Who is the author of the book 'Bengsata (Short Stories)' from 2020, who received the Assam Sahitya Akademi award? [#2222]

Apurba Kumar Saikia is a noted Assamese short story writer who was awarded the Sahitya Akademi Award 2020 for his collection of short stories, "Bengsata".

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Apurba Kumar Saikia is a noted Assamese short story writer who was awarded the Sahitya Akademi Award 2020 for his collection of short stories, "Bengsata".

Rajanikanta Bordoloi is known as the "Upanyash Samrat" (The Emperor of Novels) in Assamese literature. He is considered a pioneer of the romantic movement in Assamese literature and wrote numerous novels based on the history of Assam.

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Rajanikanta Bordoloi is known as the "Upanyash Samrat" (The Emperor of Novels) in Assamese literature. He is considered a pioneer of the romantic movement in Assamese literature and wrote numerous novels based on the history of Assam.

In Assamese literature, the pen name "Ejon Asomiya" is associated with Satyanath Borah. He was a prominent Assamese grammarian, essayist, and music composer who sometimes used this pen name.

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In Assamese literature, the pen name "Ejon Asomiya" is associated with Satyanath Borah. He was a prominent Assamese grammarian, essayist, and music composer who sometimes used this pen name.

Binanda Chandra Barua, (BCB=DK), also known as Dhwoni Kobi, was a noted Indian writer and poet of Assamese literature from Teok, Assam. He was the president of the Asam Sahitya Sabha in 1966.

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Binanda Chandra Barua, (BCB=DK), also known as Dhwoni Kobi, was a noted Indian writer and poet of Assamese literature from Teok, Assam. He was the president of the Asam Sahitya Sabha in 1966.

The Kirtan Ghosha is a collection of devotional poems written by Srimanta Sankardeva, a 15th-century Vaishnava saint and scholar. It is considered the most significant work of Assamese literature and is a cultural icon of Assam, shaping its religious, musical, and theatrical traditions.

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The Kirtan Ghosha is a collection of devotional poems written by Srimanta Sankardeva, a 15th-century Vaishnava saint and scholar. It is considered the most significant work of Assamese literature and is a cultural icon of Assam, shaping its religious, musical, and theatrical traditions.

The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.

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The Charyapadas, a collection of mystic poems, are believed to have been composed between the 8th and 12th centuries CE. This period aligns with the Pala dynasty's rule in Bengal and Assam and the flourishing of Tantric Buddhism. They are considered early examples of Eastern Indo-Aryan languages, ancestral to Assamese and Bengali, and offer valuable insights into the social, cultural, and religious landscape of the time.

Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

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Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

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In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

'Asomiya Sahityar Buranji' is a comprehensive history of Assamese literature, written by the renowned Assamese writer and scholar, Devendranath Bezbarua. This work is considered a foundational text in Assamese literary studies, providing valuable insights into the evolution of Assamese literature from its early beginnings to the time of its writing.

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'Asomiya Sahityar Buranji' is a comprehensive history of Assamese literature, written by the renowned Assamese writer and scholar, Devendranath Bezbarua. This work is considered a foundational text in Assamese literary studies, providing valuable insights into the evolution of Assamese literature from its early beginnings to the time of its writing.

Hem Chandra Baruah was a pioneering Assamese writer, scholar, and linguist who wrote the first Assamese dictionary, "A Dictionary in Assamese and English". He is considered the "Father of Assamese Literature" for his contributions to the development of the Assamese language and literature.

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Hem Chandra Baruah was a pioneering Assamese writer, scholar, and linguist who wrote the first Assamese dictionary, "A Dictionary in Assamese and English". He is considered the "Father of Assamese Literature" for his contributions to the development of the Assamese language and literature.

In Assamese literature, the sobriquet "Lauha Manab" belongs to Bishnuram Medhi.

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In Assamese literature, the sobriquet "Lauha Manab" belongs to Bishnuram Medhi.