The Magh Bihu festival in Assam is associated with the harvesting of: [#2193]
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Q1. The Magh Bihu festival in Assam is associated with the harvesting of:
Q1. The Magh Bihu festival in Assam is associated with the harvesting of:
(A) Wheat
(A) Wheat
(A) Wheat
(B) Paddy
(B) Paddy
(B) Paddy
(C) Barley
(C) Barley
(C) Barley
(D) Maize
(D) Maize
(D) Maize
Answer: (B) Paddy
Answer: (B) Paddy
Answer: (B) Paddy
Magh Bihu, also known as Bhogali Bihu, is a harvest festival celebrated in Assam, India. It marks the end of the paddy harvesting season.
Magh Bihu, also known as Bhogali Bihu, is a harvest festival celebrated in Assam, India. It marks the end of the paddy harvesting season.
Magh Bihu, also known as Bhogali Bihu, is a harvest festival celebrated in Assam, India. It marks the end of the paddy harvesting season.
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Related MCQ Quizzes
Q1. What is the traditional Assamese rice beer called?
Q1. What is the traditional Assamese rice beer called?
(A) Feni
(A) Feni
(A) Feni
(B) Toddy
(B) Toddy
(B) Toddy
(C) Apong
(C) Apong
(C) Apong
(D) Chhang
(D) Chhang
(D) Chhang
Answer: (C) Apong
Answer: (C) Apong
Answer: (C) Apong
Apong is a traditional rice beer widely consumed by various indigenous communities in Assam, India. It's a fermented beverage prepared from rice and local yeast, with recipes and brewing techniques often passed down through families. Apong plays a significant role in Assamese culture and is commonly featured in social gatherings, festivals, and religious ceremonies. It is also known by other local names such as "Haaz", "Mod" or “Lao-pani”.
Apong is a traditional rice beer widely consumed by various indigenous communities in Assam, India. It's a fermented beverage prepared from rice and local yeast, with recipes and brewing techniques often passed down through families. Apong plays a significant role in Assamese culture and is commonly featured in social gatherings, festivals, and religious ceremonies. It is also known by other local names such as "Haaz", "Mod" or “Lao-pani”.
Apong is a traditional rice beer widely consumed by various indigenous communities in Assam, India. It's a fermented beverage prepared from rice and local yeast, with recipes and brewing techniques often passed down through families. Apong plays a significant role in Assamese culture and is commonly featured in social gatherings, festivals, and religious ceremonies. It is also known by other local names such as "Haaz", "Mod" or “Lao-pani”.
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Q2. Whom did the Moamoriyas established as king after their victory in third phase of the rebellion?
Q2. Whom did the Moamoriyas established as king after their victory in third phase of the rebellion?
(A) Rudra Singha
(A) Rudra Singha
(A) Rudra Singha
(B) Gagini
(B) Gagini
(B) Gagini
(C) Chaturbhujdeva
(C) Chaturbhujdeva
(C) Chaturbhujdeva
(D) Bharat Singha
(D) Bharat Singha
(D) Bharat Singha
Answer: (D) Bharat Singha
Answer: (D) Bharat Singha
Answer: (D) Bharat Singha
Bharat Singha
Bharat Singha
Bharat Singha
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Q3. Which Satra was established by Ahom King Jayaddhwaj Singha?
Q3. Which Satra was established by Ahom King Jayaddhwaj Singha?
(A) Aauniati Satra
(A) Aauniati Satra
(A) Aauniati Satra
(B) Kuruwabahi Satra
(B) Kuruwabahi Satra
(B) Kuruwabahi Satra
(C) Dakshinpaat Satra
(C) Dakshinpaat Satra
(C) Dakshinpaat Satra
(D) Barpeta Satra
(D) Barpeta Satra
(D) Barpeta Satra
Answer: (A) Aauniati Satra
Answer: (A) Aauniati Satra
Answer: (A) Aauniati Satra
Sri Sri Auniati Satra, located in Majuli, Assam, was established by the Ahom King Jayaddhwaj Singha.
Sri Sri Auniati Satra, located in Majuli, Assam, was established by the Ahom King Jayaddhwaj Singha.
Sri Sri Auniati Satra, located in Majuli, Assam, was established by the Ahom King Jayaddhwaj Singha.
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Q4. Badanchandra was assassinated in 1818 by whom?
Q4. Badanchandra was assassinated in 1818 by whom?
(A) Mir Kasim
(A) Mir Kasim
(A) Mir Kasim
(B) Subedar Rup Singh
(B) Subedar Rup Singh
(B) Subedar Rup Singh
(C) Purnananda
(C) Purnananda
(C) Purnananda
(D) Burmese
(D) Burmese
(D) Burmese
Answer: (B) Subedar Rup Singh
Answer: (B) Subedar Rup Singh
Answer: (B) Subedar Rup Singh
Badan Chandra Barphukan was assassinated by Subedar Rup Singh in 1818.
Badan Chandra Barphukan was the chief of Ahom forces in Lower Assam. He betrayed the kingdom by inviting the Burmese to invade Assam. The Burmese installed him as the Prime minister.
Badan Chandra Barphukan was assassinated by Subedar Rup Singh in 1818. Badan Chandra Barphukan was the chief of Ahom forces in Lower Assam. He betrayed the kingdom by inviting the Burmese to invade Assam. The Burmese installed him as the Prime minister.
