Who is known by the sobriquet / nickname "Natasurjya" in Assamese literature? [#2263]

In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

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In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

Syed Abdul Malik is a prominent Assamese writer who was honored with the Sahitya Akademi Award in 1972 for his novel "Aghari Atmar Kahini".

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Syed Abdul Malik is a prominent Assamese writer who was honored with the Sahitya Akademi Award in 1972 for his novel "Aghari Atmar Kahini".

Nabin Chandra Bordoloi was a prominent Indian writer, politician, and leader of the Indian National Congress party from Assam. He was a key figure in the Indian independence movement and earned the title "Karmaveer" (Hero of Action) for his tireless work and dedication to the cause of Assam and India.

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Nabin Chandra Bordoloi was a prominent Indian writer, politician, and leader of the Indian National Congress party from Assam. He was a key figure in the Indian independence movement and earned the title "Karmaveer" (Hero of Action) for his tireless work and dedication to the cause of Assam and India.

The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.

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The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.

Rudra Baruah is referred to as the "Luit Konwar" (Prince of the Brahmaputra) in Assamese literature. He was a renowned singer, composer, lyricist, musician, and actor who made significant contributions to Assamese music and cinema.

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Rudra Baruah is referred to as the "Luit Konwar" (Prince of the Brahmaputra) in Assamese literature. He was a renowned singer, composer, lyricist, musician, and actor who made significant contributions to Assamese music and cinema.

Mafizuddin Ahmed Hazarika is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Jnan Malini," which earned him the sobriquet "Gyanmalinir Kavi" (The Poet of Jnan Malini).

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Mafizuddin Ahmed Hazarika is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Jnan Malini," which earned him the sobriquet "Gyanmalinir Kavi" (The Poet of Jnan Malini).

The Kirtan Ghosha is a collection of devotional poems written by Srimanta Sankardeva, a 15th-century Vaishnava saint and scholar. It is considered the most significant work of Assamese literature and is a cultural icon of Assam, shaping its religious, musical, and theatrical traditions.

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The Kirtan Ghosha is a collection of devotional poems written by Srimanta Sankardeva, a 15th-century Vaishnava saint and scholar. It is considered the most significant work of Assamese literature and is a cultural icon of Assam, shaping its religious, musical, and theatrical traditions.

Anandaram Dhekial Phukan (ADP=AN), a pioneer of modern Assamese prose, is known for using the sobriquet "A Native." He was a prolific writer, journalist, and social reformer who played a significant role in the Assamese renaissance.

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Anandaram Dhekial Phukan (ADP=AN), a pioneer of modern Assamese prose, is known for using the sobriquet "A Native." He was a prolific writer, journalist, and social reformer who played a significant role in the Assamese renaissance.

Ananda Chandra Agarwala, a prominent figure in Assamese literature, is known for using the pen name 'Sri Harsha'. He was a versatile writer, poet, and scholar who made significant contributions to Assamese literature and culture.

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Ananda Chandra Agarwala, a prominent figure in Assamese literature, is known for using the pen name 'Sri Harsha'. He was a versatile writer, poet, and scholar who made significant contributions to Assamese literature and culture.

Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.

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Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.

Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.

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Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.