What is the significant work of Sankardeva? [#1531]

The Kirtan Ghosha is a collection of devotional poems written by Srimanta Sankardeva, a 15th-century Vaishnava saint and scholar. It is considered the most significant work of Assamese literature and is a cultural icon of Assam, shaping its religious, musical, and theatrical traditions.

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The Kirtan Ghosha is a collection of devotional poems written by Srimanta Sankardeva, a 15th-century Vaishnava saint and scholar. It is considered the most significant work of Assamese literature and is a cultural icon of Assam, shaping its religious, musical, and theatrical traditions.

In Assamese literature, the sobriquet "Abhinayacharya" is associated with Brajanath Sarma.

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In Assamese literature, the sobriquet "Abhinayacharya" is associated with Brajanath Sarma.

Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.

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Ambikagiri Raichoudhury was a prominent Assamese patriot, writer, and journalist who played a crucial role in the Assamese renaissance. He was a strong advocate for Assamese language and culture, and his writings often reflected his deep love for his homeland and its people. He is revered as a symbol of Assamese nationalism and pride.

In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

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In Assamese literature, the sobriquet "Natasurjya" is associated with Phani Sarma. "Natasurjya" translates to "Sun of the Stage" and is used to recognize Phani Sarma's significant contributions to Assamese theatre and literature.

Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

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Madhavdeva, a key figure in Assamese literature and culture, composed 191 Bargeets. These devotional songs are a cornerstone of the Assamese Vaishnavite tradition. While his guru, Srimanta Sankardeva, initiated the Bargeet tradition, Madhavdeva significantly contributed to it, creating a substantial and influential body of work after a fire destroyed most of Sankardeva's compositions.

While the Ahom kingdom was gradually influenced by Hinduism over centuries, Jayadhvaj Singha was the first Ahom king to formally accept the religion. This occurred during his reign from 1648 to 1663.

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While the Ahom kingdom was gradually influenced by Hinduism over centuries, Jayadhvaj Singha was the first Ahom king to formally accept the religion. This occurred during his reign from 1648 to 1663.

Chakreshwar Bhattacharyya, a prominent Assamese writer and journalist, used the pen name "Rajpathar Sil" (Stone on the Royal Road) for his literary works.

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Chakreshwar Bhattacharyya, a prominent Assamese writer and journalist, used the pen name "Rajpathar Sil" (Stone on the Royal Road) for his literary works.

In Assamese literature, the pen name "Ejon Asomiya" is associated with Satyanath Borah. He was a prominent Assamese grammarian, essayist, and music composer who sometimes used this pen name.

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In Assamese literature, the pen name "Ejon Asomiya" is associated with Satyanath Borah. He was a prominent Assamese grammarian, essayist, and music composer who sometimes used this pen name.

Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

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Chandra Kumar Agarwala, Lakshminath Bezbarua, and Hemchandra Goswami are known as the "Trimurti of Assamese literature" for their contributions to the beginning of modern Assamese literature. They were also friends and co-founders of the literary organization Asamiya Bhasa Unnati Sadhini Sabha. Agarwala was the first editor and financier of the magazine Jonaki, which was published on February 9, 1889. The history of Assamese literature is divided into three periods named after magazines: the "Jonaki Age" (1889–1929), the "Abahan Age" (1929–1940), and the "Ramdhenu Age" (1940–1970).

Birinchi Kumar Barua is a prominent Assamese scholar and writer who was awarded the Sahitya Akademi Award in 1964 for his work on Assamese folk culture, "Asamar Lok-Sanskriti".

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Birinchi Kumar Barua is a prominent Assamese scholar and writer who was awarded the Sahitya Akademi Award in 1964 for his work on Assamese folk culture, "Asamar Lok-Sanskriti".

Syed Abdul Malik used the pen names "Ajagar" and "Swami Abhangananda" in Assamese literature. He was a prominent Assamese writer, poet, and journalist known for his progressive views and his contributions to Assamese journalism.

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Syed Abdul Malik used the pen names "Ajagar" and "Swami Abhangananda" in Assamese literature. He was a prominent Assamese writer, poet, and journalist known for his progressive views and his contributions to Assamese journalism.