He ________ TV when his father came. [#706]
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Q1. He ________ TV when his father came.
Q1. He ________ TV when his father came.
(A) watch
(A) watch
(A) watch
(B) watching
(B) watching
(B) watching
(C) is watching
(C) is watching
(C) is watching
(D) was watching
(D) was watching
(D) was watching
Answer: (D) was watching
Answer: (D) was watching
Answer: (D) was watching
was watching
was watching
was watching
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Related MCQ Quizzes
Q1. Which of the following Indian rulers was defeated by Mahmud Ghazni in his first attack in the year 1001 AD?
Q1. Which of the following Indian rulers was defeated by Mahmud Ghazni in his first attack in the year 1001 AD?
(A) Anandpal
(A) Anandpal
(A) Anandpal
(B) Chandrapal
(B) Chandrapal
(B) Chandrapal
(C) Sukhpal
(C) Sukhpal
(C) Sukhpal
(D) Jaipal
(D) Jaipal
(D) Jaipal
Answer: (D) Jaipal
Answer: (D) Jaipal
Answer: (D) Jaipal
In 1001AD when Mohmud of Ghazni invaded India for the purpose of loot. He was attacked by the Hindu Shahi army of Jaypala, near Peshawar. Jayapala got defeated in the battle.
In 1001AD when Mohmud of Ghazni invaded India for the purpose of loot. He was attacked by the Hindu Shahi army of Jaypala, near Peshawar. Jayapala got defeated in the battle.
In 1001AD when Mohmud of Ghazni invaded India for the purpose of loot. He was attacked by the Hindu Shahi army of Jaypala, near Peshawar. Jayapala got defeated in the battle.
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Q2. What is the main source of knowledge about Harappan culture?
Q2. What is the main source of knowledge about Harappan culture?
(A) Written records
(A) Written records
(A) Written records
(B) Historical accounts
(B) Historical accounts
(B) Historical accounts
(C) Rock edicts
(C) Rock edicts
(C) Rock edicts
(D) Archaeological excavations
(D) Archaeological excavations
(D) Archaeological excavations
Answer: (D) Archaeological excavations
Answer: (D) Archaeological excavations
Answer: (D) Archaeological excavations
The Harappan culture, an ancient civilization that flourished in the Indus Valley, is primarily understood through the discovery and study of numerous archaeological sites. Excavations have uncovered cities, settlements, and artifacts that provide invaluable insights into the daily life, trade, religion, and urban planning of this ancient people.
The Harappan culture, an ancient civilization that flourished in the Indus Valley, is primarily understood through the discovery and study of numerous archaeological sites. Excavations have uncovered cities, settlements, and artifacts that provide invaluable insights into the daily life, trade, religion, and urban planning of this ancient people.
The Harappan culture, an ancient civilization that flourished in the Indus Valley, is primarily understood through the discovery and study of numerous archaeological sites. Excavations have uncovered cities, settlements, and artifacts that provide invaluable insights into the daily life, trade, religion, and urban planning of this ancient people.
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Q3. Which community worships Doyni-Polo?
Q3. Which community worships Doyni-Polo?
(A) The Rabhas
(A) The Rabhas
(A) The Rabhas
(B) The Mizos
(B) The Mizos
(B) The Mizos
(C) The Misings
(C) The Misings
(C) The Misings
(D) The Nagas
(D) The Nagas
(D) The Nagas
Answer: (C) The Misings
Answer: (C) The Misings
Answer: (C) The Misings
Doyni-Polo is the primary religion of the Adi people, a major tribal group of Arunachal Pradesh, India. Doyi-Polo translates to 'Mother Sun' and 'Father Moon' and is a form of animism, where the sun and moon are revered as the supreme deities. It involves a complex system of rituals, beliefs, and a rich oral tradition. While other tribes in Arunachal Pradesh might have similar animistic beliefs, Doyi-Polo is specifically associated and central to the Adi.
Tani-speaking peoples (Lhoba, Tagin, Galo, Nyishi, Nah, Apatani, Mishing, Adi) share a myth telling of their descendance from the progenitor Abotani.
Doyni-Polo is the primary religion of the Adi people, a major tribal group of Arunachal Pradesh, India. Doyi-Polo translates to 'Mother Sun' and 'Father Moon' and is a form of animism, where the sun and moon are revered as the supreme deities. It involves a complex system of rituals, beliefs, and a rich oral tradition. While other tribes in Arunachal Pradesh might have similar animistic beliefs, Doyi-Polo is specifically associated and central to the Adi. Tani-speaking peoples (Lhoba, Tagin, Galo, Nyishi, Nah, Apatani, Mishing, Adi) share a myth telling of their descendance from the progenitor Abotani.
