The Bhupen Hazarika Setu, also known as the Dhola-Sadiya Bridge, connects Assam with which state? [#2133]

The Bhupen Hazarika Setu, also known as the Dhola-Sadiya Bridge, is a bridge in India, connecting the northeast states of Assam and Arunachal Pradesh. The bridge spans the Lohit River, a major tributary of the Brahmaputra River, from the village of Dhola (Tinsukia District) in the south to Sadiya to the north.

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The Bhupen Hazarika Setu, also known as the Dhola-Sadiya Bridge, is a bridge in India, connecting the northeast states of Assam and Arunachal Pradesh. The bridge spans the Lohit River, a major tributary of the Brahmaputra River, from the village of Dhola (Tinsukia District) in the south to Sadiya to the north.

Me-Dum-Me-Phi is an important festival celebrated by the Ahom community in Assam. It is observed annually on January 31st as a day of ancestor worship and remembrance.

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Me-Dum-Me-Phi is an important festival celebrated by the Ahom community in Assam. It is observed annually on January 31st as a day of ancestor worship and remembrance.

Badanchandra was assassinated in 1818 by a Subedar named Rup Singh in a conspiracy hatched by Numali Rajmao, mother of King Chandrakanta,and a few officials.

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Badanchandra was assassinated in 1818 by a Subedar named Rup Singh in a conspiracy hatched by Numali Rajmao, mother of King Chandrakanta,and a few officials.

According to the 2011 census, the sex ratio of Assam is 958 females per 1000 males. This means there are 958 females for every 1000 males in the state.

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According to the 2011 census, the sex ratio of Assam is 958 females per 1000 males. This means there are 958 females for every 1000 males in the state.

Sualkuchi

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Sualkuchi

Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.

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Sri Sri Samaguri Satra, located in Majuli, Assam, is famous for its unique mask-making tradition. These masks, crafted from traditional materials like bamboo, clay, and cloth, are integral to Ankiya Bhaona performances, a traditional form of Assamese theatre.

The traditional Assamese wedding attire for women is the Mekhela Chador. It's a two-piece garment: the Mekhela is a long, cylindrical cloth draped around the waist, and the Chador is a longer cloth draped over the shoulder. Traditionally made of silk (often Muga silk) and adorned with intricate embroidery, the Mekhela Chador is considered elegant and culturally significant. While modern brides may choose other outfits, the Mekhela Chador remains a cherished part of Assamese wedding traditions.

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The traditional Assamese wedding attire for women is the Mekhela Chador. It's a two-piece garment: the Mekhela is a long, cylindrical cloth draped around the waist, and the Chador is a longer cloth draped over the shoulder. Traditionally made of silk (often Muga silk) and adorned with intricate embroidery, the Mekhela Chador is considered elegant and culturally significant. While modern brides may choose other outfits, the Mekhela Chador remains a cherished part of Assamese wedding traditions.

Major tribes of Assam are: Bodo (35.1%), Mishing (17.52%), Karbi (11.1%), Rabha (7.6%), Sonowal Kachari (6.5%), Lalung (5.2%), Garo (4.2%), and Dimasa tribes (3.2%). They constitute ninety per cent ST population of the state.

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Major tribes of Assam are: Bodo (35.1%), Mishing (17.52%), Karbi (11.1%), Rabha (7.6%), Sonowal Kachari (6.5%), Lalung (5.2%), Garo (4.2%), and Dimasa tribes (3.2%). They constitute ninety per cent ST population of the state.

Karbi Anglong plateau is an extension of the Indian Karbi-Meghalaya Plateau or Indian Peninsular Plateau (Deccan Plateau) in Assam, a North Eastern state of India.

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Karbi Anglong plateau is an extension of the Indian Karbi-Meghalaya Plateau or Indian Peninsular Plateau (Deccan Plateau) in Assam, a North Eastern state of India.

Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.

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Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.

Sir Muhammad Saleh Akbar Hydari

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Sir Muhammad Saleh Akbar Hydari