Who established the 'Shil Kalika Opera Party'? [#2403]

Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

---

Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.

---

The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.

3

---

3

Srimanta Sankardeva, the revered Assamese saint, scholar, playwright, social reformer, and founder of the Ekasarana Dharma, breathed his last at Madhupur Satra, Bheladonga in Cooch Behar, which is now in West Bengal, India.

---

Srimanta Sankardeva, the revered Assamese saint, scholar, playwright, social reformer, and founder of the Ekasarana Dharma, breathed his last at Madhupur Satra, Bheladonga in Cooch Behar, which is now in West Bengal, India.

Assam Medical College (AMC) in Dibrugarh, Assam, was the first medical college in Northeast India, renamed on November 3, 1947. The college was formerly known as Berry White Medical School, named after Dr. John Berry White, a British surgeon who initiated the college in 1900.

---

Assam Medical College (AMC) in Dibrugarh, Assam, was the first medical college in Northeast India, renamed on November 3, 1947. The college was formerly known as Berry White Medical School, named after Dr. John Berry White, a British surgeon who initiated the college in 1900.

Mising

---

Mising

Bhairabkunda is a tri-junction where the borders of Bhutan, Assam, and Arunachal Pradesh. Bhairabkunda is also the meeting point of the Jia Dhansiri, Bhairabi, and Dafam rivers. The meeting point of the rivers resembles a "Kunda", a sacred worship place of Lord Shiva, which is how Bhairab Kunda got its name.

---

Bhairabkunda is a tri-junction where the borders of Bhutan, Assam, and Arunachal Pradesh. Bhairabkunda is also the meeting point of the Jia Dhansiri, Bhairabi, and Dafam rivers. The meeting point of the rivers resembles a "Kunda", a sacred worship place of Lord Shiva, which is how Bhairab Kunda got its name.

13

---

13

Kushal Konwar and Kamal Chandra Bhattacharya were prominent revolutionaries who led the Quit India Movement in Assam, playing a significant role in the freedom struggle against British rule. They were part of the Indian National Congress and worked tirelessly to mobilize support for the movement.

---

Kushal Konwar and Kamal Chandra Bhattacharya were prominent revolutionaries who led the Quit India Movement in Assam, playing a significant role in the freedom struggle against British rule. They were part of the Indian National Congress and worked tirelessly to mobilize support for the movement.

Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.

---

Ankia Nat is a traditional form of one-act play from Assam, India, developed by the saint-scholar Srimanta Sankaradeva. These plays are primarily religious, depicting episodes from Hindu scriptures, particularly the life of Krishna. They are performed in Brajavali, a unique literary language, and feature a Sutradhara (narrator) who guides the story. Ankia Nats incorporate elements of music, dance (often Sattriya), and elaborate costumes and masks. They played a crucial role in disseminating Neo-Vaishnavite teachings and remain an important part of Assamese cultural heritage.

Bar Raja Phuleswari Konwari, the first wife of King Siva Singha, is credited with excavating the Gaurisagar Tank. She was a powerful queen who also constructed three significant temples on the tank's banks.

---

Bar Raja Phuleswari Konwari, the first wife of King Siva Singha, is credited with excavating the Gaurisagar Tank. She was a powerful queen who also constructed three significant temples on the tank's banks.