The Ahom dynasty, which ruled Assam for several centuries, originated from which region? [#2324]
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Q1. The Ahom dynasty, which ruled Assam for several centuries, originated from which region?
Q1. The Ahom dynasty, which ruled Assam for several centuries, originated from which region?
(A) Mongolia
(A) Mongolia
(A) Mongolia
(B) Yunnan
(B) Yunnan
(B) Yunnan
(C) Burma
(C) Burma
(C) Burma
(D) Beijing
(D) Beijing
(D) Beijing
Answer: (B) Yunnan
Answer: (B) Yunnan
Answer: (B) Yunnan
The Ahom dynasty, which ruled Assam for over six centuries, originated from the Tai people of Yunnan Province in southwestern China. Led by Sukaphaa, they migrated to Assam in the 13th century and established their kingdom, gradually expanding their control over the region.
The Ahom dynasty, which ruled Assam for over six centuries, originated from the Tai people of Yunnan Province in southwestern China. Led by Sukaphaa, they migrated to Assam in the 13th century and established their kingdom, gradually expanding their control over the region.
The Ahom dynasty, which ruled Assam for over six centuries, originated from the Tai people of Yunnan Province in southwestern China. Led by Sukaphaa, they migrated to Assam in the 13th century and established their kingdom, gradually expanding their control over the region.
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Related MCQ Quizzes
Q1. Which Assamese cultural icon is credited with creating the traditional Assamese art form of "Bhaona", a form of classical dance and drama?
Q1. Which Assamese cultural icon is credited with creating the traditional Assamese art form of "Bhaona", a form of classical dance and drama?
(A) Srimanta Sankardev
(A) Srimanta Sankardev
(A) Srimanta Sankardev
(B) Madhabdev
(B) Madhabdev
(B) Madhabdev
(C) Damodardev
(C) Damodardev
(C) Damodardev
(D) Purushottam Namdev
(D) Purushottam Namdev
(D) Purushottam Namdev
Answer: (A) Srimanta Sankardev
Answer: (A) Srimanta Sankardev
Answer: (A) Srimanta Sankardev
Srimanta Sankardev, a 15th-century Assamese saint-reformer, is credited with creating the traditional Assamese art form of "Bhaona", a unique blend of classical dance and drama. Bhaona is an integral part of Assamese cultural heritage and is still performed today.
Srimanta Sankardev, a 15th-century Assamese saint-reformer, is credited with creating the traditional Assamese art form of "Bhaona", a unique blend of classical dance and drama. Bhaona is an integral part of Assamese cultural heritage and is still performed today.
Srimanta Sankardev, a 15th-century Assamese saint-reformer, is credited with creating the traditional Assamese art form of "Bhaona", a unique blend of classical dance and drama. Bhaona is an integral part of Assamese cultural heritage and is still performed today.
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Q2. Which Assamese poet translated Valmiki Ramayana into Assamese verse as 'Saptakanda Ramayana'?
Q2. Which Assamese poet translated Valmiki Ramayana into Assamese verse as 'Saptakanda Ramayana'?
(A) Kaviratna Saravati
(A) Kaviratna Saravati
(A) Kaviratna Saravati
(B) Ananta Kandali
(B) Ananta Kandali
(B) Ananta Kandali
(C) Madhava Kandali
(C) Madhava Kandali
(C) Madhava Kandali
(D) Sankardeva
(D) Sankardeva
(D) Sankardeva
Answer: (C) Madhava Kandali
Answer: (C) Madhava Kandali
Answer: (C) Madhava Kandali
Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.
Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.
Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.
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Q3. Who used the sobriquet / nickname "Tyagbir" in Assamese literature?
Q3. Who used the sobriquet / nickname "Tyagbir" in Assamese literature?
(A) Hem Barua
(A) Hem Barua
(A) Hem Barua
(B) Kamalakanta Bhattacharyya
(B) Kamalakanta Bhattacharyya
(B) Kamalakanta Bhattacharyya
(C) Lakshminath Bezbaroa
(C) Lakshminath Bezbaroa
(C) Lakshminath Bezbaroa
(D) Nabin Chandra Bordoloi
(D) Nabin Chandra Bordoloi
(D) Nabin Chandra Bordoloi
Answer: (A) Hem Barua
Answer: (A) Hem Barua
Answer: (A) Hem Barua
Hem Barua, a prominent Assamese writer and politician, was bestowed with the title "Tyagbir" (Hero of Sacrifice) in recognition of his significant contributions to the Assamese people and his selfless dedication to social and political causes.
