Which Assamese writer used the sobriquet (nickname) 'A Native'? [#2236]

Anandaram Dhekial Phukan (ADP=AN), a pioneer of modern Assamese prose, is known for using the sobriquet "A Native." He was a prolific writer, journalist, and social reformer who played a significant role in the Assamese renaissance.

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Anandaram Dhekial Phukan (ADP=AN), a pioneer of modern Assamese prose, is known for using the sobriquet "A Native." He was a prolific writer, journalist, and social reformer who played a significant role in the Assamese renaissance.

Rebati Mohan Dutta Choudhury, popularly known as Sheelabhadra, was a noted Assamese writer and academician. He is best known for his novel "Madhupur Bahudur," which won the Sahitya Akademi Award.

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Rebati Mohan Dutta Choudhury, popularly known as Sheelabhadra, was a noted Assamese writer and academician. He is best known for his novel "Madhupur Bahudur," which won the Sahitya Akademi Award.

Lakshminath Bezbarua (1864–1938) was the first editor of the Assamese magazine Bahi in 1909. The magazine was published in Calcutta until 1932 and was a leading journal for Assamese literature in the first half of the 20th century. In 1909, the magazine published O Mur Apunar Desh, the traditional song of Assam, written by Bezbarua and set to music by Kamala Prasad Agarwala. The song was later adopted as Assam's state song in 1927.

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Lakshminath Bezbarua (1864–1938) was the first editor of the Assamese magazine Bahi in 1909. The magazine was published in Calcutta until 1932 and was a leading journal for Assamese literature in the first half of the 20th century. In 1909, the magazine published O Mur Apunar Desh, the traditional song of Assam, written by Bezbarua and set to music by Kamala Prasad Agarwala. The song was later adopted as Assam's state song in 1927.

Mahim Bora is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Rangajiya kabi" (The Poet of the Stage), which earned him the sobriquet "Rangajiya kavi".

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Mahim Bora is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Rangajiya kabi" (The Poet of the Stage), which earned him the sobriquet "Rangajiya kavi".

Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

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Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

Chandra Kumar Agarwala, a prominent figure in Assamese literature, is often referred to as "Pratimar Khonikor" (The Sculptor of Images) for his evocative and imaginative poetry, particularly known for its romantic and idealistic themes.

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Chandra Kumar Agarwala, a prominent figure in Assamese literature, is often referred to as "Pratimar Khonikor" (The Sculptor of Images) for his evocative and imaginative poetry, particularly known for its romantic and idealistic themes.

Birinchi Kumar Barua is a prominent Assamese scholar and writer who was awarded the Sahitya Akademi Award in 1964 for his work on Assamese folk culture, "Asamar Lok-Sanskriti".

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Birinchi Kumar Barua is a prominent Assamese scholar and writer who was awarded the Sahitya Akademi Award in 1964 for his work on Assamese folk culture, "Asamar Lok-Sanskriti".

Anuradha Sarma Pujari is an acclaimed Assamese writer who was honored with the Assam Sahitya Akademi award in 2021 for her novel "Iyat Ekhan Aaronya Asil".

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Anuradha Sarma Pujari is an acclaimed Assamese writer who was honored with the Assam Sahitya Akademi award in 2021 for her novel "Iyat Ekhan Aaronya Asil".

Syed Abdul Malik is a prominent Assamese writer who was honored with the Sahitya Akademi Award in 1972 for his novel "Aghari Atmar Kahini".

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Syed Abdul Malik is a prominent Assamese writer who was honored with the Sahitya Akademi Award in 1972 for his novel "Aghari Atmar Kahini".

In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

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In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

Rajanikanta Bordoloi is known as the "Upanyash Samrat" (The Emperor of Novels) in Assamese literature. He is considered a pioneer of the romantic movement in Assamese literature and wrote numerous novels based on the history of Assam.

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Rajanikanta Bordoloi is known as the "Upanyash Samrat" (The Emperor of Novels) in Assamese literature. He is considered a pioneer of the romantic movement in Assamese literature and wrote numerous novels based on the history of Assam.