How many different human groups contributed to the population of Assam? [#2309]

The population of Assam is a blend of various ethnic and linguistic groups, primarily including: (1) Indo-Aryans, (2) Tibeto-Burmans, (3) Austro-Asiatics, and (4) Tai-Kadai groups. While there may be subgroups within these larger categories, these four represent the major linguistic and ethnic roots of the Assamese population.

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The population of Assam is a blend of various ethnic and linguistic groups, primarily including: (1) Indo-Aryans, (2) Tibeto-Burmans, (3) Austro-Asiatics, and (4) Tai-Kadai groups. While there may be subgroups within these larger categories, these four represent the major linguistic and ethnic roots of the Assamese population.

In 1874 September, Shillong was made the capital of the Non-Regulation Province of Assam . On 7th February the British included the six districts of Brahmaputra valley namely Kamrup, Darrang, Nagaon, Sibsagar, Goalpara and Lakhimpur.

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In 1874 September, Shillong was made the capital of the Non-Regulation Province of Assam . On 7th February the British included the six districts of Brahmaputra valley namely Kamrup, Darrang, Nagaon, Sibsagar, Goalpara and Lakhimpur.

Mahatma Gandhi

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Mahatma Gandhi

While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

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While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

Mahatma Gandhi first visited Assam in August 1921. He was invited by the APCC to spread the message of non-cooperation in the state. Gandhi visited Assam four times in his lifetime: 1921, 1926, 1934, and 1946.

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Mahatma Gandhi first visited Assam in August 1921. He was invited by the APCC to spread the message of non-cooperation in the state. Gandhi visited Assam four times in his lifetime: 1921, 1926, 1934, and 1946.

Madhubani art (originally Mithila art) is a style of painting practiced in the Mithila region of India and Nepal. It is named after the Madhubani district of Bihar, India, which is where it originated. Jitwarpur and Ranti are the two most notable cities associated with the tradition and evolution of Madhubani art. The art was traditionally practiced by female members of Brahman and Kayastha castes.

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Madhubani art (originally Mithila art) is a style of painting practiced in the Mithila region of India and Nepal. It is named after the Madhubani district of Bihar, India, which is where it originated. Jitwarpur and Ranti are the two most notable cities associated with the tradition and evolution of Madhubani art. The art was traditionally practiced by female members of Brahman and Kayastha castes.

While the Ahom kingdom was gradually influenced by Hinduism over centuries, Jayadhvaj Singha was the first Ahom king to formally accept the religion. This occurred during his reign from 1648 to 1663.

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While the Ahom kingdom was gradually influenced by Hinduism over centuries, Jayadhvaj Singha was the first Ahom king to formally accept the religion. This occurred during his reign from 1648 to 1663.

Amartya Sen is the only Indian economist to win the Nobel Memorial Prize in Economic Sciences, which he received in 1998. Sen is known for his work on welfare economics, social choice theory, and development economics. He is also known for his interest in the problems of society's poorest members and his work on the causes of famine.

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Amartya Sen is the only Indian economist to win the Nobel Memorial Prize in Economic Sciences, which he received in 1998. Sen is known for his work on welfare economics, social choice theory, and development economics. He is also known for his interest in the problems of society's poorest members and his work on the causes of famine.

Chairman

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Chairman

The Makum Coalfield, located in the Tinsukia district of Assam, is the oldest coal field in the state. Coal mining activities in this region have a long history, dating back to the 19th century.

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The Makum Coalfield, located in the Tinsukia district of Assam, is the oldest coal field in the state. Coal mining activities in this region have a long history, dating back to the 19th century.

Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.

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Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.