The traditional Assamese wedding attire for women is known as [#2336]

The traditional Assamese wedding attire for women is the Mekhela Chador. It's a two-piece garment: the Mekhela is a long, cylindrical cloth draped around the waist, and the Chador is a longer cloth draped over the shoulder. Traditionally made of silk (often Muga silk) and adorned with intricate embroidery, the Mekhela Chador is considered elegant and culturally significant. While modern brides may choose other outfits, the Mekhela Chador remains a cherished part of Assamese wedding traditions.

---

The traditional Assamese wedding attire for women is the Mekhela Chador. It's a two-piece garment: the Mekhela is a long, cylindrical cloth draped around the waist, and the Chador is a longer cloth draped over the shoulder. Traditionally made of silk (often Muga silk) and adorned with intricate embroidery, the Mekhela Chador is considered elegant and culturally significant. While modern brides may choose other outfits, the Mekhela Chador remains a cherished part of Assamese wedding traditions.

While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

---

While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

The Bodo language is primarily written using the Devanagari script, which is also used for Hindi and many other Indian languages.

---

The Bodo language is primarily written using the Devanagari script, which is also used for Hindi and many other Indian languages.

Second

---

Second

Chandubi Lake was formed on June 12, 1897, as a result of a devastating earthquake that struck Assam.

---

Chandubi Lake was formed on June 12, 1897, as a result of a devastating earthquake that struck Assam.

Clause 6

---

Clause 6

According to the 2011 Census, approximately 61.47% of the Assam population follows Hinduism.

---

According to the 2011 Census, approximately 61.47% of the Assam population follows Hinduism.

Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

---

Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

Lakshminath Bezbaruah, a pioneer of modern Assamese literature, is known as "Roxoraj" (King of Humor) for his satirical writings and "Sahityarathi" (Charioteer of Literature) for his profound influence on Assamese literature.

---

Lakshminath Bezbaruah, a pioneer of modern Assamese literature, is known as "Roxoraj" (King of Humor) for his satirical writings and "Sahityarathi" (Charioteer of Literature) for his profound influence on Assamese literature.

Jyoti Prasad Agarwala, a prominent Assamese playwright, poet, writer, film director, and composer, was born in Poki. He is widely regarded as a pivotal figure in modern Assamese culture and is known for his contributions to literature, music, and cinema. He is often referred to as "Rupkonwar" (meaning "the handsome prince").

---

Jyoti Prasad Agarwala, a prominent Assamese playwright, poet, writer, film director, and composer, was born in Poki. He is widely regarded as a pivotal figure in modern Assamese culture and is known for his contributions to literature, music, and cinema. He is often referred to as "Rupkonwar" (meaning "the handsome prince").

Kaziranga National Park is a UNESCO World Heritage Site and is known for its conservation efforts, particularly for the greater one-horned rhinoceros. The Kaziranga Game Sanctuary was renamed the "Kaziranga Wildlife Sanctuary" in 1950 by P. D. Stracey, the forest conservationist, in order to rid the name of hunting connotations. In 1954, the government of Assam passed the Assam (Rhinoceros) Bill, which imposed heavy penalties for rhinoceros poaching.

---

Kaziranga National Park is a UNESCO World Heritage Site and is known for its conservation efforts, particularly for the greater one-horned rhinoceros. The Kaziranga Game Sanctuary was renamed the "Kaziranga Wildlife Sanctuary" in 1950 by P. D. Stracey, the forest conservationist, in order to rid the name of hunting connotations. In 1954, the government of Assam passed the Assam (Rhinoceros) Bill, which imposed heavy penalties for rhinoceros poaching.