Which community celebrates Tiz and Tihar festivals? [#2299]

Tiz and Tihar are major festivals celebrated by the Nepali community in various parts of India, including Assam.

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Tiz and Tihar are major festivals celebrated by the Nepali community in various parts of India, including Assam.

Magh Bihu, a post-harvest festival in Assam, is celebrated in the Assamese month of Magh, which corresponds to January-February in the Gregorian calendar. It's a significant festival marked by feasting, bonfires (Meji), and various traditional activities. It usually takes place in mid-January.

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Magh Bihu, a post-harvest festival in Assam, is celebrated in the Assamese month of Magh, which corresponds to January-February in the Gregorian calendar. It's a significant festival marked by feasting, bonfires (Meji), and various traditional activities. It usually takes place in mid-January.

Tiz and Tihar are major festivals celebrated by the Nepali community in various parts of India, including Assam.

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Tiz and Tihar are major festivals celebrated by the Nepali community in various parts of India, including Assam.

Sankardeva, a 15th-16th century Assamese polymath, is credited with introducing Neo-Vaishnavism (also known as Ekasarana Dharma) to Assam. This socio-religious movement emphasized devotion to a single God, Krishna, and significantly impacted Assamese culture, literature, and society.

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Sankardeva, a 15th-16th century Assamese polymath, is credited with introducing Neo-Vaishnavism (also known as Ekasarana Dharma) to Assam. This socio-religious movement emphasized devotion to a single God, Krishna, and significantly impacted Assamese culture, literature, and society.

Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.

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Ojapali is a traditional form of storytelling prevalent in Assam, India, that combines elements of song, dance, and narration. It is typically performed by a group of individuals, with the lead performer (Oja) narrating the story, while the others (Pali) provide musical accompaniment and rhythmic movements. Ojapali performances often depict mythological tales, historical events, or social themes, and play an important role in preserving and transmitting cultural heritage. There are different forms of Ojapali, such as Biyah Oja, which is particularly associated with the Darrang district.

Boisago is the most important and vibrant festival of the Bodo community, an indigenous group of Assam, India. It marks their new year and is celebrated with great enthusiasm, featuring traditional music, dance (Bagurumba), and feasting.

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Boisago is the most important and vibrant festival of the Bodo community, an indigenous group of Assam, India. It marks their new year and is celebrated with great enthusiasm, featuring traditional music, dance (Bagurumba), and feasting.

Bagurumba is a traditional folk dance of the Bodo people, an indigenous community primarily residing in the state of Assam, India. It's a vibrant dance performed by women, often likened to the fluttering of butterflies due to its graceful movements. They wear traditional attire like dokhna, jwmgra, and aronai and are accompanied by instruments like kham, sifung, jota, serja, and gongwna. Bagurumba is an integral part of Bodo culture and is performed during festivals, weddings, and other celebrations.

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Bagurumba is a traditional folk dance of the Bodo people, an indigenous community primarily residing in the state of Assam, India. It's a vibrant dance performed by women, often likened to the fluttering of butterflies due to its graceful movements. They wear traditional attire like dokhna, jwmgra, and aronai and are accompanied by instruments like kham, sifung, jota, serja, and gongwna. Bagurumba is an integral part of Bodo culture and is performed during festivals, weddings, and other celebrations.

The Harappan culture, an ancient civilization that flourished in the Indus Valley, is primarily understood through the discovery and study of numerous archaeological sites. Excavations have uncovered cities, settlements, and artifacts that provide invaluable insights into the daily life, trade, religion, and urban planning of this ancient people.

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The Harappan culture, an ancient civilization that flourished in the Indus Valley, is primarily understood through the discovery and study of numerous archaeological sites. Excavations have uncovered cities, settlements, and artifacts that provide invaluable insights into the daily life, trade, religion, and urban planning of this ancient people.

Barpeta Satra is especially famous for its vibrant and large-scale Holi celebrations, known as Doul Mahotsav.

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Barpeta Satra is especially famous for its vibrant and large-scale Holi celebrations, known as Doul Mahotsav.

The 42nd constitutional amendment added part IV A and Article 51A to the Indian constitution.

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The 42nd constitutional amendment added part IV A and Article 51A to the Indian constitution.

Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.

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Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.