Hem Barua, a prominent Assamese writer and politician, was bestowed with the title "Tyagbir" (Hero of Sacrifice) in recognition of his significant contributions to the Assamese people and his selfless dedication to social and political causes.
Hem Barua, a prominent Assamese writer and politician, was bestowed with the title "Tyagbir" (Hero of Sacrifice) in recognition of his significant contributions to the Assamese people and his selfless dedication to social and political causes.
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Q4. Which archaeological site in Assam is famous for its ancient stone sculptures and inscriptions, and is believed to be the ancient capital of the Salasthambha Kingdom?
Q4. Which archaeological site in Assam is famous for its ancient stone sculptures and inscriptions, and is believed to be the ancient capital of the Salasthambha Kingdom?
(A) Kanai-Boroxiboa
(A) Kanai-Boroxiboa
(A) Kanai-Boroxiboa
(B) Ambari
(B) Ambari
(B) Ambari
(C) Tezpur
(C) Tezpur
(C) Tezpur
(D) Sivasagar
(D) Sivasagar
(D) Sivasagar
Answer: (A) Kanai-Boroxiboa
Answer: (A) Kanai-Boroxiboa
Answer: (A) Kanai-Boroxiboa
Kanai-Boroxiboa is an archaeological site in Assam that is famous for its ancient stone sculptures and inscriptions. It is believed to be the ancient capital of the Salasthambha Kingdom and dates back to the 4th century AD.
Kanai-Boroxiboa is an archaeological site in Assam that is famous for its ancient stone sculptures and inscriptions. It is believed to be the ancient capital of the Salasthambha Kingdom and dates back to the 4th century AD.
Kanai-Boroxiboa is an archaeological site in Assam that is famous for its ancient stone sculptures and inscriptions. It is believed to be the ancient capital of the Salasthambha Kingdom and dates back to the 4th century AD.
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Q5. Where can the first Gurudwara in Assam be found?
Q5. Where can the first Gurudwara in Assam be found?
(A) Guwahati
(A) Guwahati
(A) Guwahati
(B) Dhubri
(B) Dhubri
(B) Dhubri
(C) Goalpara
(C) Goalpara
(C) Goalpara
(D) Bongaigaon
(D) Bongaigaon
(D) Bongaigaon
Answer: (B) Dhubri
Answer: (B) Dhubri
Answer: (B) Dhubri
The first Gurudwara in Assam is located in Dhubri. It is known as Gurdwara Sri Guru Tegh Bahadur Sahib and holds historical significance as it is believed that Guru Nanak Dev visited this place in 1505 AD.
The first Gurudwara in Assam is located in Dhubri. It is known as Gurdwara Sri Guru Tegh Bahadur Sahib and holds historical significance as it is believed that Guru Nanak Dev visited this place in 1505 AD.
The first Gurudwara in Assam is located in Dhubri. It is known as Gurdwara Sri Guru Tegh Bahadur Sahib and holds historical significance as it is believed that Guru Nanak Dev visited this place in 1505 AD.
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Q6. In Assam state Assembly, seats are reserved for ST & SC Candidates are
Q6. In Assam state Assembly, seats are reserved for ST & SC Candidates are
(A) ST 16 SC 8
(A) ST 16 SC 8
(A) ST 16 SC 8
(B) ST 6 SC 8
(B) ST 6 SC 8
(B) ST 6 SC 8
(C) ST 8 SC 16
(C) ST 8 SC 16
(C) ST 8 SC 16
(D) ST 10 SC 12
(D) ST 10 SC 12
(D) ST 10 SC 12
Answer: (A) ST 16 SC 8
Answer: (A) ST 16 SC 8
Answer: (A) ST 16 SC 8
ST 16 SC 8
ST 16 SC 8
ST 16 SC 8
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Q7. What is the literacy rate in Assam?
