Who used the pen name "Ajagar: Swami Abhangananda" in Assamese literature? [#2271]

Syed Abdul Malik used the pen names "Ajagar" and "Swami Abhangananda" in Assamese literature. He was a prominent Assamese writer, poet, and journalist known for his progressive views and his contributions to Assamese journalism.

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Syed Abdul Malik used the pen names "Ajagar" and "Swami Abhangananda" in Assamese literature. He was a prominent Assamese writer, poet, and journalist known for his progressive views and his contributions to Assamese journalism.

Radha Govinda Baruah is referred to as the "Singhapurush" (Lion Man) in Assamese literature. He was a prominent Assamese journalist, publisher, and social reformer, known for founding The Assam Tribune, one of the leading newspapers in Northeast India.

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Radha Govinda Baruah is referred to as the "Singhapurush" (Lion Man) in Assamese literature. He was a prominent Assamese journalist, publisher, and social reformer, known for founding The Assam Tribune, one of the leading newspapers in Northeast India.

Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

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Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

Mahim Bora is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Rangajiya kabi" (The Poet of the Stage), which earned him the sobriquet "Rangajiya kavi".

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Mahim Bora is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Rangajiya kabi" (The Poet of the Stage), which earned him the sobriquet "Rangajiya kavi".

Birinchi Kumar Barua is a prominent Assamese scholar and writer who was awarded the Sahitya Akademi Award in 1964 for his work on Assamese folk culture, "Asamar Lok-Sanskriti".

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Birinchi Kumar Barua is a prominent Assamese scholar and writer who was awarded the Sahitya Akademi Award in 1964 for his work on Assamese folk culture, "Asamar Lok-Sanskriti".

Chakreshwar Bhattacharyya, a prominent Assamese writer and journalist, used the pen name "Rajpathar Sil" (Stone on the Royal Road) for his literary works.

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Chakreshwar Bhattacharyya, a prominent Assamese writer and journalist, used the pen name "Rajpathar Sil" (Stone on the Royal Road) for his literary works.

Kanaklata Barua, a young freedom fighter from Assam, is revered as "Birbala" (Brave Girl) for her courageous participation in the Quit India Movement. She became a symbol of resistance against British rule in Assam.

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Kanaklata Barua, a young freedom fighter from Assam, is revered as "Birbala" (Brave Girl) for her courageous participation in the Quit India Movement. She became a symbol of resistance against British rule in Assam.

Lakshminath Bezbarua (1864–1938) was the first editor of the Assamese magazine Bahi in 1909. The magazine was published in Calcutta until 1932 and was a leading journal for Assamese literature in the first half of the 20th century. In 1909, the magazine published O Mur Apunar Desh, the traditional song of Assam, written by Bezbarua and set to music by Kamala Prasad Agarwala. The song was later adopted as Assam's state song in 1927.

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Lakshminath Bezbarua (1864–1938) was the first editor of the Assamese magazine Bahi in 1909. The magazine was published in Calcutta until 1932 and was a leading journal for Assamese literature in the first half of the 20th century. In 1909, the magazine published O Mur Apunar Desh, the traditional song of Assam, written by Bezbarua and set to music by Kamala Prasad Agarwala. The song was later adopted as Assam's state song in 1927.

Gopinath Bordoloi, the first Chief Minister of Assam, is affectionately called "Lokapriya" (Beloved by the People) for his selfless dedication to the people of Assam and his unwavering commitment to their welfare.

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Gopinath Bordoloi, the first Chief Minister of Assam, is affectionately called "Lokapriya" (Beloved by the People) for his selfless dedication to the people of Assam and his unwavering commitment to their welfare.

Mafizuddin Ahmed Hazarika is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Jnan Malini," which earned him the sobriquet "Gyanmalinir Kavi" (The Poet of Jnan Malini).

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Mafizuddin Ahmed Hazarika is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Jnan Malini," which earned him the sobriquet "Gyanmalinir Kavi" (The Poet of Jnan Malini).

Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.

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Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.