Badan Chandra Barphukan was assassinated by Subedar Rup Singh in 1818. Badan Chandra Barphukan was the chief of Ahom forces in Lower Assam. He betrayed the kingdom by inviting the Burmese to invade Assam. The Burmese installed him as the Prime minister.
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Q5. Who introduced co-acting on the stages of Assam?
Q5. Who introduced co-acting on the stages of Assam?
(A) Jyotiprasad Agarwala
(A) Jyotiprasad Agarwala
(A) Jyotiprasad Agarwala
(B) Bisbnu Prasad Rabha
(B) Bisbnu Prasad Rabha
(B) Bisbnu Prasad Rabha
(C) Phani Sharma
(C) Phani Sharma
(C) Phani Sharma
(D) Braja Sharma
(D) Braja Sharma
(D) Braja Sharma
Answer: (D) Braja Sharma
Answer: (D) Braja Sharma
Answer: (D) Braja Sharma
Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.
Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.
Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.
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Q6. The traditional Assamese form of devotional music is known as:
Q6. The traditional Assamese form of devotional music is known as:
(A) Bihu
(A) Bihu
(A) Bihu
(B) Borgeet
(B) Borgeet
(B) Borgeet
(C) Ojapali
(C) Ojapali
(C) Ojapali
(D) Sattriya
(D) Sattriya
(D) Sattriya
Answer: (B) Borgeet
Answer: (B) Borgeet
Answer: (B) Borgeet
Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.
Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.
Borgeets are devotional songs composed by the 15th-16th century Assamese saint-poet Srimanta Sankaradeva and his disciple Madhavadeva. These songs are central to the Ekasarana Dharma, a Neo-Vaishnavite movement in Assam. Written in Brajavali, a mixed literary language, Borgeets praise Lord Krishna and narrate his divine acts. They are set to classical ragas and talas and are traditionally performed in Namghars (prayer halls) and Sattras (monasteries). Borgeets are an integral part of Assamese cultural and religious heritage.
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Q7. With which state does Assam not share its border?
Q7. With which state does Assam not share its border?
(A) Mizoram
(A) Mizoram
(A) Mizoram
(B) West Bengal
(B) West Bengal
(B) West Bengal
(C) Sikkim
(C) Sikkim
(C) Sikkim
(D) Manipur
(D) Manipur
(D) Manipur
Answer: (C) Sikkim
Answer: (C) Sikkim
Answer: (C) Sikkim
Sikkim
Sikkim
Sikkim
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Q8. Who is known by the sobriquet / nickname "Gyanmalinir Kavi" in Assamese literature?
Q8. Who is known by the sobriquet / nickname "Gyanmalinir Kavi" in Assamese literature?
(A) Hiren Gohain
(A) Hiren Gohain
(A) Hiren Gohain
(B) Syed Abdul Malik
(B) Syed Abdul Malik
(B) Syed Abdul Malik
(C) Mafijuddin Ahmed Hazarika
(C) Mafijuddin Ahmed Hazarika
(C) Mafijuddin Ahmed Hazarika
(D) Satyanath Bora
(D) Satyanath Bora
(D) Satyanath Bora
Answer: (C) Mafijuddin Ahmed Hazarika
Answer: (C) Mafijuddin Ahmed Hazarika
Answer: (C) Mafijuddin Ahmed Hazarika
Mafizuddin Ahmed Hazarika is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Jnan Malini," which earned him the sobriquet "Gyanmalinir Kavi" (The Poet of Jnan Malini).
Mafizuddin Ahmed Hazarika is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Jnan Malini," which earned him the sobriquet "Gyanmalinir Kavi" (The Poet of Jnan Malini).
Mafizuddin Ahmed Hazarika is a prominent figure in the Jonaki era of Assamese literature. He is best known for his famous poetic work "Jnan Malini," which earned him the sobriquet "Gyanmalinir Kavi" (The Poet of Jnan Malini).
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Q9. Which tree is predominant in the forests of Assam?
Q9. Which tree is predominant in the forests of Assam?
(A) Teak
(A) Teak
(A) Teak
(B) Mango
(B) Mango
(B) Mango
(C) Sal
(C) Sal
(C) Sal
(D) Hollong
(D) Hollong
(D) Hollong
Answer: (D) Hollong
Answer: (D) Hollong
Answer: (D) Hollong
Hollong (Dipterocarpus macrocarpus) is the most predominant tree species in the forests of Assam. It is also the state tree of Assam.
Hollong (Dipterocarpus macrocarpus) is the most predominant tree species in the forests of Assam. It is also the state tree of Assam.
Hollong (Dipterocarpus macrocarpus) is the most predominant tree species in the forests of Assam. It is also the state tree of Assam.
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Q10. In which year did the Bodo language become a state language?
Q10. In which year did the Bodo language become a state language?
(A) 1990
(A) 1990
(A) 1990
(B) 1985
(B) 1985
(B) 1985
(C) 1984
(C) 1984
(C) 1984
(D) 1986
(D) 1986
(D) 1986
Answer: (B) 1985
Answer: (B) 1985
Answer: (B) 1985
In 1985, Bodo has been recognized as an associated state official language of Assam.
In 1985, Bodo has been recognized as an associated state official language of Assam.
In 1985, Bodo has been recognized as an associated state official language of Assam.
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Related Questions
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