Which Assamese writer is known by the sobriquet / nickname "Roxoraj, Sahityarathi"? [#2253]

Lakshminath Bezbaruah, a pioneer of modern Assamese literature, is known as "Roxoraj" (King of Humor) for his satirical writings and "Sahityarathi" (Charioteer of Literature) for his profound influence on Assamese literature.

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Lakshminath Bezbaruah, a pioneer of modern Assamese literature, is known as "Roxoraj" (King of Humor) for his satirical writings and "Sahityarathi" (Charioteer of Literature) for his profound influence on Assamese literature.

Rudra Baruah is referred to as the "Luit Konwar" (Prince of the Brahmaputra) in Assamese literature. He was a renowned singer, composer, lyricist, musician, and actor who made significant contributions to Assamese music and cinema.

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Rudra Baruah is referred to as the "Luit Konwar" (Prince of the Brahmaputra) in Assamese literature. He was a renowned singer, composer, lyricist, musician, and actor who made significant contributions to Assamese music and cinema.

Rita Choudhury is a prominent Assamese writer who was awarded the Sahitya Akademi Award in 2008 for her novel "Deou Langkhui".

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Rita Choudhury is a prominent Assamese writer who was awarded the Sahitya Akademi Award in 2008 for her novel "Deou Langkhui".

Hem Chandra Baruah was a pioneering Assamese writer, scholar, and linguist who wrote the first Assamese dictionary, "A Dictionary in Assamese and English". He is considered the "Father of Assamese Literature" for his contributions to the development of the Assamese language and literature.

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Hem Chandra Baruah was a pioneering Assamese writer, scholar, and linguist who wrote the first Assamese dictionary, "A Dictionary in Assamese and English". He is considered the "Father of Assamese Literature" for his contributions to the development of the Assamese language and literature.

In Assamese literature, the pen name "Ejon Asomiya" is associated with Satyanath Borah. He was a prominent Assamese grammarian, essayist, and music composer who sometimes used this pen name.

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In Assamese literature, the pen name "Ejon Asomiya" is associated with Satyanath Borah. He was a prominent Assamese grammarian, essayist, and music composer who sometimes used this pen name.

Chandra Kumar Agarwala, a prominent figure in Assamese literature, is often referred to as "Pratimar Khonikor" (The Sculptor of Images) for his evocative and imaginative poetry, particularly known for its romantic and idealistic themes.

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Chandra Kumar Agarwala, a prominent figure in Assamese literature, is often referred to as "Pratimar Khonikor" (The Sculptor of Images) for his evocative and imaginative poetry, particularly known for its romantic and idealistic themes.

Nabakanta Barua is a renowned Assamese writer and poet who was awarded the Sahitya Akademi Award in 1975 for his novel "Kaka Deutar Har".

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Nabakanta Barua is a renowned Assamese writer and poet who was awarded the Sahitya Akademi Award in 1975 for his novel "Kaka Deutar Har".

Homen Borgohain is a distinguished Assamese writer who was honored with the Sahitya Akademi Award in 1978 for his novel "Pita Putra".

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Homen Borgohain is a distinguished Assamese writer who was honored with the Sahitya Akademi Award in 1978 for his novel "Pita Putra".

Bhabendra Nath Saikia

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Bhabendra Nath Saikia

Syed Abdul Malik used the pen names "Ajagar" and "Swami Abhangananda" in Assamese literature. He was a prominent Assamese writer, poet, and journalist known for his progressive views and his contributions to Assamese journalism.

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Syed Abdul Malik used the pen names "Ajagar" and "Swami Abhangananda" in Assamese literature. He was a prominent Assamese writer, poet, and journalist known for his progressive views and his contributions to Assamese journalism.

Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.

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Madhava Kandali is renowned for translating the Sanskrit epic Ramayana into Assamese verse, creating the 'Saptakanda Ramayana'. This work is considered a cornerstone of Assamese literature.