In which district is the Nameri National Park located? [#2282]

Nameri National Park is situated in the northern part of the Sonitpur district of Assam, India, along the foothills of the Eastern Himalayas.

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Nameri National Park is situated in the northern part of the Sonitpur district of Assam, India, along the foothills of the Eastern Himalayas.

The Assam Electronics Development Corporation Ltd. (AMTRON) is a government agency in Assam that is responsible for promoting the growth and development of the electronics and information technology (IT) sector in the state. It works towards creating a conducive environment for IT industries, fostering innovation, and developing IT infrastructure in Assam.

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The Assam Electronics Development Corporation Ltd. (AMTRON) is a government agency in Assam that is responsible for promoting the growth and development of the electronics and information technology (IT) sector in the state. It works towards creating a conducive environment for IT industries, fostering innovation, and developing IT infrastructure in Assam.

Jhumur is a vibrant folk dance primarily associated with the tea tribe communities of Assam and also prevalent in parts of West Bengal, Jharkhand, Odisha, Chhattisgarh, and Bihar. It is often performed during harvest seasons and festivals.

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Jhumur is a vibrant folk dance primarily associated with the tea tribe communities of Assam and also prevalent in parts of West Bengal, Jharkhand, Odisha, Chhattisgarh, and Bihar. It is often performed during harvest seasons and festivals.

Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.

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Srimanta Sankardeva, a revered saint and social reformer of Assam, established his first Satra at Bordowa, his birthplace. Located in the present-day Nagaon district, this Satra, known as Sri Sri Batadrava Than, holds immense significance as the first center for the propagation of Ekasarana Dharma, the Neo-Vaishnavite religious movement he initiated. It was a pivotal hub for his religious and cultural activities.

Srimanta Sankardeva, the revered Assamese saint, scholar, playwright, social reformer, and founder of the Ekasarana Dharma, breathed his last at Madhupur Satra, Bheladonga in Cooch Behar, which is now in West Bengal, India.

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Srimanta Sankardeva, the revered Assamese saint, scholar, playwright, social reformer, and founder of the Ekasarana Dharma, breathed his last at Madhupur Satra, Bheladonga in Cooch Behar, which is now in West Bengal, India.

Barpeta district in Assam has a long-standing tradition of ivory craft. Skilled artisans in the region create intricate and beautiful objects from ivory, including ornaments, toys, and images of deities.

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Barpeta district in Assam has a long-standing tradition of ivory craft. Skilled artisans in the region create intricate and beautiful objects from ivory, including ornaments, toys, and images of deities.

The traditional Assamese wedding attire for women is the Mekhela Chador. It's a two-piece garment: the Mekhela is a long, cylindrical cloth draped around the waist, and the Chador is a longer cloth draped over the shoulder. Traditionally made of silk (often Muga silk) and adorned with intricate embroidery, the Mekhela Chador is considered elegant and culturally significant. While modern brides may choose other outfits, the Mekhela Chador remains a cherished part of Assamese wedding traditions.

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The traditional Assamese wedding attire for women is the Mekhela Chador. It's a two-piece garment: the Mekhela is a long, cylindrical cloth draped around the waist, and the Chador is a longer cloth draped over the shoulder. Traditionally made of silk (often Muga silk) and adorned with intricate embroidery, the Mekhela Chador is considered elegant and culturally significant. While modern brides may choose other outfits, the Mekhela Chador remains a cherished part of Assamese wedding traditions.

Kaziranga National Park is world-renowned for its significant population of the Indian one-horned rhinoceros (Rhinoceros unicornis). It's a major habitat for this vulnerable species, and conservation efforts in Kaziranga have played a crucial role in protecting them. While other parks in Assam might have some rhinos, Kaziranga is the most important and well-known for them.

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Kaziranga National Park is world-renowned for its significant population of the Indian one-horned rhinoceros (Rhinoceros unicornis). It's a major habitat for this vulnerable species, and conservation efforts in Kaziranga have played a crucial role in protecting them. While other parks in Assam might have some rhinos, Kaziranga is the most important and well-known for them.

Swargodeo Sulikphaa, an Ahom king, was commonly known as Lora Raja, which means "Boy King". He was given the name Sulikphaa by an Ahom priest and Ratnadhwaj Singha by a Hindu priest because he was young when he became king.

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Swargodeo Sulikphaa, an Ahom king, was commonly known as Lora Raja, which means "Boy King". He was given the name Sulikphaa by an Ahom priest and Ratnadhwaj Singha by a Hindu priest because he was young when he became king.

Sukapha led his march through the Patkai Pass. This pass, also known as the Pangsau Pass, is located in the Patkai Range on the Indo-Myanmar border. It was the most convenient route for the Ahoms to enter the Brahmaputra Valley.

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Sukapha led his march through the Patkai Pass. This pass, also known as the Pangsau Pass, is located in the Patkai Range on the Indo-Myanmar border. It was the most convenient route for the Ahoms to enter the Brahmaputra Valley.

The illustration work for the medieval Assamese text "Hastividyarnava" was done by two artists named Dilbar and Dosai, who were likely from Rajasthan. Their style reflects influences from Rajasthani art, and while they may not have been familiar with the Assamese landscape, their illustrations of elephants and other figures are skillfully done. Sukumar Borkaith wrote Hastividyarnava. But illustration work was done by Dilbor and Dohai.

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The illustration work for the medieval Assamese text "Hastividyarnava" was done by two artists named Dilbar and Dosai, who were likely from Rajasthan. Their style reflects influences from Rajasthani art, and while they may not have been familiar with the Assamese landscape, their illustrations of elephants and other figures are skillfully done. Sukumar Borkaith wrote Hastividyarnava. But illustration work was done by Dilbor and Dohai.