During which national movement did Kanaklata Barua become a martyr? [#1545]
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Q1. During which national movement did Kanaklata Barua become a martyr?
Q1. During which national movement did Kanaklata Barua become a martyr?
(A) Quit India Movement
(A) Quit India Movement
(A) Quit India Movement
(B) Swadeshi Movement
(B) Swadeshi Movement
(B) Swadeshi Movement
(C) Civil Disobedience Movement
(C) Civil Disobedience Movement
(C) Civil Disobedience Movement
(D) Non Cooperation Movement
(D) Non Cooperation Movement
(D) Non Cooperation Movement
Answer: (A) Quit India Movement
Answer: (A) Quit India Movement
Answer: (A) Quit India Movement
Kanaklata Barua became a martyr during the Quit India Movement of 1942. The 17-year-old Indian independence activist was shot and killed by British police while leading a procession carrying the national flag. The procession was attempting to raise the flag at the Gohpur Police Station on September 20, 1942. Barua was a member of the All India Students' Federation and an organizer in the Mrityu Bahini, a group of freedom fighters.
Kanaklata Barua became a martyr during the Quit India Movement of 1942. The 17-year-old Indian independence activist was shot and killed by British police while leading a procession carrying the national flag. The procession was attempting to raise the flag at the Gohpur Police Station on September 20, 1942. Barua was a member of the All India Students' Federation and an organizer in the Mrityu Bahini, a group of freedom fighters.
Kanaklata Barua became a martyr during the Quit India Movement of 1942. The 17-year-old Indian independence activist was shot and killed by British police while leading a procession carrying the national flag. The procession was attempting to raise the flag at the Gohpur Police Station on September 20, 1942. Barua was a member of the All India Students' Federation and an organizer in the Mrityu Bahini, a group of freedom fighters.
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Related MCQ Quizzes
Q1. Which Assamese writer is known by the sobriquet / nickname "Deshbhakta"?
Q1. Which Assamese writer is known by the sobriquet / nickname "Deshbhakta"?
(A) Tarun Ram Phukan
(A) Tarun Ram Phukan
(A) Tarun Ram Phukan
(B) Omeo Kr Das
(B) Omeo Kr Das
(B) Omeo Kr Das
(C) Kumud Ch. Hazarika
(C) Kumud Ch. Hazarika
(C) Kumud Ch. Hazarika
(D) Hem Barua
(D) Hem Barua
(D) Hem Barua
Answer: (A) Tarun Ram Phukan
Answer: (A) Tarun Ram Phukan
Answer: (A) Tarun Ram Phukan
Tarun Ram Phukan was a prominent political leader, hunter, and writer from Assam. He was a true patriot, who worked for his country and countrymen, earning him the title "Deshbhakta" (Patriot).
Tarun Ram Phukan was a prominent political leader, hunter, and writer from Assam. He was a true patriot, who worked for his country and countrymen, earning him the title "Deshbhakta" (Patriot).
Tarun Ram Phukan was a prominent political leader, hunter, and writer from Assam. He was a true patriot, who worked for his country and countrymen, earning him the title "Deshbhakta" (Patriot).
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Q2. In which sport do Tania Choudhury and Nayanmoni Saikia from Assam represent India?
Q2. In which sport do Tania Choudhury and Nayanmoni Saikia from Assam represent India?
(A) Lawn Bowls
(A) Lawn Bowls
(A) Lawn Bowls
(B) Badminton
(B) Badminton
(B) Badminton
(C) Carrom
(C) Carrom
(C) Carrom
(D) Judo
(D) Judo
(D) Judo
Answer: (A) Lawn Bowls
Answer: (A) Lawn Bowls
Answer: (A) Lawn Bowls
Lawn Bowls
Lawn Bowls
Lawn Bowls
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Q3. Who is known by the sobriquet / nickname "Natasurjya" in Assamese literature?
Q3. Who is known by the sobriquet / nickname "Natasurjya" in Assamese literature?
(A) Phani Sarma
(A) Phani Sarma
(A) Phani Sarma
(B) Raghunath Choudhary
(B) Raghunath Choudhary
(B) Raghunath Choudhary
(C) Rajanikanta Bordoloi
(C) Rajanikanta Bordoloi
(C) Rajanikanta Bordoloi
(D) Hiren Gohain
(D) Hiren Gohain
(D) Hiren Gohain
Answer: (A) Phani Sarma
Answer: (A) Phani Sarma
Answer: (A) Phani Sarma
In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.
In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.
In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.
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Q4. Which district of Assam has the longest international border?
Q4. Which district of Assam has the longest international border?
(A) Nalbari
(A) Nalbari
(A) Nalbari
(B) Karimganj
(B) Karimganj
(B) Karimganj
(C) Dhubri
(C) Dhubri
(C) Dhubri
(D) Kokrajhar
(D) Kokrajhar
(D) Kokrajhar
Answer: (C) Dhubri
Answer: (C) Dhubri
Answer: (C) Dhubri
Dhubri
Dhubri
Dhubri
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Q5. Which Assamese writer is referred to as "Pratimar Khonikor"?
Q5. Which Assamese writer is referred to as "Pratimar Khonikor"?
