Who was the father of Bhaskarvarman among the Varman rulers? [#1521]

Bhaskarvarman was the most illustrious king of the dynasty of Pushyavarman (Varman dynasty) and must have raised the importance of Pragjyotisha-Kamrupa in North Indian politics. His father Susthitavarman had two sons, Supratisthitavarman and Bhaskarvarman.

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Bhaskarvarman was the most illustrious king of the dynasty of Pushyavarman (Varman dynasty) and must have raised the importance of Pragjyotisha-Kamrupa in North Indian politics. His father Susthitavarman had two sons, Supratisthitavarman and Bhaskarvarman.

Karbi Anglong was originally a single district. In 2015, an administrative reorganization divided it into two separate districts: Karbi Anglong (eastern part) and West Karbi Anglong (western part) by the Kapili River.

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Karbi Anglong was originally a single district. In 2015, an administrative reorganization divided it into two separate districts: Karbi Anglong (eastern part) and West Karbi Anglong (western part) by the Kapili River.

Rongmilir Hanhi is a renowned Assamese novel written by Padma Shri Rongbong Terang. It is considered a masterpiece of Assamese literature and has been translated into several languages.

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Rongmilir Hanhi is a renowned Assamese novel written by Padma Shri Rongbong Terang. It is considered a masterpiece of Assamese literature and has been translated into several languages.

While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

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While various traditional theatrical forms existed in Assam, the Yatra Party is considered the most direct precursor to mobile theatre. Yatra parties were traveling troupes that performed plays, often based on mythological or historical themes, for audiences in different locations. This tradition of traveling performance troupes laid the groundwork for the development of mobile theatre, which adopted and modernized this concept. While Ankia Nat and Bhaona contributed to Assamese theatrical traditions, they weren't traveling troupes in the same way as the Yatra and thus not the direct predecessor of mobile theatre's format.

The Battle of Mohgarh, which took place on April 26, 1824, is considered the last battle fought to revive the independence of Assam. The Ahoms lost the battle to the Mans (Burmese), ending their 600-year rule.

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The Battle of Mohgarh, which took place on April 26, 1824, is considered the last battle fought to revive the independence of Assam. The Ahoms lost the battle to the Mans (Burmese), ending their 600-year rule.

Mir Jumla

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Mir Jumla

Rita Choudhury is a prominent Assamese writer who was awarded the Sahitya Akademi Award in 2008 for her novel "Deou Langkhui".

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Rita Choudhury is a prominent Assamese writer who was awarded the Sahitya Akademi Award in 2008 for her novel "Deou Langkhui".

The earthen lamp lit by Madhavdeva, a prominent figure in Assamese Vaishnavism, is still burning continuously at the Dhekiakhowa Bornamghar in Jorhat, Assam. This Namghar (place of worship) was established by Madhavdeva in 1528, and the lamp has been kept alight ever since, making it a significant pilgrimage site and a symbol of enduring tradition.

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The earthen lamp lit by Madhavdeva, a prominent figure in Assamese Vaishnavism, is still burning continuously at the Dhekiakhowa Bornamghar in Jorhat, Assam. This Namghar (place of worship) was established by Madhavdeva in 1528, and the lamp has been kept alight ever since, making it a significant pilgrimage site and a symbol of enduring tradition.

The traditional Assamese script is called the Assamese script or Asamiya Lipi. It evolved from the eastern Nagari script and is used to write the Assamese language. While it shares some similarities with the Bengali script, it is a distinct script with its own unique characters and features.

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The traditional Assamese script is called the Assamese script or Asamiya Lipi. It evolved from the eastern Nagari script and is used to write the Assamese language. While it shares some similarities with the Bengali script, it is a distinct script with its own unique characters and features.

A Madol is a double-sided barrel drum, a percussion instrument widely used by various ethnic groups in Northeast India, particularly in Assam, Sikkim, and among communities of Nepali origin. It's an important part of their folk music and cultural performances. It is often played during festivals, dances, and other cultural events.

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A Madol is a double-sided barrel drum, a percussion instrument widely used by various ethnic groups in Northeast India, particularly in Assam, Sikkim, and among communities of Nepali origin. It's an important part of their folk music and cultural performances. It is often played during festivals, dances, and other cultural events.

Rudra Singha, also known as Rudra Singha Suklengmung, was a medieval king of Assam who ruled from 1696 to 1714. He is credited with building the famous Sivasagar Sagar tank, and is known for his military campaigns against the Mughals. He was a powerful and influential king who played a significant role in Assam's history.

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Rudra Singha, also known as Rudra Singha Suklengmung, was a medieval king of Assam who ruled from 1696 to 1714. He is credited with building the famous Sivasagar Sagar tank, and is known for his military campaigns against the Mughals. He was a powerful and influential king who played a significant role in Assam's history.