Which Assamese writer is known by the pen name "Mamoni Raisom Goswami"? [#2249]

Indira Goswami, a renowned Assamese writer, is widely known by her pen name "Mamoni Raisom Goswami." She was a prominent figure in Assamese literature, known for her insightful novels and social commentary.

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Indira Goswami, a renowned Assamese writer, is widely known by her pen name "Mamoni Raisom Goswami." She was a prominent figure in Assamese literature, known for her insightful novels and social commentary.

Nilmoni Phukan Sr. was a prominent Assamese writer, poet, freedom fighter, and politician. He was a powerful orator, earning him the title "Bagmibor" (The Great Orator) in Assamese literature.

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Nilmoni Phukan Sr. was a prominent Assamese writer, poet, freedom fighter, and politician. He was a powerful orator, earning him the title "Bagmibor" (The Great Orator) in Assamese literature.

Chandra Kumar Agarwala, a prominent figure in Assamese literature, is often referred to as "Pratimar Khonikor" (The Sculptor of Images) for his evocative and imaginative poetry, particularly known for its romantic and idealistic themes.

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Chandra Kumar Agarwala, a prominent figure in Assamese literature, is often referred to as "Pratimar Khonikor" (The Sculptor of Images) for his evocative and imaginative poetry, particularly known for its romantic and idealistic themes.

Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

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Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

'Asomiya Sahityar Buranji' is a comprehensive history of Assamese literature, written by the renowned Assamese writer and scholar, Devendranath Bezbarua. This work is considered a foundational text in Assamese literary studies, providing valuable insights into the evolution of Assamese literature from its early beginnings to the time of its writing.

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'Asomiya Sahityar Buranji' is a comprehensive history of Assamese literature, written by the renowned Assamese writer and scholar, Devendranath Bezbarua. This work is considered a foundational text in Assamese literary studies, providing valuable insights into the evolution of Assamese literature from its early beginnings to the time of its writing.

Parvati Prasad Baruva is popularly known as the Geetikavi (lyrical poet) of Assam. He was a noted poet, lyricist, and dramatist, known for his simple and sensitive use of the Assamese language.

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Parvati Prasad Baruva is popularly known as the Geetikavi (lyrical poet) of Assam. He was a noted poet, lyricist, and dramatist, known for his simple and sensitive use of the Assamese language.

Radha Govinda Baruah is referred to as the "Singhapurush" (Lion Man) in Assamese literature. He was a prominent Assamese journalist, publisher, and social reformer, known for founding The Assam Tribune, one of the leading newspapers in Northeast India.

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Radha Govinda Baruah is referred to as the "Singhapurush" (Lion Man) in Assamese literature. He was a prominent Assamese journalist, publisher, and social reformer, known for founding The Assam Tribune, one of the leading newspapers in Northeast India.

The Kirtan Ghosha is a collection of devotional poems written by Srimanta Sankardeva, a 15th-century Vaishnava saint and scholar. It is considered the most significant work of Assamese literature and is a cultural icon of Assam, shaping its religious, musical, and theatrical traditions.

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The Kirtan Ghosha is a collection of devotional poems written by Srimanta Sankardeva, a 15th-century Vaishnava saint and scholar. It is considered the most significant work of Assamese literature and is a cultural icon of Assam, shaping its religious, musical, and theatrical traditions.

Raghunath Choudhury is known as the "Bihogi Kavi" (Bird Poet) in Assamese literature. He was a noted poet known for his love of nature and his poems often featured birds and other natural elements.

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Raghunath Choudhury is known as the "Bihogi Kavi" (Bird Poet) in Assamese literature. He was a noted poet known for his love of nature and his poems often featured birds and other natural elements.

Rongmilir Hanhi is a renowned Assamese novel written by Padma Shri Rongbong Terang. It is considered a masterpiece of Assamese literature and has been translated into several languages.

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Rongmilir Hanhi is a renowned Assamese novel written by Padma Shri Rongbong Terang. It is considered a masterpiece of Assamese literature and has been translated into several languages.

Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

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Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).