(A) Chandra Kumar Agarwala
(A) Chandra Kumar Agarwala
(A) Chandra Kumar Agarwala
(B) Jyotiprasad Agarwalla
(B) Jyotiprasad Agarwalla
(B) Jyotiprasad Agarwalla
(C) Hem Barua
(C) Hem Barua
(C) Hem Barua
(D) Gunabhiram Barua
(D) Gunabhiram Barua
(D) Gunabhiram Barua
Answer: (A) Chandra Kumar Agarwala
Answer: (A) Chandra Kumar Agarwala
Answer: (A) Chandra Kumar Agarwala
Chandra Kumar Agarwala, a prominent figure in Assamese literature, is often referred to as "Pratimar Khonikor" (The Sculptor of Images) for his evocative and imaginative poetry, particularly known for its romantic and idealistic themes.
Chandra Kumar Agarwala, a prominent figure in Assamese literature, is often referred to as "Pratimar Khonikor" (The Sculptor of Images) for his evocative and imaginative poetry, particularly known for its romantic and idealistic themes.
Chandra Kumar Agarwala, a prominent figure in Assamese literature, is often referred to as "Pratimar Khonikor" (The Sculptor of Images) for his evocative and imaginative poetry, particularly known for its romantic and idealistic themes.
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Q6. Which of the following is a traditional Assamese dance form?
Q6. Which of the following is a traditional Assamese dance form?
(A) Bharatanatyam
(A) Bharatanatyam
(A) Bharatanatyam
(B) Kathak
(B) Kathak
(B) Kathak
(C) Sattriya
(C) Sattriya
(C) Sattriya
(D) Odissi
(D) Odissi
(D) Odissi
Answer: (C) Sattriya
Answer: (C) Sattriya
Answer: (C) Sattriya
Sattriya is a classical Indian dance form that originated in the 15th century in Assam. The 15th-century Vaishnava saint and reformer Mahapurusha Sankaradeva created Sattriya as a way to spread the Vaishnava faith. He incorporated elements from local folk dances, treatises, and his own style.
Sattriya is a classical Indian dance form that originated in the 15th century in Assam. The 15th-century Vaishnava saint and reformer Mahapurusha Sankaradeva created Sattriya as a way to spread the Vaishnava faith. He incorporated elements from local folk dances, treatises, and his own style.
Sattriya is a classical Indian dance form that originated in the 15th century in Assam. The 15th-century Vaishnava saint and reformer Mahapurusha Sankaradeva created Sattriya as a way to spread the Vaishnava faith. He incorporated elements from local folk dances, treatises, and his own style.
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Q7. Which uprising was called as 'Chekani Kubua Ron' in the history of Assam?
Q7. Which uprising was called as 'Chekani Kubua Ron' in the history of Assam?
(A) Battle of Itakhuli
(A) Battle of Itakhuli
(A) Battle of Itakhuli
(B) Battle of Rangamati
(B) Battle of Rangamati
(B) Battle of Rangamati
(C) Dondua Droha
(C) Dondua Droha
(C) Dondua Droha
(D) Moamoria Rebellion
(D) Moamoria Rebellion
(D) Moamoria Rebellion
Answer: (D) Moamoria Rebellion
Answer: (D) Moamoria Rebellion
Answer: (D) Moamoria Rebellion
Moamoria Rebellion
Moamoria Rebellion
Moamoria Rebellion
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Q8. The Mughal general who invaded Garhgaon was
Q8. The Mughal general who invaded Garhgaon was
(A) Mirza Nathan
(A) Mirza Nathan
(A) Mirza Nathan
(B) Abu Bakar
(B) Abu Bakar
(B) Abu Bakar
(C) Mir Jumla
(C) Mir Jumla
(C) Mir Jumla
(D) Raja Ram singh
(D) Raja Ram singh
(D) Raja Ram singh
Answer: (C) Mir Jumla
Answer: (C) Mir Jumla
Answer: (C) Mir Jumla
Mir Jumla
Mir Jumla
Mir Jumla
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Q9. Who introduced co-acting on the stages of Assam?
Q9. Who introduced co-acting on the stages of Assam?
(A) Jyotiprasad Agarwala
(A) Jyotiprasad Agarwala
(A) Jyotiprasad Agarwala
(B) Bisbnu Prasad Rabha
(B) Bisbnu Prasad Rabha
(B) Bisbnu Prasad Rabha
(C) Phani Sharma
(C) Phani Sharma
(C) Phani Sharma
(D) Braja Sharma
(D) Braja Sharma
(D) Braja Sharma
Answer: (D) Braja Sharma
Answer: (D) Braja Sharma
Answer: (D) Braja Sharma
Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.
Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.
Brajanath Sharma, a pioneer of mobile theatre in Assam, is credited with introducing co-acting (specifically, women acting on stage) in 1933. This was a revolutionary step, as previously, female roles were typically played by men. His bold initiative opened up opportunities for women in Assamese theatre and significantly contributed to the industry's development.
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Q10. In which year was Jyoti Chitraban established?
Q10. In which year was Jyoti Chitraban established?
(A) 1961
(A) 1961
(A) 1961
(B) 1962
(B) 1962
(B) 1962
(C) 1963
(C) 1963
(C) 1963
(D) 1964
(D) 1964
(D) 1964
Answer: (A) 1961
Answer: (A) 1961
Answer: (A) 1961
Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.
Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.
Jyoti Chitraban, a prominent film studio in Assam, India, was established in 1961. It has played a crucial role in the development of Assamese cinema, providing a platform for filmmakers and contributing to the growth of the regional film industry. It is located in Guwahati.
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