Assam's physiography can be categorized into how many types? [#2152]

The state of Assam comprises three physiographical divisions, namely, the Brahmaputra Valley, the Barak Valley and the Karbi-Anglong and the North-Cachar hills.

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The state of Assam comprises three physiographical divisions, namely, the Brahmaputra Valley, the Barak Valley and the Karbi-Anglong and the North-Cachar hills.

Karbi Anglong district in Assam is known as the 'Land of Red Rivers and Blue Hills' due to its picturesque landscape featuring the red-colored Kopili River and the lush green hills.

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Karbi Anglong district in Assam is known as the 'Land of Red Rivers and Blue Hills' due to its picturesque landscape featuring the red-colored Kopili River and the lush green hills.

Dispur is a suburb of Guwahati, the largest city in Assam. It is the capital city of the state.

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Dispur is a suburb of Guwahati, the largest city in Assam. It is the capital city of the state.

Thuria refers to a specific style of traditional earrings worn by Assamese women. They are often made of gold or silver and feature intricate designs.

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Thuria refers to a specific style of traditional earrings worn by Assamese women. They are often made of gold or silver and feature intricate designs.

Shaktism became strong during the reign of the Ahom kings Gadadhar Singha (1682–1696) and Siva Singha (1714–). Siva Singha was a strong Shakta and was influenced by Brahmins. He made Shaktism the state religion.

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Shaktism became strong during the reign of the Ahom kings Gadadhar Singha (1682–1696) and Siva Singha (1714–). Siva Singha was a strong Shakta and was influenced by Brahmins. He made Shaktism the state religion.

Narakasura, the earliest mythological ruler of Kamrupa, is traditionally associated with the Danava dynasty. This dynasty is primarily found in mythological and Puranic literature.

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Narakasura, the earliest mythological ruler of Kamrupa, is traditionally associated with the Danava dynasty. This dynasty is primarily found in mythological and Puranic literature.

Srimanta Sankardev was a 15th-century Assamese saint-reformer who founded the Ek Saran Nam Dharma movement, which emphasized devotion to a single God (Krishna) and social reform. He is credited with creating a new era of cultural and religious awakening in Assam.

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Srimanta Sankardev was a 15th-century Assamese saint-reformer who founded the Ek Saran Nam Dharma movement, which emphasized devotion to a single God (Krishna) and social reform. He is credited with creating a new era of cultural and religious awakening in Assam.

Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

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Brajanath Sharma, a prominent figure in Assamese theatre, founded the 'Shil Kalika Opera Party' in 1921. This marked an important early development in the evolution of mobile theatre in Assam. Sharma is recognized for his pioneering work in bringing theatre to wider audiences, particularly in rural areas, and the 'Shil Kalika Opera Party' was a key part of his contribution.

Dhira Hazarika

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Dhira Hazarika

Majuli Island is situated in the Brahmaputra River in Assam, India. It is known for its rich cultural heritage and unique ecosystem.

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Majuli Island is situated in the Brahmaputra River in Assam, India. It is known for its rich cultural heritage and unique ecosystem.

Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.

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Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.