Which of the following countries does Assam share international borders with? [#1617]

Assam shares international borders with both Bhutan to the north and Bangladesh to the south.

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Assam shares international borders with both Bhutan to the north and Bangladesh to the south.

Being a puppet in the hands of the Burmese, Jogeswar Singha was unable to exercise any authority, during his reign. People use to refer him as “Maane pota Raja”, means king installed by Burmese.

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Being a puppet in the hands of the Burmese, Jogeswar Singha was unable to exercise any authority, during his reign. People use to refer him as “Maane pota Raja”, means king installed by Burmese.

The Bhupen Hazarika Setu, also known as the Dhola-Sadiya Bridge, is a bridge in India, connecting the northeast states of Assam and Arunachal Pradesh. The bridge spans the Lohit River, a major tributary of the Brahmaputra River, from the village of Dhola (Tinsukia District) in the south to Sadiya to the north.

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The Bhupen Hazarika Setu, also known as the Dhola-Sadiya Bridge, is a bridge in India, connecting the northeast states of Assam and Arunachal Pradesh. The bridge spans the Lohit River, a major tributary of the Brahmaputra River, from the village of Dhola (Tinsukia District) in the south to Sadiya to the north.

Talimeren Ao He was the first captain of independent India’s first football team, he led the country to the 1948 London Olympics.

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Talimeren Ao He was the first captain of independent India’s first football team, he led the country to the 1948 London Olympics.

Me-Dum-Me-Phi is an important festival celebrated by the Ahom community in Assam. It is observed annually on January 31st as a day of ancestor worship and remembrance.

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Me-Dum-Me-Phi is an important festival celebrated by the Ahom community in Assam. It is observed annually on January 31st as a day of ancestor worship and remembrance.

The present structure of the Hayagriva Madhab Temple was commissioned by King Raghudeva Narayan in 1583. However, there is historical evidence suggesting an earlier temple existed at the site, possibly constructed by a king of the Pala dynasty.

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The present structure of the Hayagriva Madhab Temple was commissioned by King Raghudeva Narayan in 1583. However, there is historical evidence suggesting an earlier temple existed at the site, possibly constructed by a king of the Pala dynasty.

Syed Abdul Malik is a prominent Assamese writer who was honored with the Sahitya Akademi Award in 1972 for his novel "Aghari Atmar Kahini".

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Syed Abdul Malik is a prominent Assamese writer who was honored with the Sahitya Akademi Award in 1972 for his novel "Aghari Atmar Kahini".

Rajanikanta Bordoloi is known as the "Upanyash Samrat" (The Emperor of Novels) in Assamese literature. He is considered a pioneer of the romantic movement in Assamese literature and wrote numerous novels based on the history of Assam.

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Rajanikanta Bordoloi is known as the "Upanyash Samrat" (The Emperor of Novels) in Assamese literature. He is considered a pioneer of the romantic movement in Assamese literature and wrote numerous novels based on the history of Assam.

Srimanta Sankardev was a 15th-century Assamese saint-reformer who founded the Ek Saran Nam Dharma movement, which emphasized devotion to a single God (Krishna) and social reform. He is credited with creating a new era of cultural and religious awakening in Assam.

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Srimanta Sankardev was a 15th-century Assamese saint-reformer who founded the Ek Saran Nam Dharma movement, which emphasized devotion to a single God (Krishna) and social reform. He is credited with creating a new era of cultural and religious awakening in Assam.

Maniram Dewan, also known as Maniram Dutta Barua, led the revolt of 1857 in Assam. Dewan was a wealthy businessman and the first Assamese tea planter. He was also a close friend of the Ahom king, Purandar Singha.

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Maniram Dewan, also known as Maniram Dutta Barua, led the revolt of 1857 in Assam. Dewan was a wealthy businessman and the first Assamese tea planter. He was also a close friend of the Ahom king, Purandar Singha.

In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

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In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.