Doyni-Polo is the primary religion of the Adi people, a major tribal group of Arunachal Pradesh, India. Doyi-Polo translates to 'Mother Sun' and 'Father Moon' and is a form of animism, where the sun and moon are revered as the supreme deities. It involves a complex system of rituals, beliefs, and a rich oral tradition. While other tribes in Arunachal Pradesh might have similar animistic beliefs, Doyi-Polo is specifically associated and central to the Adi. Tani-speaking peoples (Lhoba, Tagin, Galo, Nyishi, Nah, Apatani, Mishing, Adi) share a myth telling of their descendance from the progenitor Abotani.
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Q4. Which Satra is renowned for its mask-making tradition?
Q4. Which Satra is renowned for its mask-making tradition?
(A) Bardowa
(A) Bardowa
(A) Bardowa
(B) Barpeta
(B) Barpeta
(B) Barpeta
(C) Samaguri
(C) Samaguri
(C) Samaguri
(D) Garhmur
(D) Garhmur
(D) Garhmur
Answer: (C) Samaguri
Answer: (C) Samaguri
Answer: (C) Samaguri
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.
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Q5. When did the Phulaguri Dhawa take place?
Q5. When did the Phulaguri Dhawa take place?
(A) 1894
(A) 1894
(A) 1894
(B) 1862
(B) 1862
(B) 1862
(C) 1861
(C) 1861
(C) 1861
(D) 1891
(D) 1891
(D) 1891
Answer: (C) 1861
Answer: (C) 1861
Answer: (C) 1861
1861
1861
1861
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Q6. Who constructed the Umananda
Temple?
Q6. Who constructed the Umananda
Temple?
(A) Gadadhar Singha
(A) Gadadhar Singha
(A) Gadadhar Singha
(B) Rudra Singha
(B) Rudra Singha
(B) Rudra Singha
(C) Purandar Singha
(C) Purandar Singha
(C) Purandar Singha
(D) Shiva Singha
(D) Shiva Singha
(D) Shiva Singha
Answer: (A) Gadadhar Singha
Answer: (A) Gadadhar Singha
Answer: (A) Gadadhar Singha
Gadadhar Singha
Gadadhar Singha
Gadadhar Singha
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Q7. More than half the drain __________ been desilted.
Q7. More than half the drain __________ been desilted.
Fill the blank with appropriate option.
Fill the blank with appropriate option.
Fill the blank with appropriate option.
(A) is
(A) is
(A) is
(B) was
(B) was
(B) was
(C) have
(C) have
(C) have
(D) has
(D) has
(D) has
Answer: (D) has
Answer: (D) has
Answer: (D) has
has
has
has
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Q8. To whom did Laluk Sola Borphukan surrender Guwahati
Q8. To whom did Laluk Sola Borphukan surrender Guwahati
(A) Shaista khan
(A) Shaista khan
(A) Shaista khan
(B) Wazir zafar khan
(B) Wazir zafar khan
(B) Wazir zafar khan
(C) Minnawar khan
(C) Minnawar khan
(C) Minnawar khan
(D) Prince Azam Tara
(D) Prince Azam Tara
(D) Prince Azam Tara
Answer: (D) Prince Azam Tara
Answer: (D) Prince Azam Tara
Answer: (D) Prince Azam Tara
Prince Azam Tara
Prince Azam Tara
Prince Azam Tara
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Q9. Who was the court poet of
Samudragupta?
Q9. Who was the court poet of
Samudragupta?
(A) Harisena
(A) Harisena
(A) Harisena
(B) Bhavabhuti
(B) Bhavabhuti
(B) Bhavabhuti
(C) Banabhatta
(C) Banabhatta
(C) Banabhatta
(D) Kautilya
(D) Kautilya
(D) Kautilya
Answer: (A) Harisena
Answer: (A) Harisena
Answer: (A) Harisena
Harisena
Harisena
Harisena
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Q10. Which individual was not among the three prominent figures of the Jonaki Yug?
Q10. Which individual was not among the three prominent figures of the Jonaki Yug?
(A) Laxminath Bezbaruah
(A) Laxminath Bezbaruah
(A) Laxminath Bezbaruah
(B) Chandrakumar Agarwala
(B) Chandrakumar Agarwala
(B) Chandrakumar Agarwala
(C) Devakanta Baruah
(C) Devakanta Baruah
(C) Devakanta Baruah
(D) Hemchandra Goswami
(D) Hemchandra Goswami
(D) Hemchandra Goswami
Answer: (C) Devakanta Baruah
Answer: (C) Devakanta Baruah
Answer: (C) Devakanta Baruah
Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889.
The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).
Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).
Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).
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