Who was the father of Bhaskarvarman among the Varman rulers? [#1521]

Bhaskarvarman was the most illustrious king of the dynasty of Pushyavarman (Varman dynasty) and must have raised the importance of Pragjyotisha-Kamrupa in North Indian politics. His father Susthitavarman had two sons, Supratisthitavarman and Bhaskarvarman.

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Bhaskarvarman was the most illustrious king of the dynasty of Pushyavarman (Varman dynasty) and must have raised the importance of Pragjyotisha-Kamrupa in North Indian politics. His father Susthitavarman had two sons, Supratisthitavarman and Bhaskarvarman.

1881 dibrugarh to mirgherita

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1881 dibrugarh to mirgherita

AD 350-1206

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AD 350-1206

The first sugar mill in Assam was set up in Baruah Bamun Gaon, Dergaon, in 1958.

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The first sugar mill in Assam was set up in Baruah Bamun Gaon, Dergaon, in 1958.

Nalbari (Sonkuriha) mention as silk weaving center or silk produce

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Nalbari (Sonkuriha) mention as silk weaving center or silk produce

Kongali Bihu, also known as Kati Bihu, is an Assamese harvest festival celebrated in autumn (October-November). Unlike Rongali Bihu (spring) and Magh Bihu (winter), Kongali Bihu is a more somber occasion. It marks a lean period in the agricultural cycle, before the new harvest. Celebrations are typically simple, involving lighting lamps in paddy fields and offering prayers for a bountiful harvest. It symbolizes a time of scarcity and anticipation.

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Kongali Bihu, also known as Kati Bihu, is an Assamese harvest festival celebrated in autumn (October-November). Unlike Rongali Bihu (spring) and Magh Bihu (winter), Kongali Bihu is a more somber occasion. It marks a lean period in the agricultural cycle, before the new harvest. Celebrations are typically simple, involving lighting lamps in paddy fields and offering prayers for a bountiful harvest. It symbolizes a time of scarcity and anticipation.

Sandhya, also known as Gaudesvara, is the ruler credited with shifting the capital of Kamarupa from North Guwahati to Kamatapur, establishing the Kamata Kingdom.

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Sandhya, also known as Gaudesvara, is the ruler credited with shifting the capital of Kamarupa from North Guwahati to Kamatapur, establishing the Kamata Kingdom.

Sattriya is a classical Indian dance form that originated in the 15th century in Assam. The 15th-century Vaishnava saint and reformer Mahapurusha Sankaradeva created Sattriya as a way to spread the Vaishnava faith. He incorporated elements from local folk dances, treatises, and his own style.

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Sattriya is a classical Indian dance form that originated in the 15th century in Assam. The 15th-century Vaishnava saint and reformer Mahapurusha Sankaradeva created Sattriya as a way to spread the Vaishnava faith. He incorporated elements from local folk dances, treatises, and his own style.

While the Ahom kingdom was gradually influenced by Hinduism over centuries, Jayadhvaj Singha was the first Ahom king to formally accept the religion. This occurred during his reign from 1648 to 1663.

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While the Ahom kingdom was gradually influenced by Hinduism over centuries, Jayadhvaj Singha was the first Ahom king to formally accept the religion. This occurred during his reign from 1648 to 1663.

The state of Assam comprises three physiographical divisions, namely, the Brahmaputra Valley, the Barak Valley and the Karbi-Anglong and the North-Cachar hills.

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The state of Assam comprises three physiographical divisions, namely, the Brahmaputra Valley, the Barak Valley and the Karbi-Anglong and the North-Cachar hills.

Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.

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Ajan Fakir, also known as Nizamuddin Auliya, was a Sufi saint who traveled to Assam in the 17th century. He is credited with composing the Jikir and Jaari geets, devotional songs that blend Assamese folk music with Sufi and Islamic influences. These songs hold a significant place in Assamese cultural heritage and are still widely sung and appreciated today.