Which is the Neolithic site of North-East India? [#2496]

Daojali Hading is a significant Neolithic site situated in the Dima Hasao District of Assam, India. It holds the distinction of being one of the first and most thoroughly excavated stratified Neolithic sites in North-East India. Archaeological findings from this site include characteristic polished stone tools (such as celts and adzes), as well as distinctive cord-marked pottery, grinding stones, and evidence of early metallurgical activities like iron slag. These discoveries provide crucial insights into the agricultural practices, tool technology, and early settled life of the Neolithic communities in the region, with artifacts dated around 2,700 years old.

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Daojali Hading is a significant Neolithic site situated in the Dima Hasao District of Assam, India. It holds the distinction of being one of the first and most thoroughly excavated stratified Neolithic sites in North-East India. Archaeological findings from this site include characteristic polished stone tools (such as celts and adzes), as well as distinctive cord-marked pottery, grinding stones, and evidence of early metallurgical activities like iron slag. These discoveries provide crucial insights into the agricultural practices, tool technology, and early settled life of the Neolithic communities in the region, with artifacts dated around 2,700 years old.

The Kamakhya Temple, a prominent Shakti Peetha situated on Nilachal Hill in Guwahati, Assam, is linked to the legend of Narakasura. The story narrates Narakasura's desire to marry Goddess Kamakhya. She challenged him to build a stairway from the base of the hill to the temple in a single night. Despite his efforts, he couldn't complete the task before dawn, as the goddess is said to have used her powers to make a cock crow prematurely. The incomplete stairway is believed to be a testament to this legend.

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The Kamakhya Temple, a prominent Shakti Peetha situated on Nilachal Hill in Guwahati, Assam, is linked to the legend of Narakasura. The story narrates Narakasura's desire to marry Goddess Kamakhya. She challenged him to build a stairway from the base of the hill to the temple in a single night. Despite his efforts, he couldn't complete the task before dawn, as the goddess is said to have used her powers to make a cock crow prematurely. The incomplete stairway is believed to be a testament to this legend.

Anandaram Dhekial Phukan (ADP=AN), a pioneer of modern Assamese prose, is known for using the sobriquet "A Native." He was a prolific writer, journalist, and social reformer who played a significant role in the Assamese renaissance.

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Anandaram Dhekial Phukan (ADP=AN), a pioneer of modern Assamese prose, is known for using the sobriquet "A Native." He was a prolific writer, journalist, and social reformer who played a significant role in the Assamese renaissance.

Nabakanta Barua was a prominent Assamese novelist and poet. He used the pen name "Ekhud Kakaideu: Sima Dutta" in his literary works, with "Sima Dutta" being used for his early poems.

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Nabakanta Barua was a prominent Assamese novelist and poet. He used the pen name "Ekhud Kakaideu: Sima Dutta" in his literary works, with "Sima Dutta" being used for his early poems.

Magh Bihu, also known as Bhogali Bihu, is a harvest festival celebrated in Assam, India, during the month of Magh (January-February). It signifies the culmination of the harvesting season. The festivities include community feasts (Uruka), bonfires (Meji), preparation of traditional delicacies like pitha, and the burning of temporary structures called Bhela Ghar. It's a time of great rejoicing and feasting, marking the abundance of the harvest.

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Magh Bihu, also known as Bhogali Bihu, is a harvest festival celebrated in Assam, India, during the month of Magh (January-February). It signifies the culmination of the harvesting season. The festivities include community feasts (Uruka), bonfires (Meji), preparation of traditional delicacies like pitha, and the burning of temporary structures called Bhela Ghar. It's a time of great rejoicing and feasting, marking the abundance of the harvest.

Moidams are the distinctive burial mounds constructed for Ahom royalty and their families.

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Moidams are the distinctive burial mounds constructed for Ahom royalty and their families.

Floods are the most significant natural hazard affecting Assam. The state's geographical location, with its numerous rivers and heavy rainfall, makes it highly susceptible to frequent and severe flooding. The Brahmaputra River and its tributaries, along with the Barak River system, often overflow during the monsoon season, causing widespread devastation.

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Floods are the most significant natural hazard affecting Assam. The state's geographical location, with its numerous rivers and heavy rainfall, makes it highly susceptible to frequent and severe flooding. The Brahmaputra River and its tributaries, along with the Barak River system, often overflow during the monsoon season, causing widespread devastation.

Dispur is a suburb of Guwahati, the largest city in Assam. It is the capital city of the state.

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Dispur is a suburb of Guwahati, the largest city in Assam. It is the capital city of the state.

The Kamarupa Kingdom was an ancient kingdom that ruled Assam from the 4th to the 12th century. Its capital city, Pragjyotishpura, was said to be the epicenter of the kingdom's power and culture. King Bhagadatta, who ruled Kamarupa, was a legendary figure who fought on the side of the Kauravas in the Mahabharata war.

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The Kamarupa Kingdom was an ancient kingdom that ruled Assam from the 4th to the 12th century. Its capital city, Pragjyotishpura, was said to be the epicenter of the kingdom's power and culture. King Bhagadatta, who ruled Kamarupa, was a legendary figure who fought on the side of the Kauravas in the Mahabharata war.

Since 1996, December 2 has been celebrated in Assam as the Sukaphaa Divas, or Asom Divas (Assam Day), to commemorate the advent of the first king of the Ahom kingdom in Assam after his journey over the Patkai Hills.

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Since 1996, December 2 has been celebrated in Assam as the Sukaphaa Divas, or Asom Divas (Assam Day), to commemorate the advent of the first king of the Ahom kingdom in Assam after his journey over the Patkai Hills.

The illustration work for the medieval Assamese text "Hastividyarnava" was done by two artists named Dilbar and Dosai, who were likely from Rajasthan. Their style reflects influences from Rajasthani art, and while they may not have been familiar with the Assamese landscape, their illustrations of elephants and other figures are skillfully done. Sukumar Borkaith wrote Hastividyarnava. But illustration work was done by Dilbor and Dohai.

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The illustration work for the medieval Assamese text "Hastividyarnava" was done by two artists named Dilbar and Dosai, who were likely from Rajasthan. Their style reflects influences from Rajasthani art, and while they may not have been familiar with the Assamese landscape, their illustrations of elephants and other figures are skillfully done. Sukumar Borkaith wrote Hastividyarnava. But illustration work was done by Dilbor and Dohai.