseded the London Indian Society and aimed to discuss Indian affairs, represent Indian grievances to the British government, and educate the British public about the true conditions in India. The Association became an important platform for early Indian nationalists to voice their concerns and advocate for Indian welfare.
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Q2. Who was the painter of the famous painting "Banga Mata"?
Q2. Who was the painter of the famous painting "Banga Mata"?
(A) Rabindranath Tagore
(A) Rabindranath Tagore
(A) Rabindranath Tagore
(B) Abanindranath Thakur
(B) Abanindranath Thakur
(B) Abanindranath Thakur
(C) Surendranath Banerjee
(C) Surendranath Banerjee
(C) Surendranath Banerjee
(D) Krishna Kumar Mitra
(D) Krishna Kumar Mitra
(D) Krishna Kumar Mitra
Answer: (B) Abanindranath Thakur
Answer: (B) Abanindranath Thakur
Answer: (B) Abanindranath Thakur
Abanindranath Thakur
Abanindranath Thakur
Abanindranath Thakur
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Q3. The smallest positive integer that is simultaneously divisible by 6, 8 and 12 is
Q3. The smallest positive integer that is simultaneously divisible by 6, 8 and 12 is
(A) 24
(A) 24
(A) 24
(B) 18
(B) 18
(B) 18
(C) 48
(C) 48
(C) 48
(D) 36
(D) 36
(D) 36
Answer: (A) 24
Answer: (A) 24
Answer: (A) 24
6*4 = 24
8*3 = 24
12*2 = 24
6*4 = 24 8*3 = 24 12*2 = 24
6*4 = 24 8*3 = 24 12*2 = 24
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Q4. When was the Second Battle of Panipat fought?
Q4. When was the Second Battle of Panipat fought?
(A) 1526
(A) 1526
(A) 1526
(B) 1530
(B) 1530
(B) 1530
(C) 1761
(C) 1761
(C) 1761
(D) 1556
(D) 1556
(D) 1556
Answer: (D) 1556
Answer: (D) 1556
Answer: (D) 1556
The Second Battle of Panipat was fought on November 5, 1556. The battle was fought between the forces of Hemu, the Hindu king of north India, and the army of Akbar, the Mughal emperor. The battle was a decisive victory for Akbar's generals Khan Zaman I and Bairam Khan.
The Second Battle of Panipat was fought on November 5, 1556. The battle was fought between the forces of Hemu, the Hindu king of north India, and the army of Akbar, the Mughal emperor. The battle was a decisive victory for Akbar's generals Khan Zaman I and Bairam Khan.
The Second Battle of Panipat was fought on November 5, 1556. The battle was fought between the forces of Hemu, the Hindu king of north India, and the army of Akbar, the Mughal emperor. The battle was a decisive victory for Akbar's generals Khan Zaman I and Bairam Khan.
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Q5. Ahoms basically belonged to?
Q5. Ahoms basically belonged to?
(A) Austric
(A) Austric
(A) Austric
(B) Neegro
(B) Neegro
(B) Neegro
(C) Mongoloid
(C) Mongoloid
(C) Mongoloid
(D) None of the above
(D) None of the above
(D) None of the above
Answer: (C) Mongoloid
Answer: (C) Mongoloid
Answer: (C) Mongoloid
Mongoloid.
The Ahom dynasty (1228–1826) ruled the Ahom Kingdom in present-day Assam, India for nearly 598 years. The dynasty was established by Sukaphaa, a Shan prince of Mong Mao (present-day Yunnan, China) who came to Assam after crossing the Patkai mountains.
Mongoloid. The Ahom dynasty (1228–1826) ruled the Ahom Kingdom in present-day Assam, India for nearly 598 years. The dynasty was established by Sukaphaa, a Shan prince of Mong Mao (present-day Yunnan, China) who came to Assam after crossing the Patkai mountains.
Mongoloid. The Ahom dynasty (1228–1826) ruled the Ahom Kingdom in present-day Assam, India for nearly 598 years. The dynasty was established by Sukaphaa, a Shan prince of Mong Mao (present-day Yunnan, China) who came to Assam after crossing the Patkai mountains.
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Q6. Which of the following states is the largest producer of asbestos in India?
Q6. Which of the following states is the largest producer of asbestos in India?
(A) Jharkhand
(A) Jharkhand
(A) Jharkhand
(B) Karnataka
(B) Karnataka
(B) Karnataka
(C) Rajasthan
(C) Rajasthan
(C) Rajasthan
(D) Andhra Pradesh
(D) Andhra Pradesh
(D) Andhra Pradesh
Answer: (C) Rajasthan
Answer: (C) Rajasthan
Answer: (C) Rajasthan
Rajasthan is the largest producer of asbestos in India. Two states of Rajasthan and Andhra Pradesh produce almost the whole of asbestos of India.
Rajasthan is the largest producer of asbestos in India. Two states of Rajasthan and Andhra Pradesh produce almost the whole of asbestos of India.
