Who is known by the sobriquet / nickname "Porasor" in Assamese literature? [#2268]

Robin Dey is known as the "Porasor" in Assamese literature. He was a prominent Assamese writer, poet, and journalist.

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Robin Dey is known as the "Porasor" in Assamese literature. He was a prominent Assamese writer, poet, and journalist.

Birendra Kumar Bhattacharya is a renowned Assamese writer who was awarded the Sahitya Akademi Award in 1961 for his novel "Iyaruingam".

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Birendra Kumar Bhattacharya is a renowned Assamese writer who was awarded the Sahitya Akademi Award in 1961 for his novel "Iyaruingam".

Parvati Prasad Baruva is popularly known as the Geetikavi (lyrical poet) of Assam. He was a noted poet, lyricist, and dramatist, known for his simple and sensitive use of the Assamese language.

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Parvati Prasad Baruva is popularly known as the Geetikavi (lyrical poet) of Assam. He was a noted poet, lyricist, and dramatist, known for his simple and sensitive use of the Assamese language.

Bhabendra Nath Saikia

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Bhabendra Nath Saikia

Rajanikanta Bordoloi is known as the "Upanyash Samrat" (The Emperor of Novels) in Assamese literature. He is considered a pioneer of the romantic movement in Assamese literature and wrote numerous novels based on the history of Assam.

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Rajanikanta Bordoloi is known as the "Upanyash Samrat" (The Emperor of Novels) in Assamese literature. He is considered a pioneer of the romantic movement in Assamese literature and wrote numerous novels based on the history of Assam.

Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.

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Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.

In Assamese literature, the pen name "Ejon Asomiya" is associated with Satyanath Borah. He was a prominent Assamese grammarian, essayist, and music composer who sometimes used this pen name.

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In Assamese literature, the pen name "Ejon Asomiya" is associated with Satyanath Borah. He was a prominent Assamese grammarian, essayist, and music composer who sometimes used this pen name.

Ambeshwar Chetia Phukan (ACP=KK) is known as "Kobita Konwar" in Assamese literature.

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Ambeshwar Chetia Phukan (ACP=KK) is known as "Kobita Konwar" in Assamese literature.

The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.

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The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.

Chakreshwar Bhattacharyya, a prominent Assamese writer and journalist, used the pen name "Rajpathar Sil" (Stone on the Royal Road) for his literary works.

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Chakreshwar Bhattacharyya, a prominent Assamese writer and journalist, used the pen name "Rajpathar Sil" (Stone on the Royal Road) for his literary works.

'Asomiya Sahityar Buranji' is a comprehensive history of Assamese literature, written by the renowned Assamese writer and scholar, Devendranath Bezbarua. This work is considered a foundational text in Assamese literary studies, providing valuable insights into the evolution of Assamese literature from its early beginnings to the time of its writing.

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'Asomiya Sahityar Buranji' is a comprehensive history of Assamese literature, written by the renowned Assamese writer and scholar, Devendranath Bezbarua. This work is considered a foundational text in Assamese literary studies, providing valuable insights into the evolution of Assamese literature from its early beginnings to the time of its writing.