Q7. What is the literacy rate in Assam?
(A) 64%
(A) 64%
(A) 64%
(B) 70%
(B) 70%
(B) 70%
(C) 72.2%
(C) 72.2%
(C) 72.2%
(D) 73.03%
(D) 73.03%
(D) 73.03%
Answer: (C) 72.2%
Answer: (C) 72.2%
Answer: (C) 72.2%
According to the 2011 Census of India, the literacy rate of Assam is 72.19% (77.88% for males and 66.27% for females).
According to the 2011 Census of India, the literacy rate of Assam is 72.19% (77.88% for males and 66.27% for females).
According to the 2011 Census of India, the literacy rate of Assam is 72.19% (77.88% for males and 66.27% for females).
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Q8. Who did the illustration work for the medieval Assamese text ' Hastividyarnava'?
Q8. Who did the illustration work for the medieval Assamese text ' Hastividyarnava'?
(A) Sukumar Borkaith
(A) Sukumar Borkaith
(A) Sukumar Borkaith
(B) Suryakhari Daibaigya
(B) Suryakhari Daibaigya
(B) Suryakhari Daibaigya
(C) Dibar and Dosai
(C) Dibar and Dosai
(C) Dibar and Dosai
(D) Rama Saraswati
(D) Rama Saraswati
(D) Rama Saraswati
Answer: (C) Dibar and Dosai
Answer: (C) Dibar and Dosai
Answer: (C) Dibar and Dosai
The illustration work for the medieval Assamese text "Hastividyarnava" was done by two artists named Dilbar and Dosai, who were likely from Rajasthan. Their style reflects influences from Rajasthani art, and while they may not have been familiar with the Assamese landscape, their illustrations of elephants and other figures are skillfully done.
Sukumar Borkaith wrote Hastividyarnava. But illustration work was done by Dilbor and Dohai.
The illustration work for the medieval Assamese text "Hastividyarnava" was done by two artists named Dilbar and Dosai, who were likely from Rajasthan. Their style reflects influences from Rajasthani art, and while they may not have been familiar with the Assamese landscape, their illustrations of elephants and other figures are skillfully done. Sukumar Borkaith wrote Hastividyarnava. But illustration work was done by Dilbor and Dohai.
The illustration work for the medieval Assamese text "Hastividyarnava" was done by two artists named Dilbar and Dosai, who were likely from Rajasthan. Their style reflects influences from Rajasthani art, and while they may not have been familiar with the Assamese landscape, their illustrations of elephants and other figures are skillfully done. Sukumar Borkaith wrote Hastividyarnava. But illustration work was done by Dilbor and Dohai.
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Q9. Who wrote the children’s book Xanta-Xista Hrista-Pusta Mahadusto?
Q9. Who wrote the children’s book Xanta-Xista Hrista-Pusta Mahadusto?
(A) Nabakanta Barua
(A) Nabakanta Barua
(A) Nabakanta Barua
(B) Hiren Bhattacharyya
(B) Hiren Bhattacharyya
(B) Hiren Bhattacharyya
(C) Bhabendra Nath Saikia
(C) Bhabendra Nath Saikia
(C) Bhabendra Nath Saikia
(D) Arup Kumar Dutta
(D) Arup Kumar Dutta
(D) Arup Kumar Dutta
Answer: (C) Bhabendra Nath Saikia
Answer: (C) Bhabendra Nath Saikia
Answer: (C) Bhabendra Nath Saikia
Bhabendra Nath Saikia
Bhabendra Nath Saikia
Bhabendra Nath Saikia
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Q10. The traditional Assamese form of storytelling through song and dance is known as:
Q10. The traditional Assamese form of storytelling through song and dance is known as:
(A) Bihu
(A) Bihu
(A) Bihu
(B) Ankia Nat
(B) Ankia Nat
(B) Ankia Nat
(C) Sattriya
(C) Sattriya
(C) Sattriya
(D) Ojapali
(D) Ojapali
(D) Ojapali
Answer: (D) Ojapali
Answer: (D) Ojapali
Answer: (D) Ojapali
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.
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Related Questions
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