Rajasthan is the largest producer of asbestos in India. Two states of Rajasthan and Andhra Pradesh produce almost the whole of asbestos of India.
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Q7. Who was the progenitor of the Koches
Q7. Who was the progenitor of the Koches
(A) Biswa Singha
(A) Biswa Singha
(A) Biswa Singha
(B) Raghu Deva
(B) Raghu Deva
(B) Raghu Deva
(C) Naranarayan
(C) Naranarayan
(C) Naranarayan
(D) Chilarai
(D) Chilarai
(D) Chilarai
Answer: (A) Biswa Singha
Answer: (A) Biswa Singha
Answer: (A) Biswa Singha
Biswa Singha
Biswa Singha
Biswa Singha
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Q8. Which Assamese cultural icon is credited with creating the traditional Assamese art form of "Bhaona", a form of classical dance and drama?
Q8. Which Assamese cultural icon is credited with creating the traditional Assamese art form of "Bhaona", a form of classical dance and drama?
(A) Srimanta Sankardev
(A) Srimanta Sankardev
(A) Srimanta Sankardev
(B) Madhabdev
(B) Madhabdev
(B) Madhabdev
(C) Damodardev
(C) Damodardev
(C) Damodardev
(D) Purushottam Namdev
(D) Purushottam Namdev
(D) Purushottam Namdev
Answer: (A) Srimanta Sankardev
Answer: (A) Srimanta Sankardev
Answer: (A) Srimanta Sankardev
Srimanta Sankardev, a 15th-century Assamese saint-reformer, is credited with creating the traditional Assamese art form of "Bhaona", a unique blend of classical dance and drama. Bhaona is an integral part of Assamese cultural heritage and is still performed today.
Srimanta Sankardev, a 15th-century Assamese saint-reformer, is credited with creating the traditional Assamese art form of "Bhaona", a unique blend of classical dance and drama. Bhaona is an integral part of Assamese cultural heritage and is still performed today.
Srimanta Sankardev, a 15th-century Assamese saint-reformer, is credited with creating the traditional Assamese art form of "Bhaona", a unique blend of classical dance and drama. Bhaona is an integral part of Assamese cultural heritage and is still performed today.
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Q9. A ladder of length 13 m is leaning against a vertical wall with the upper end at the height of 5 m. The horizontal distance between the foot of the wall and the lower end of the ladder is
Q9. A ladder of length 13 m is leaning against a vertical wall with the upper end at the height of 5 m. The horizontal distance between the foot of the wall and the lower end of the ladder is
(A) 9m
(A) 9m
(A) 9m
(B) 5m
(B) 5m
(B) 5m
(C) 11m
(C) 11m
(C) 11m
(D) 12m
(D) 12m
(D) 12m
Answer: (D) 12m
Answer: (D) 12m
Answer: (D) 12m
52 + X2 = 132
=> 25 + X2 = 169
=> X2 = 196 - 25
=> X2 = 144
=> X = 12
52 + X2 = 132 => 25 + X2 = 169 => X2 = 196 - 25 => X2 = 144 => X = 12
52 + X2 = 132 => 25 + X2 = 169 => X2 = 196 - 25 => X2 = 144 => X = 12
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Q10. 'Satyameva Jayate' is taken from which Upanishad?
Q10. 'Satyameva Jayate' is taken from which Upanishad?
(A) Brihadaranyaka Upanishad
(A) Brihadaranyaka Upanishad
(A) Brihadaranyaka Upanishad
(B) Mundak Upanishad
(B) Mundak Upanishad
(B) Mundak Upanishad
(C) Taittiriya Upanishad
(C) Taittiriya Upanishad
(C) Taittiriya Upanishad
(D) Aitareya Upanishad
(D) Aitareya Upanishad
(D) Aitareya Upanishad
Answer: (B) Mundak Upanishad
Answer: (B) Mundak Upanishad
Answer: (B) Mundak Upanishad
The phrase "Satyameva Jayate" is taken from the Mundaka Upanishad, a Hindu scripture. The Mundaka Upanishad is an ancient Sanskrit Vedic text, embedded inside Atharva Veda. The phrase is inscribed in Devanagari script below the Indian national emblem and translates to "Truth Alone Triumphs".
The phrase "Satyameva Jayate" is taken from the Mundaka Upanishad, a Hindu scripture. The Mundaka Upanishad is an ancient Sanskrit Vedic text, embedded inside Atharva Veda. The phrase is inscribed in Devanagari script below the Indian national emblem and translates to "Truth Alone Triumphs".
The phrase "Satyameva Jayate" is taken from the Mundaka Upanishad, a Hindu scripture. The Mundaka Upanishad is an ancient Sanskrit Vedic text, embedded inside Atharva Veda. The phrase is inscribed in Devanagari script below the Indian national emblem and translates to "Truth Alone Triumphs".
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Related Questions
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