Which community observes Boisago? [#2430]

Boisago is the most important and vibrant festival of the Bodo community, an indigenous group of Assam, India. It marks their new year and is celebrated with great enthusiasm, featuring traditional music, dance (Bagurumba), and feasting.

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Boisago is the most important and vibrant festival of the Bodo community, an indigenous group of Assam, India. It marks their new year and is celebrated with great enthusiasm, featuring traditional music, dance (Bagurumba), and feasting.

Since 1996, December 2 has been celebrated in Assam as the Sukaphaa Divas, or Asom Divas (Assam Day), to commemorate the advent of the first king of the Ahom kingdom in Assam after his journey over the Patkai Hills.

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Since 1996, December 2 has been celebrated in Assam as the Sukaphaa Divas, or Asom Divas (Assam Day), to commemorate the advent of the first king of the Ahom kingdom in Assam after his journey over the Patkai Hills.

Baan Theatre, a renowned and historically significant theatre group in Assam, was established in the year 1906. It has played a vital role in the development and promotion of Assamese drama and theatre. Located in Tezpur, it is one of the oldest and most influential theatre groups in the region.

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Baan Theatre, a renowned and historically significant theatre group in Assam, was established in the year 1906. It has played a vital role in the development and promotion of Assamese drama and theatre. Located in Tezpur, it is one of the oldest and most influential theatre groups in the region.

Assam is world-famous for its tea production, and tea is the state's most significant export commodity. Assam tea, known for its strong and malty flavor, is exported globally, contributing substantially to the state's economy. While other commodities like oil, jute, timber, and silk are also produced and exported from Assam, tea remains the dominant export.

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Assam is world-famous for its tea production, and tea is the state's most significant export commodity. Assam tea, known for its strong and malty flavor, is exported globally, contributing substantially to the state's economy. While other commodities like oil, jute, timber, and silk are also produced and exported from Assam, tea remains the dominant export.

Bhairabkunda is a tri-junction where the borders of Bhutan, Assam, and Arunachal Pradesh. Bhairabkunda is also the meeting point of the Jia Dhansiri, Bhairabi, and Dafam rivers. The meeting point of the rivers resembles a "Kunda", a sacred worship place of Lord Shiva, which is how Bhairab Kunda got its name.

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Bhairabkunda is a tri-junction where the borders of Bhutan, Assam, and Arunachal Pradesh. Bhairabkunda is also the meeting point of the Jia Dhansiri, Bhairabi, and Dafam rivers. The meeting point of the rivers resembles a "Kunda", a sacred worship place of Lord Shiva, which is how Bhairab Kunda got its name.

Sylhet district was part of Assam until 1947, when it was separated and included in East Pakistan (now Bangladesh) due to the Radcliffe Line boundary demarcation. This separation was a contentious issue and led to some unrest in the region.

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Sylhet district was part of Assam until 1947, when it was separated and included in East Pakistan (now Bangladesh) due to the Radcliffe Line boundary demarcation. This separation was a contentious issue and led to some unrest in the region.

Dhubri

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Dhubri

Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.

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Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.

Sri Madhabdeva established the Barpeta Satra in Barpeta, Assam, India in the year 1583 AD. He stayed at the Satra for eight years and appointed Sri Mathura Das Burha Ata as the first Satradhikar. Burha Ata then systematized the Satra's administration, which led to the development of the institution and the region of Barpeta.

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Sri Madhabdeva established the Barpeta Satra in Barpeta, Assam, India in the year 1583 AD. He stayed at the Satra for eight years and appointed Sri Mathura Das Burha Ata as the first Satradhikar. Burha Ata then systematized the Satra's administration, which led to the development of the institution and the region of Barpeta.

Clause 6

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Clause 6

According to the Ahom Chronicles, Ye-Cheng-Pha is the god of knowledge for the Ahom people. The Chronicles say that when Lengdon, the king of Mong Phi, sent his grandsons Khunlung and Khunlai to Mong Ri, Ye-Cheng-Pha advised them to perform various worships to honor the Phi-Dam (Ancestral Spirit) and Khwan elements. These worships include Umpha, Phuralong, Mae Dam Mae Phi, and Rik-khwan, which are performed on different occasions and in different months of the year.

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According to the Ahom Chronicles, Ye-Cheng-Pha is the god of knowledge for the Ahom people. The Chronicles say that when Lengdon, the king of Mong Phi, sent his grandsons Khunlung and Khunlai to Mong Ri, Ye-Cheng-Pha advised them to perform various worships to honor the Phi-Dam (Ancestral Spirit) and Khwan elements. These worships include Umpha, Phuralong, Mae Dam Mae Phi, and Rik-khwan, which are performed on different occasions and in different months of the year.